We dissect the Grammy Awards where Kenny Rogers and Phil Collins stole the show, and Whitney Houston's Grammy-winning record. Our conversation takes a serious turn as we honor the courage of those who participated in the People's Power Revolution in the Philippines. We also reminisce about the Eurovision Song Contest and the influence of Bob Geldof's honorary UK knighthood. From the Monkeys' iconic tour to the Conspiracy of Hope benefit concert, we cover a wide range of musical events that shaped this era.
What's a trip to the 80s without a deep dive into punk, hardcore, and rock music? We uncover the stories behind the break-up of influential bands such as The Boomtown Rats, Black Flag, Culture Club, and ELO, and discuss the legacy they left behind. We navigate through the world of music, from the tunes of the Five, Six, Seven, Eights and Cowboy Junkies to the drama of band break-ups, such as Thin Lizzy's. So, come take a ride with us down memory lane to the rhythms of the 80s, full of laughs, reflection, and good old nostalgia.
We dissect the Grammy Awards where Kenny Rogers and Phil Collins stole the show, and Whitney Houston's Grammy-winning record. Our conversation takes a serious turn as we honor the courage of those who participated in the People's Power Revolution in the Philippines. We also reminisce about the Eurovision Song Contest and the influence of Bob Geldof's honorary UK knighthood. From the Monkeys' iconic tour to the Conspiracy of Hope benefit concert, we cover a wide range of musical events that shaped this era.
What's a trip to the 80s without a deep dive into punk, hardcore, and rock music? We uncover the stories behind the break-up of influential bands such as The Boomtown Rats, Black Flag, Culture Club, and ELO, and discuss the legacy they left behind. We navigate through the world of music, from the tunes of the Five, Six, Seven, Eights and Cowboy Junkies to the drama of band break-ups, such as Thin Lizzy's. So, come take a ride with us down memory lane to the rhythms of the 80s, full of laughs, reflection, and good old nostalgia.
Well, here we are, episode 120. Got a little emotional there. On this episode I have the usual crew the Wrecking 2. Oh, I like that. I just made that up. I have the usual crew of the Wrecking 2, we're going to be talking about 1986. Why am I doing all this yelling and extension of my voice? 1986 was a good year. It was one year from going in the military and meeting Todd Salkman. On a lighter note, it should be a good show. So sit back, relax, enjoy 1986.
:Now let's talk music. Enjoy the show.
Scott:Thank you, amanda, for that wonderful introduction as usual. Welcome back, my friends, to the show that never ends. You know the name, I'm not going to say it. Welcome to the podcast. I'm streaming live right now over Facebook, youtube, twitch, twitter, d-live or not, twitterx Is anyone ever going to just call it X? Is that ever going to take hold? Or will it always be the artist formerly known as Twitter? I don't know. I don't know. Does it matter? I don't think so. In the big picture, did it matter in 1986, when the Germans bombed Pearl Harbor? No, oh, you know what. This is a perfect opportunity to bring on the Wrecking 2. Mark Smith when is he? What's he?
Mark:Late to the party.
Scott:What the?
Mark:hell, just happened there.
Scott:Hi, I had this big intro and you, just like you know, it's going to be a long show.
Mark:Hey, at least I'm lit real nice. That's right, you got nice lighting.
Scott:Now Lou's back in France. He's back in Paris. So he has to be subdued.
Lou:It's nighttime in Paris.
Scott:Hey, good evening Patty. She says you're on time this week. Yellow, yeah, I know that was. I don't know it's Lou's fault last week, I think. Maybe I don't know somebody's fault, it's always drummer's fault. Yeah, it's just blaming on the drummer.
Lou:What am I apologizing for?
Scott:You don't need to know.
Mark:I will say something. My autographed porcupine tree picture fell this week because that story you were telling Lou and I was banging my head against the wall.
:I apologize for that.
Scott:What are you apologizing for?
Lou:Stop her apologizing.
Scott:You know what You're apologizing. You know right into the penalty box. There is no apologizing on this podcast. This is not a soft podcast. This is a podcast where you speak your mind. We don't self-censor on milk cretes and turd tables, I won't.
Lou:I won't show my scar.
Scott:Definitely in the box, then Definitely in the box.
Lou:I noticed Colin's comment. Was it disturbing behavior? Oh boy.
Scott:Oh yeah, that was in. That even was evoked a comment on Twitter. Someone said it was one of the funniest stories they ever heard.
Lou:As long as it doesn't happen.
Scott:They even had the time. They had the timestamp from, like I was like one hour and 52 minutes to one hour and 57 minutes Like funniest five minutes, something like that.
Lou:We're at almost at two hours at that point. I know Mark didn't go to bed early that night.
Mark:No, I was the right next day.
Scott:But looking at looking at night in the events of 1986, we're definitely not doing a three hour show tonight Not a lot happened in in 1986. As far as, like you know, big things, usually when I do these years, when we do these years, it's a significant list of music events. But I looked at it and I went oh okay, we'll be talking about movies.
Lou:Was the road to a peaceful year I guess For me, I was concerned about graduating high school that year Because I failed Jim.
Mark:I was one year from going in the in the Air.
Lou:Force, he failed Jim.
Scott:I graduated college that year and then I took the just another year off, took from that point on, so I had to. I had to go to like I guess they call it summer school. So they let me go to graduation. But I didn't get a diploma because I was a couple credits short. But I had it set up for the summer class thing. And Tiffany Vanille that's my buddy Good evening. She says good afternoon, so evidently she's in another time zone and y'all y'all, is she in the cell Well?
Scott:she's in the south Southwest Boston Southwest, you know. But I know what she means. I know what she means Tiffany's my buddy spent the day with her the other day, on Tuesday, at a big united mission, united veterans conference of all these different non for profits that are helping veterans. It's a great time. It's a great time. And then at the end Tiffany and I stole sandwiches.
Lou:Nice, I'm going to tell you the story. It wasn't me.
Scott:I'm just saying it wasn't me, it wasn't my idea, it wasn't my idea. So everybody leaves and they had the mission united there for me the night away. She says, no, just working in a different internal time clock running. That's a busy girl. She is a busy girl. But back to the story. So Tiffany and I would like the last ones to leave the conference.
Scott:The guy that was running it he's a buddy of mine from mission united. He's talking to some people. So he had kept saying throughout the conference eat the food. Because the whole back table was just all you know sandwiches and mac salads and desserts and drinks. And he's like eat the food. So we're about to leave and Tiffany says, hey, it's a lot of food over there. I said, yeah, it is. She says, well, so well, it's because I'm going to get some. I said, okay, I'm with you, I'm with you, right. So he over and she takes, gets a plate. She gets in. The sandwiches were like mini subs. Look at, she said. He said. Tiffany said, oh my God, my 95 year old grandma would have killed me if I let them throw it away. You're not getting out of this one that easy, tiffany. No, no, no, she's, she's, that's a deflection. She says you know, she did say can't let good food go away.
Lou:So she did say that Right so she gets the same.
Scott:And they were like two. They were like like eight inch subs, right, and they were cutting half with a big tooth. She gets one. I said, well, I don't really want to cook dinner tonight, so I grabbed two. Yeah, you need to. Well, one for me, one for Dr Vera.
Mark:Two for you.
Scott:No, so, and then I went a step further. I looked around and I put them in my bag Stuff sandwiches in my bag, like I'm hiding them, like somebody's going to see me doing this. Right, there's nobody there.
Mark:I do the two paper plates and I just squash them, that's what Tiffany did.
Scott:She's proper like that. She's proper like that. I stuff them in a bag.
Mark:So you felt the need to hide it. You could have just walked out with it. Yeah, yeah.
Scott:My grandma's favorite was the avocado. Oh nice, yeah yeah, they covered the. They ran again. And a vegan vegetarian. Yeah yeah, they put on a good spread. It's a very interesting conference.
Lou:I have any salad, and so how?
Scott:I really didn't want to put salad in my bag.
Lou:I had some swag in there.
Scott:Yeah, I had some swag. I didn't eat like salad all over my water bottle. Why do they always give water bottles away? Having these places figured out yet that every freaking conference you go to, or whatever you do, there's always water bottles? You know, we water bottles I have in my house. You want to talk about single use, like these things, like these. You know purified water.
Lou:I have.
Scott:I have more water bottles from conferences that my wife went to that I mean sit rolling around my house. I could. I could fill a half a lake and they're all cheap, they're cheap, they're all cheap. It's like, hey, hey guys, I got a great idea for marketing. Let's put our name on a water bottle. Yeah, nobody does that. No, well, I could say otherwise.
Mark:You know it's a good giveaway, usb drives, even though people don't use them so much anymore. We did that once where I work and that's big, you know. You know it's even better.
Scott:You know it's even better If you get a USB drive. Let me see. Tiff says it was an amazing conference, amazing experience to hang out with everyone. I gotta go, but hope you all have it made. Well, thank you for checking in. And just as the wonderful, beautiful Tiffany leaves the air, todd Sackman comes on. I am here, entertain me. Well, he just missed a good story. So, todd, no, we're not going to repeat it.
Mark:You should repeat it.
Scott:No, no. So you know, you know it's good, you get those USBs and you get one, just get one and you load it with porn and then you just put it amongst all the other ones.
Lou:Spike them, spike it so when they put it in.
Scott:they'll see like this you know little file, like what, what's this? You put midget porn and if it's, if it's the best if it's coworkers.
Mark:You see, it comes in with either a big smile or like a frown the next day.
Lou:I think it's it's little people porn. That's good Well so so.
Scott:If I married two midgets, is that big of me?
Mark:Oh come on, lou, I'm doing the rim shots.
:Yeah, I got nothing over Come on.
Scott:That's a good one. I got another one. I got another one. If somebody driving an electric car hits somebody, do they get charged with battery?
Lou:Yeah, that's good, that's good.
Scott:It is hey dude, do white track. Poor white trash people go to the movies just to see the trailers.
Mark:I did sneak into the theaters to see the Star Wars trailers back in the 70s. Yeah, yeah.
Scott:I think he misses the whole point of that joke. Oh my, all right, moving on you know, he called a lot of fog in Italy.
Lou:What a big amist.
Scott:All right, robert Kirkman says he remembers a midget in 86. Okay, 86 is a good. Yeah, speaking of 86, let's get into it. Let's get into it. So, starting right off, so this is not a lot happened in 86. It's like, as far as musical events because the year starts off on January 30th, like the last day of the month, nobody did anything in music from January 1st to January 29th. 1980 says nothing happened, those boring January so far of all the years we've been doing, usually it's that's like January 3rd. This album dropped on that.
Lou:Yeah, no, was live in 85.
Scott:Yeah, I believe it was yes.
Lou:Maybe we're in like a live aid, big benefit thing Hangover. It was just a lull.
Scott:I don't know, but that was the summer. Live aid was in the summer, yeah.
Lou:So this is like January, can't be that big of a hangover.
Scott:Where was the revolution? Where was the?
Lou:revolution. I mean I think it was in the rubber Kirkman. So there was a revolution. There was a revolution in Guatemala, I don't know.
Scott:Anyway, on January 30th 1986, the Rocker Hall of Fame in Cleveland holds its first induction ceremony, with many rock pioneers attending. That's not that true? It's not that true. That's a little bit, I think. I think, as the story goes, that's a little exaggeration.
Mark:I think we're going to get a here we go moment.
Scott:No, no, I didn't. Didn't like Aretha Franklin didn't show up. They're like a bunch of people didn't show up?
Lou:Was that the first year you said yeah, little Richard.
Scott:It's induction ceremony Little.
Lou:Richard didn't show up, right, he was part of the inaugural class. He did not show. He wasn't there because of illness.
Scott:Hey look, give me a, give me a fact about little Richard. Funny, you should ask.
Lou:Funny I have to go back in time here. All right, I'll fill in while he's looking.
Mark:I was underwhelmed when they announced the Rock and Roll Hall of Fame. I was like I knew it was going to be a disaster Like Hall of Fame are disasters, so I was never behind. I was like, oh, wow, yeah.
:Yeah.
Mark:Actually it's like don't you want to keep rock and roll Not in that spotlight? Yeah, I'm doing rim shot, don't worry about it.
Lou:I got when 2D3D is in the national recording registry of a Library of Congress Holy cow.
Scott:Wow, look at that. That's a great fact. Anyways, moving on, this was a bad segment.
Lou:Yeah, I know I go back in time.
Scott:So, uh, so, okay, bob Kirkman says that's right. February of 86, the people, the people's power, revolution in the Philippines happened, right, so that was, uh, they were, they were getting rid of Marcos, getting rid of Ferdinand Marcos. Uh, my, my wife, the, the wonderful and beautiful Dr Vera, was a young nursing student at the time in the Philippines, right, and she had uh kind of gotten got involved with some uh, this like underground revolutionary newspaper, right, uh, and it was all uh anti Marcos, you know articles and the, uh, the founder, the guy that found it in a, in a, in a girl, uh disappeared, like they disappeared, and uh, they found them like three days later, heads cut off, right, yeah, yeah, so everybody, I scattered, everybody went underground, right, everybody kind of took off and so there was a, uh, a big pur, like a big march in Manila. They're all marching toward the, the, the capital, right, the, I guess the palace, they called it and uh, my, my wife, you know, decided she was going to be part of this, so she skips school that day, nursing school changes the, and she starts marching in the crowd, right, and they're heading down into, toward the cat, the palace and his tanks, right, they, the, because the Philippine army got involved and we're stopping them. So she said that, uh, they were all just kind of standing there, everyone's just kind of standing in the tanks, and you get the guy out there with the guns, right.
Scott:So, uh, the people start yelling at the guy, they start yelling at the guy right, the army, the soldier, and uh, he says, give me a cigarette, you know. And so someone grabbed my wife, pushed her up front and she's like no, and they said they won't touch you, you're pretty and you're, you're young, they won't, they won't hurt you, you're, you're a girl, right. So she said they gave him, gave her a cigarette. She walked up to the tank and handed the guy the cigarette and she said his hand was shaking like like a leaf. He was, he was scared, yeah, and he goes, I need a life. He yelled at her Right and she said he needs a life. So she went back, they go here and they give it to her and she walks up and she gives to him and he lights the cigarette and she's just kind of backs up and backs up and uh, like within like two minutes the guy is fucking, jumps off the tank and joins the crowd.
Scott:He's like I'm not doing this, I'm not doing this and they get all the way to the palace and they see the helicopter taken off. Oh yeah, the US came in and evacuated them to Hawaii. Well, marcus and his wife, yeah, melda, never to be set foot or be buried in the Philippines again.
Lou:Wasn't he? Didn't they take over from somebody, didn't they?
Scott:Uh, yeah, it was. Uh, uh, what's his name? Um Aquino, aquino, it was Aquino. Yeah yeah, they told him don't come back. Don't come back. And he came back and he shot him right as he walked off the plane.
Lou:Right, well, he was running against him, melda. Was he trying to take over?
Scott:No, he was, he was, uh, uh, he was running against Marcos. Ferdinand, Ferdinand Marcos, Okay, and uh he. He had a uh, I don't know who Ferdinand Marcos took over from, but uh, Aquino, who's his wife, went on to become the president, but that dude walked off the plane. He got down the bottom of the stairs and they whacked them.
Scott:Wow, yeah, and then she was the president and, uh, she didn't know that she was no day at the beach. But anyway, let's move on. How do you get sidetracked? I think this might be a three hour show.
Lou:Oh, I got a pillow. I asked where the revolution was.
Scott:Oh, that's right, that's right. February 25th 1986, the 28th annual Grammy Awards are presented in LA, hosted by Kenny Rogers, phil Collins, uh, and hosted by Kenny Rogers and Phil Collins, is no jacket required? Phil Collins, who should be in the Rockwell Hall of Fame on his own, uh, wins album of the year, while USA for Africa's, we are the world wins both record of the year and song of the year. And that hottie with the body shot day, that sexy, sexy, sexy woman, gets best new artist. Oh, cool.
Mark:And she's proceeded to do the same album over and over for 10 years, every 10 years, but I still love her. I love the music.
Scott:Just the way she sings, the way she looks. She still looks good too. She still looks really good. Yeah, one of the greatest record deals ever made to this day she's still making bank on that Refused money. Up front said I'll take it all in the tail end. They were like she's not going to sell records. She's like oh yes, I will.
Mark:Yeah, now she gets like 10% of the residuals of every time recording she tours when she wants the song under no pressure.
Lou:Smooth operator has been licensed. You know yeah yeah, good money in the licensing.
Scott:Yeah, yeah, did I say. She still looks good. You do, yeah, you know what. And it's funny because she has that high receding hairline. Right, she has a high hairline and it's just, it's like just just that beautiful that she makes up for that.
Scott:Yeah, you know, I'll tell you what, ladies, when that went, when that cassette went in the deck and you were in my car, it's out. It was all that one in Alby Sure, I'll be sure it's first out. Oh, sucky, sucky. Now Watch out. It was all when I popped that shit in. Let's see. Yep, also, whitney Houston wins her first Grammy award, which she won the best pop vocal performance for a female. Do they even have male or female shit anymore? Is it all like it's just an artist?
Mark:I have no idea.
Scott:It's an artist formerly known as March 8th 1986, for almost a year Houston's debut album top of the top the charts and remained for seven weeks, and another on May 17th. Let me see May 3rd 1986, the 31st Eurovision song contest that nobody cares about. On May 28th the monkeys held a press conference at Hard Rock Cafe in New York city to announce officially they will embark on a hundred plus city tour. The tour becomes one of the biggest grossing tours of the year. They surprised me, they knew it Well they knew exactly how old we were at that time.
Scott:And nostalgia, you know, at a certain point in your life you're always looking for nostalgia, Right. That's why these old rock bands can keep touring.
Lou:MTV, weren't they? Were they playing the monkeys on MTV? I think they did.
Scott:Actually they did like a marathon one day. They played every episode all 13 of them.
Mark:What's the young kids? The young kids were into it.
Scott:Joanne Guzboski just joined the show. Thank you, joanne, I love you. Let me see June 10th 1986. Bob Geldof Get douche Guys just a douche.
Lou:I don't like, I don't like the boomtown rats at all. I can that Monday song. I hate it, it's just.
Scott:Bob Geldof is a douche.
Mark:I read his autobiography. It's good.
Scott:I've put. I've put big parties together before. It's not that fucking hard. Bob Geldof is awarded an honorary UK knighthood Look at me on Sir Bob in recognition of his work in organizing live aid. I could have done that. Make some phone calls, that's it. You think he did all the work.
Lou:I guess Hell. No, I guess he covered that song.
Scott:Yeah, the song is stupid and there won't be snow in Africa.
Mark:Oh, here we go, jack, put you in your place on it.
Scott:No, he didn't. He wasn't even close. He's a star player.
Lou:Put you in your stupid lyrics it's better than USA for Africa.
Mark:Yeah, yeah Well killer drum, yeah, killer drums from Phil and Ringo. Ringo's on Ringo's on, we on band, band I'm banded Really.
Lou:Yeah. Here the extended version Long drum.
Scott:There was an extended version of band. I don't know.
Mark:I heard that one Doing their little vocals. This is what Merry Christmas and doesn't sting.
Lou:Got to say word bitter sting of tears because his name was sting. That's pretty bad. Stupid, right, stupid.
Scott:That was so cheesy. I don't know, and we all fucking bought into it. What the fuck, and what good did it do?
Lou:them. You know, with George Carlin said moved to where the food is.
Scott:Yeah, yeah.
:What good did it do them.
Scott:No, yeah you know I'm not paying organizations that say where we're going to help them. So give us all this money and we'll, we'll help you, okay.
Lou:Just like the concert for Bangladesh, Most of that money didn't make it to the no no.
Scott:And Bob Geldof never even lifted a can of peas for that thing. He said I'm Bob Geldof, I just do. You want to do a concert? I don't like Mondays. I don't like Mondays, Remember me.
Mark:I just got a call. Can I get us in Bob's calling?
Scott:Yeah, yeah, june 15th, the final show of a conspiracy of hope, benefit concert. You remember that.
Lou:Yeah, what was that?
Scott:Organized by Amnesty International, took place at Giant Stadium. It's conspiracy show is headlined by you two, sting and Brian Adams, and also features Peter Gabriel, lou Reed, joan Baez and the Neville brothers. Also, the police would perform one last time on stage during during the show, before disbanding that same year. That was like their last performance. Well, no, because they did get back together and tour I mean before the reunion.
Mark:Yeah, yeah.
Lou:Did the police make a bad album ever? I don't think so. I don't either.
Scott:I think all the record.
Lou:question no they didn't, did not make a bad record.
Mark:I'm tired of a couple of albums of theirs, but they're not bad. Which one Synchronicity? Well, that was the monster, right? Yeah, it just played too much, but it had wrapped around your finger.
Lou:Yeah, that's actually a great pop song. King of pain King of pain. T In the Sahara. I actually like that song. I do too, murder by numbers.
Scott:Murder by numbers was only on the cassette, though Really it wasn't on the album. That shit, yep, it was only on the cassette it was to get people to buy the cassette.
Mark:I hated when they did that?
Lou:See, I know things. That was good man, I know things. Lou Colicchio, aren't you the associate professor?
Scott:That's my wife but you know, she's a doctor by Tuosmosis, professor Doctor, yeah, she's, yeah, she's, doctor Professor.
Lou:Oh, when the police got together and remade, what was the song they remade?
Mark:The song stands up close. I liked it though.
Lou:We were supposed to talk about that, but we never did.
Scott:Yeah, I liked it.
Lou:I actually went back and listened to it and I said I did like it, Me too.
Mark:Me too. I know why they did it. They explained why they did it and I understand, but I didn't.
Lou:Well, still a couple of brokers already.
Scott:But you have to see for the audience, mark. You have to. This is a podcast. You have to kind of elaborate and say I know why they did it and move on, because now people like in their car right now going well, they won't fucking tell us. And therefore Todd Salkman just yelled at it, his radio Dude, that that tell us, mark, what is it about?
Mark:the 12 man. Well, Lou just shed some light on it. I thought they just wanted to update it for the current sound of the times, but you said that, uh, uh, the drummer broke his arm.
Lou:I think the store had an injury, something he couldn't play.
Mark:Well, that's what I didn't like about it. It was all drum machines.
Lou:Back then I hated, back then that was garbage. I thought that the different melody you know it's a different melody and stuff. And when I listened back I said you know, the thing is this, the police. The was the police doing? It wasn't like that.
Scott:And then Stuart Copeland actually came in after Sting and redid them. So what you heard was what he put together.
Lou:Yeah, it's a drum machine.
Scott:I left them out totally originally left them out totally Like, went in and dubbed over all of his drums.
Lou:Wait, wait so. So Stuart Copeland had recorded a drum track to this.
Scott:Yeah, they had done a drum track for it, evidently. And then what had happened was in the interim, yeah, In the interim um Sting goes in the studio by himself and dubs over, uh, Stuart Copeland's drumming. I wonder why he didn't like them. Wow, they were, they were.
Lou:they were at the at their wits end with each other at that point I remember when they recorded that like Rolling Stone probably, it was just like it was a very tense situation, yeah, and then Stuart Copeland went in after that and did it.
Mark:Finished it somehow. I have heard that Stuart was the most outspoken member of the band.
Scott:Very he's the one that put him together? I would think so. I think he had a little frustration because Sting got all the all the front. You know, sting the police when Copeland was the one that put the band together.
Mark:Yeah.
Scott:Like. Like you know, brian Jones got overshadowed by the Jagger and Keith Richards.
Lou:That's what the Eagles said. He's got the song power. Yeah, you know, I mean some of Stuart Copeland's songs in their earlier albums. They're quirky.
:Yeah.
Scott:But you know, then he didn't write Roxanne, and you know by the time, it was like synchronicity Sting had come into the studio with all the songs written. Yeah.
Lou:Yeah.
Scott:You know, it's like except for the solo tracks, because, um, yeah, but mostly everything was already written so and he was doing it just for the money. I mean, there's a big there's ego, right. Then there's knowing I'm getting a writing credit on every one of these songs, right. And then it was. I don't know why. I guess Andy Stumlin was just like I'm just going to stay out of this shit wisely, you know although he did come up with the. I told you that story, the riff for don't stand so close to me.
Mark:The newer version. The newer version.
Scott:No, I'm sorry with, not with. Um, what's the the, the big, the huge hit that they had? Every breath you take, every breath you take. Yeah, copeland was saying you know he should have got a writing credit for it, and Sting didn't give him a writing credit for it, he gave him a contributor. Well, his riff is the song, is the song.
Lou:Yeah.
Scott:He's the one that made that. He brought that to the table and we couldn't get a writing credit though.
Mark:That sounded like too much time on my hands.
Scott:I know Bop, bop, bop bop, bop, bop, bop, bop, bop bop, bop, bop. Now the shitty song by sticks.
:Hey, shut up.
Scott:The shitty song by sticks. I love that song. Back to the show Death protest.
Mark:Back to the show. I'm Luther and I can say that June 30th 1986.
Scott:Okay, why am I see what? Madonna releases her true blue album, which tops the charts in over 28 countries and becomes the best selling album of 1986. I like that.
Lou:That was the top selling record of the year.
:Yeah.
Lou:Damn. What were songs run true blue?
Scott:besides that, to blue, let me see. Uh, the other songs on that album were Papa, don't preach, true, blue, open your heart to me, okay. And then la isla bonita.
Lou:That's the one, you're okay, that was my favorite.
Scott:Yeah, lift to tell. Lifted the instrumental for live to tell the.
Mark:Sean Penn movie.
Scott:Yeah, that was called. The original name of that movie was um, it was, I forget. It wasn't that, though, and they released it in the song. It became bigger than the movie, so they changed the name of the movie to live to tell.
Mark:Okay.
Scott:Yeah, that's a dark movie they had to connect it to the uh Chris. Penn, chris for walking right, yeah. Chris Penn never had a chance, never had a chance.
Lou:I got a trivia question, oh bring him on. And the music video for Papa don't preach. Who played the father? Danny yellow.
Scott:Yeah, yeah.
Lou:That's easy, come on.
Mark:That's easy.
Scott:I didn't know that.
:Danny.
Mark:I well do you know, Danny. I yellowed it a response video. Did you ever see that I'm eating my baby? No, he said something about talking back to his daughter and he said he tried to sing it and he yeah, I can't remember the name of it, but he was preaching back to her about things I don't know, but it was pretty.
Scott:Was he? Was he in that video for cry? Remember that video, godly cream.
:Was it was it?
Scott:Didn't they show different faces in that crying?
Mark:Yeah.
Scott:Was he in that? I think he was one of the faces, maybe.
Mark:I don't know. It's kind of weird Actor I don't know.
Scott:I think he was. I'm going to say he was as well.
Lou:Remember before Apache, the Bronx yeah, yeah, good movie.
Scott:OK, let's see. August 9th we're almost done. August 9th, a queen performed the band's final concert of the Magic Tour at Nebworth Park, which would be last performance. Would be the last performance of the band with Freddie Mercury and bassist John Deacon Undeacon. Later, mercury would be diagnosed with age, as we know, passing in 91, and Deacon would leave the band to retire in 1997. September 27th, a tour bus carrying the heavy heavy metal band Metallica crashes in Sweden, sweden, killing the influential bassist Cliff Burton. Didn't we talk about that last week?
Mark:That's a horrible death he got crushed right. Yeah.
Scott:He had the Buddy Holly syndrome. He got the. He got the bunk, you got the bed.
Mark:Yeah.
Scott:Ah, october Q magazine is launched in the UK. It's a music album, music magazine. November 17th and 18th, billy X teen makes his final recordings, later released on his album. Billy X teen sings with Benny caught on the flip. That is jazz. December 12th there was a sad day. On December 12th 1986. The Smiths play Brixton Academy the last gig before they break up.
Mark:Yeah, by the way, loose Scott doesn't like jazz, so he doesn't know much about jazz.
Scott:You just Brazilian jazz Dammit jazz to like?
Mark:Yes, it is.
Lou:Yes, it is, that's right.
Scott:I love Latin jazz Can know things.
Mark:Damn it.
Scott:I know things Approximately.
Lou:Yes, you do.
Scott:Oh, the dark side, yes, yeah. So let's jump right to bands formed. That was it Like, that was it in in in 86.
Lou:We're cool we pulled out in 86.
Mark:Boring, yeah, yeah a lot of albums came out. The whole touch on that.
Scott:Max Max saying thank God, thank God. No, I'm really a half hour in and we're done with that segment.
Mark:Well, I'm going to rattle off all the albums in 30 seconds All right.
Lou:Well, hold on. I'm at Perry Donovich in 86.
Scott:Well, there you go, and in music relish was born.
Lou:That's right, they started the show in 1986. And the verbs. The verbs are our first band of sorts. The verbs.
Scott:There you go. Yeah, why would you say something to have a band so close to the verb or the word?
Lou:I think it was before the verb. It was before the verb, so they copied you.
Scott:They said we can't be the verbs, they're too good.
Lou:We change names frequently.
Mark:Did all your songs have one like running, crying? You know verbs, you know exactly.
Scott:Oh good, goodbye, goodbye 30 seconds Twice Penalty box. That was a bad joke. When you have to explain it, it just deserves penalty box.
Lou:It just deserves penalty box you have to explain it, and he laughed at his own joke.
Scott:And maybe he laughed at his own joke. That's right, he's back.
Mark:You know why? Because I have a son that picks on me relentlessly and laughs at his own jokes about me. So it's kind of a little play. You're getting old.
Scott:Bands formed in 1986. The five, six, seven, eights Do you know who they are?
Lou:No, I heard of them, but Okay, okay, ready, ready.
Scott:Movie reference Kill Bill. Kill Bill Right. Remember when she goes into the bar to fight the crazy 88s? Yeah Right, and there's that Japanese all girl band playing on the stage. They were good. I want to be like Jane Mansfield. Check out the five, six, seven, eights in the kill bill. They're a fucking great oh that's them.
Mark:They are great Three.
Scott:Japanese girls. Three Japanese girls Right. One plays the drums, one plays the league guitar and singing, the other one plays the bass and they fuck, they're fantastic. I don't know why they never made it in the States, but yeah, the five, six, seven, eights, especially.
Mark:Quentin put them in a movie and they didn't do it.
Scott:They were great.
Mark:It's great.
Scott:Yeah, they were great. Um, also formed in 1986. My favorite Allison chains, yep, uh, I put this band in there. They're minor, minor success, but it's just reminded me of something formed in 1986. Big head Todd Salkman in the monsters. Big head Todd Salkman. You should see the size of his head.
Lou:Is it really giant? Is he enormous?
Scott:dude, dude, like his. He's like a 11 and a half and a hat, geez, like he could get a child's belt and put it around his forehead. And he has to go to the. He only has one, one loop.
:Like his his head is huge.
Mark:I've got the biggest neck.
Scott:Doesn't matter. His head, I mean your neck not even your neck could hold his head. I don't know how he does it. That's why he had to lift weights, so he could hold his head up.
Mark:Well, he just agreed with you.
Scott:Dude, giant kids. A child's belt, I saw it. He put it around his forehead. He had to, and he had to pull a little just to get it to the first first pole. Yeah, giant, giant head. So yeah, big head. Todd Salkman in the monsters Chick career electric band was formed in 1986.
Mark:Had that album blue. That was the drummer. What?
Lou:Dave Dave.
Mark:Weckel Weckel, one of the best drummers.
Lou:He had more symbols than every drummer ever combined. I've never seen some of these symbols on a drum kit. I don't know how he played the damn thing. I mean I had a question. You need that many symbols? I mean I'm sure he's got a reason, but I mean it was ridiculous. It's preposterous.
Scott:And even the biggest symbol is smaller than Todd Salkman's head.
Lou:Does it have its own weather system? Todd's head, todd's.
Mark:It's like a. What about J John Bonham's?
Scott:gong the one. Okay, that's bigger than Todd Salkman's head.
Mark:Okay, so it's doesn't have a big head, come on.
Scott:Well, that's a big ass gong. Big ass gong. I'll give him that. Formed in 1986. Cowboy junkies, yeah, yeah.
Lou:With what's that? They did a really slow version of sweet Jane.
Scott:So, margot, timmons, margot. Timmons was the lead singer of the cowboy junkies and Lou Reed once said and that's off the Trinity sessions. I had that CD, great CD, Lou. Lou Reed once said that that's the way the song was supposed to be done. It's funny.
Mark:I didn't like it Really yeah.
Scott:So you know me and my ladies.
:I love female singers.
Scott:I love them.
Lou:I'm a ladies man, I'll take hope sand ball for her any day. Who's?
Scott:that from as he star. Oh yeah, yeah, yeah, she's a little hearty, yeah, yeah.
Lou:I like similar band. I like the Maria.
Scott:McKee from Lone Justice. She was an 80s hearty.
Lou:Didn't she? I think she put an album this year and that girl keeps going, man, that lady.
Mark:She's the lady now when they open for you too, and I was way up in the second tier in the metallands arena and she comes out and she had that short cowboy skirt on boots and the cowboy hat yeah.
Scott:And you could see even from, but she was beautiful beautiful girl, big voice, big voice, all energy, yeah, and that group was really. They were really set up to be big Lone Justice and they just imploded.
Mark:Is that what?
Scott:happened. Too many people got into too many years, and then it just they just and they got twisted and it imploded. Yeah, but they were ready. They had what sweet, sweet baby mine. And the other song off their debut album, let me see. Can you press stop?
:on the cassette.
Scott:It's distracting.
:Fuck, I'm not touching my guitar anymore.
Mark:I really thought you were going to reach through the camera and grab.
Lou:Yeah, but then it was the one last week that walked in. I think he walked into it.
Mark:It wasn't the zipper story, it was something else.
Scott:And he's like how the fuck did I get here? That was the best comment of the night. My boy, nick. What are the only Italians I like? I? Don't know, I don't know I don't know, I don't know, I don't know, I don't know. Italians I like.
Lou:Are there any others?
Mark:I say that about.
:Lou and Tom.
Scott:Okay, lou Calico's good, jack Calabrese's good, you know, katison is good. I got a lot of them and Nick was at. Nick, I'm telling you, bro, we got to get together again, man, at least have lunch, have a drink out, happy. Oh, it hit me up, man, I, I, I get to get caught up on some stories, he says. He says I wish I had a nice father like him. Buddy, your father, buddy, your father is a goddamn good man. You don't need someone like me. Your dad, I met his father. He's a good guy. He actually made me. I met him one day. We're watching football at the clubhouse at last year, and you don't invite me to football Sunday. I will, my friend, I will. I got three screens to watch him on. So, and his father you know Goomba from New York, you know what I mean Like he's just and we're talking. I'm talking pasta, we're talking gravy sauce and all he goes. You know what I think? You're Italian.
:Yeah.
Scott:And for him that was a compliment. I took that. I said I'll take that. I'll take that. I wouldn't have taken it from anybody else, but I really don't want to make it mad.
:So that's a good family he's got a good, that's a solid.
Scott:That's an Italian family right there Representing in South Florida. Love that, let's see. David Lee Roth band was formed in 1986. Good band.
Mark:He says I was made that day.
Scott:I was made that's all I care about. I'm good to go, but Nick knows I'm, as Irish, hit man too, so you haven't needs anything.
Mark:Scott Conway. What's that Jimmy Conway oh yeah, that's right.
Scott:Yeah yeah, david Lee Roth band was formed in 86. Steve Vai, that was a good tour, crazy from the heat.
Lou:Yeah, yeah, it was small.
Scott:Thank you. What was it? Eat them and smile. Eat them and smile. That's right, yeah, that's right. Great videos, great videos, great concert.
Mark:What were the brothers names? Bissinette, matt and.
Scott:Greg, no, no, the brothers in the video.
Lou:Oh, the video. Yeah, the Italian guys. Huh, I forgot the names were.
Scott:I do too. Anywhere remembers, let me know. Okay, you know what's great about that tour.
Mark:The album was 35 minutes but he had to do a two hour show, so we just let Steve Vai and Billie she solo for like 45 minutes yeah.
Scott:My buddy makes his love. You wish all they got. Love you to my friend. Love you to go patriots.
Mark:That's not helping me any love on the milk crates and turntable show that's right, that's, I got to keep the some certain Italians.
Scott:I got to keep happy.
Mark:Yeah man, all right, it's a South Florida thing, it's a South Florida thing Keep Lou happy.
Scott:Trust me, I can't lose. Lose Lou, it's good. Who's good?
Lou:for me Allow him to come in late.
Scott:I love me.
Lou:I've been on time lately, man.
Scott:Yes, you have, I've been on considering you're in Paris.
:And there's no background.
Mark:At least he doesn't have a morgue behind him like me. I mean, I swear to God.
Scott:Eric being rock him formed in 1986. Rock him I consider the greatest rapper of all time.
Lou:Him and.
Scott:Biggie, it's, it's, it's a. I can flip flop on that. One Are the ghetto boys from the fifth ward in Houston. My mind's playing tricks on me, forgot about them. Yeah, bushwick bill. Mr Scarface, my mind's playing tricks on me. Uh, google dolls, one of the most. I don't know how they fucking made it. Groups.
Lou:I don't either. I have no idea how they made it. I thought they broke up in 86 and they're still. I hear them in a radio constant.
Scott:I saw a video. They're doing the concert, the lead singer. I'll tell you what man the bass player, I can ugly other than a bag of assholes.
:Well, they are not a good looking guy Like he, is like this little troll looking guy like not a good looking guy, Good thing he's a bass player.
Lou:If I had a dog, I look like him. I'd shave its ass and teach it to walk backwards. There you go, there you go.
Scott:I still like ugly than a bad, asshole Better, but that's a negativity on the.
Lou:that's one of them. It's one of the most stupid names to. That's a stupid yeah yeah.
Scott:Big head Todd Sockman says the Google dolls are great. No, he's saying that just to try to get into my skin. He's not going to provoke me though. Bob, you said already already provoked me a little, wants me to turn my cassette off. No, my cassette is perpetual like that word. See, I slipped that in that might be the first time that word's ever been used in the 120 episodes of milk rates and turn to four syllables.
Mark:Yeah, it's perpetual change.
Scott:Yeah.
Mark:Perpetuity.
:Anyway the Craig Almond band was formed in 1986.
Scott:Reagan Almond band, 1986. Who do you and the Blowfish will form the 1986? That's too bad. Yeah, one hit wonders. And best new artist, curse Havers, I would say Jesus Jones was formed in 1986. Right here right now I'm a one hit wonder. You'll never hear from me again. Right here Lady on the radio said it just one hit wonders and enjoy it while less.
Scott:And they did Um, oh, look at my buddy, nick, he's in. See this Nick's a nice guy. He just sent me a text. He's saying sorry he jumped in, dick buddy. No, oh, he doesn't. He said I'm sorry, jumped in. I miss you, buddy. Hope you guys are well, it's all good.
Mark:I felt guilty the first time I jumped in and it was, like you know, because you were like who the hell? Is that this is like a free for all in here.
Lou:That's what you told me. You guys are making fun of me. The first time I did because I was coming in 10 minutes late on my responses 15 minutes late, whatever.
Scott:Lewis on a delay. Hey, we talked about eight minutes ago, that's a single wide days Right. Maybe one hit wonders. Johnny hates jazz formed in 86.
Mark:What was that big hit? Broken dreams, so yeah, yeah, yeah.
Lou:Something like that.
Scott:Uh the pop group leaders of the new school was formed in 1986. All these bands started breaking in like 90. You know they couldn't get over the hump of the big daddy Keynes and the Eric B Rock hymns and the Harris ones and the music you know the yeah, they kind of started. They started to break around then, uh, boston's own, the lemon heads, were even dando, formed in 1986.
Lou:Yeah, wasn't Julianne a hat field in that band too? Why is she? I think so.
Scott:Wow, okay, all right. Uh, minus success. The Manic Street Preaches were formed and they're kind of a little flash in the pan thing and I think people were more attracted to the name that you ever see that happen. Yeah, like the name is cooler than the band. Yeah, that kind of group Metallica, like you know the name is so much cooler than them. Like, what are they? They too, yeah, yeah, yeah Can.
:I say something. I'm only kidding. No, no, no. I gotta say some cameras.
Mark:Exactly.
Lou:Yeah.
Mark:Metallica. They're running on the same song over and over. They were led up on at least had different kinds of music. You know hold on.
Scott:I have to let Nick know it was good. I mean, lou, isn't it great when, when, you're talking and Scott just totally ignores you.
Mark:It's freaking awesome.
Scott:I heard you. I heard you. They play the same song over and over. I hear, I know things. I know things Just trying to work, courtesy.
Mark:Let's just try to provoke Scott.
Scott:I'm keeping the Italian kid happy, no there's a father made his father made me. I have to be good to him. It's like having to be good to the mafia boss's son.
Mark:You have to be a tribute, you gotta keep two of them. Happy Lou too. Me just, I'm a fellow Irishman. Knock me to the wall.
Scott:Yeah. So what were you saying, mark? I don't know. I missed for the last three minutes, yeah.
Lou:The mission I believe they were.
Scott:They were one time the mission UK, but the mission kind of a dark wave band from England formed Nuck is with attitude. I didn't say it, I didn't say the real word, but that's what they. It's the end and WA 86.
Lou:There you go, yeah, and again a band that broke around 90.
Scott:Right.
Mark:Right. I consider that the most visible before 90.
Scott:When did fuck the police came out? I think around 90. Yeah, I was in Southern California then, I think so.
Mark:They spent a lot of time. I was in Northern.
Scott:California when that broke. Yeah, new Jersey's own naughty by nature. Oh, they had a lot of good songs.
Mark:They did. They had a lot of good songs, yeah.
Scott:Tretch, right Tretch and Vinny that's who they were, right, vinny looked like a little Mike Tyson, right, no doubt was formed in 1986. The band that evolved in the 90s. Yeah, they were a sky band though. Yeah yeah, boston was busy in 86. The Pixies were formed in 1986. The Rawlins band.
Mark:You're a liar, yeah, if you've never heard that song, oh God, it's great.
Scott:If you've never heard the Henry Rawlins song liar, All right, I'm just going to tell you I was, I was, it's, it's. It's a nice slow build, Right, Right. So have you ever been left alone as a man ever? You know, broke your heart and you're going on, and and then how does it go? It go, I, I, he, I was. I was kind of talking to this girl and I go listen to the songs kind of about you, Right, and she's like, oh, and he's being all romantic and it's a nice little guitar riffs in the background. He's talking all the way in. He goes, and when I say I love you, I'm a liar.
Scott:And she was mortified.
:I'm a liar.
Scott:Don't listen to that If my brother's watching this tomorrow. Henry Rawlins liar. I was a fan of his stuff with black flag.
Mark:You're going down a really dark hole with black flag and I sent Lou and Perry a picture the other night of the cover of family man. I'm like you guys ever listen to this album and they're like, no, it's got a picture of a guy. He just killed his family. I mean but he sees a dark guy. But he's good. He's funny as hell too.
Scott:Yeah yeah, he had a show in HBO for a little while too.
Mark:Yeah, you know, he was at different places. He was in Ireland and one. Yeah, yeah, yeah.
Scott:Smart guy, very smart guy, good talk. He likes to hear himself talk. That's okay, yeah, he's. He's at least somewhat entertaining.
Lou:He does not believe in interpersonal relationships. He says he has none, but he loves his record. He has a couple friends, but he has no real interpersonal relationships.
Scott:He loves his records, though he loves his vinyl records. Yeah Rock, set Rock said they were nominal success. Yeah, yeah, they were formed 86 skid row, so skid row was formed in 86. They made it pretty fast.
Mark:Yeah.
Scott:Right, yep, and it was really on 87.
Mark:It was really only that first down. That was big. They started going down like as far as sales.
Lou:Yeah.
Scott:But, they got too heavy.
Mark:They actually got heavier after that first down.
Scott:Talk about a dude that likes to hear himself talk. Sebastian box oh, that's got a fuck up.
Mark:But isn't he great on trailer park boys. That is funny.
Scott:Okay, I'll give you that. I forgot about that.
Mark:I didn't like him either, until I saw trailer park. Yeah, oh my God, he's funny.
Scott:That was funny. Shit Lou, you ever watch trailer park, I've seen it.
Lou:I was disappointed with Alex Lifeson. I gotta say I was expecting more. Yeah, it's trailer park. I don't find the show all that funny For some reason.
Scott:See me and Mark have that doc sense of humor. You have to kind of get.
Lou:I do. I wish they clown, I mean.
Mark:I recommended it to a few people that didn't like it, but then, like six months later, they binge it and they're like I got it.
Scott:I got my buddy Dave Rios.
Mark:I turn them on here.
Scott:It's so stupid, it's funny and it's a trailer park and this is what they're really like in there and that's really funny oh, Randy, Randy Bobandy with the drink in his hand. No, that's, no, that's, that's not Randy.
Lou:That's the shirtless assistant, yeah.
:The manager's lover.
Lou:Yeah, he died.
Scott:He did yeah, let's see Stabbing Westwood, not where a truck resident came from. I've heard the name. Let's see Stabbing Westwood. Yeah, they were like, uh, they were, they were one of those kind of, uh, industrial rock bands. Yeah, uh, let me see.
:Band released to the third.
Scott:Doc stays early years. Yeah, I'm not going to go. They were on wax tracks.
Mark:I heard it because that's what we did at CPI. We did all the stuff. The sugar cubes 1986, you know the sugar cubes.
Scott:You know the lead single was for the sugar cubes, york York, and that word they. They do a song called birthday. Fucking love it, but it is the weirdest. There's two videos of it and one of them Little, little iffy, just a little bit iffy. Whoever the videographer was, I'm not sure. I'm not sure, I'm not sure. But if he, whoever the videographer was, it's a go check. You'll try to find both versions of the song birthday. Right, it's Bjork at her youngest, best. Um, but the there's two videos in one of them little iffy. To me it really skirts a taboo subject.
Mark:Yeah, new York.
Scott:Yeah, it's, it's whoever did the video is really kind of skirting right along the razor's edge of a very taboo subject. It's not, it's not uncomfortable. Okay, it's not a video you want to be watching. You love the song, I love it, but if the video's on, you know it's not a video you want to be watching.
Mark:If somebody walks in the room, yeah, yeah, no, no, no, I just had it on, I know.
Scott:Oh, it's because I like the song.
Mark:It's really I like the song I was looking at the ceiling Little edgy. Okay, I'm going to watch it and talk about it next week.
Scott:Yeah, yeah, yeah, do it. The song is great. I love the song. I love the song Again. It's Bjork at her young best. Yeah, absolutely at a young best.
Lou:At her if he is.
Scott:Well, it wasn't again, it was stage sang the song they I don't need. I think they were briefly in the video like in and out, but they were cut in. They had nothing to do with the video. Whatever the videographer director was thinking, I think you'll know what he's thinking if you find the right video. The future's so bright. I got to wear shades. Timbukt three, Timbukt three yeah, they were formed in 86. That was actually a really good album, Really.
Lou:The debut album was a good album. I've heard good things about it.
Scott:Yeah it was a good album, yeah.
Mark:Yeah, Perry, I mean Lou, that was sorry Lou. Wow, that was the album of the week which we got to get back into what we do monthly. But that would be a great album like we should all listen to. Because I've never heard it because, like when you recommended North Dream Academy, I would never have listened to that album if it wasn't for you.
Lou:I knew that song. I thought that song was kind of novelty, it kind of was, but it was a cool song, cool video. But they kind of pioneered some of that the duo using backing tracks and loops and stuff like that. So they're pretty cool like that, yeah.
Scott:All right, toad the wet sprocket, dumb name Todd Stockman, like them.
Lou:Go figure, that's a good song, go figure.
Scott:I'm like on the water.
Mark:See, I've always heard that across the sea.
Scott:That's another man that you hear about.
Mark:I think it's from their name, but I don't know any songs by them.
Scott:They're very. They have some religious undertones to their music. You might think of it live at times.
Lou:Okay, what's that? You can get that mixed up with live.
:Oh.
Scott:I don't, I don't see that.
Lou:No.
:I hear some voice.
Lou:Yeah, live Rockmore.
Scott:Never heard the band, but I heard the name of the group, so I'm just going to throw it out there. The trash can Sinatra's.
Lou:Yeah.
Scott:We formed in 86.
Mark:They might have been from Jersey because they were always in the East Coast rocker they were.
Lou:Yeah Well, the Sinatra thing, that's a cool thing, todd, todd Sargwin just called it.
Scott:They didn't great. Saw them in concert in 1992. Hey, dude, how the fuck does that sound? So you're talking to somebody talking to someone like me, like a man's man, right, alpha male, and you come up and you go. Hey, dude, what was your last concert? I saw corn. Okay, wow, why would you see told the wet sprocket? How do you tell another man that, like I don't care how big?
Mark:You say it this way Biggest head is.
Scott:I don't care how big his muscles are.
Mark:No, no, it's like this. You saw corn. I saw a fucking toad in a fucking wet sprocket. That's how you say.
Scott:Mark, that that was not. Look at. Todd Todd called me the alpha male, the white Mike Tyson. They actually did call me that in the Philippines. I had a small reputation Anyway it's given to me by the brothers. So that was honorary right there Like back to what you said.
Mark:I'm yeah, Mark.
Scott:Yeah, you can't pull off the.
Mark:You might want to kick me off the show.
Scott:No, I'm gonna let you pass on that, you try.
Mark:You're gonna hang me up? I tried.
Lou:They made some. They made some kind of comeback in the last couple years. They reformed. But I think they did some shows here or they might have played the orange peel in Asheville.
Scott:Who did told the wet sprocket yes.
Lou:The wet sprocket, Sprockets.
Scott:Hey dude, I just thought to do it sprocket.
Mark:That was so good. You got to do animation, you got to do cartoons.
Scott:I should. I can do a lot of voices. Yeah, I have some gay friends. They think I do it a little too good.
Lou:That's a fact.
Scott:He went and looked at me. He was in the military with us. He was part of the don't you know, don't ask, don't tell movement and uh, but I, we love him. He's one of us, we're in the Philippines together and I would joke around and he goes and you wouldn't know like he. You know he just looks like a normal guy, he's normal.
Mark:I wouldn't say I'm going down a rabbit hole.
Scott:Yeah, but he said it to me. I was like you do that a little too good. I'm just good at imitations. That's all Bitch. Son of a bitch Call me out. So yeah, so Todd Thokman thought toad the wet sprocket and constant they were great, according to Todd, big head Todd.
Mark:You saw Morrissey so.
Scott:I'm going to see him Monday, uh, sunday night Actually, yeah.
Mark:Yeah.
Scott:Morrissey has more talent in his pinky finger. Is his pinky nail Then told the wets Brocket. Well, and Morrissey's not gay? No, he's not. No, he's just bitchy. He's asexual, he really is.
Lou:It's just bitchy.
Scott:And the Goo Goo dolls to find. I thought the Goo Goo dolls, so do Rock that is to the best double bill ever Listen.
Mark:you better hope that your venue has good air conditioning, because it's Florida and it's October and I know he wants good air conditioning at his show.
Scott:It's indoors. Well, you better have the air conditioning. The hard rock, the brand new facility. Oh, hard rock, what A hard rock live I'll go to. I won't go to. The hard rock cafe, I won't go to, none of that.
:Yeah yeah, yeah.
Mark:This is hard rock live.
Scott:It's a nice. It used to be an arena, Right it looks like a mini arena, like it's smaller Now it's like a amphitheater with the roof over it. There's not a bad seat in the house.
Mark:I have a bad company DVD film down there and it's a cool looking place. I was at that one.
Scott:You were. I'm at the very, very end of the video during the credits. That's where I'm cool. That was. I watched that whole goddamn video. It was a great concert.
Lou:Yeah, we do security, or you just?
Scott:no, I was there. I was there and at the very end, the camera, like they were, they were walking around. I think they were solidifying that, uh, that kind of signify that that's the bed, the real bad company. Yeah, you know, that was kind of like they said we're doing a video tonight because this is kind of what keep, this is how we're going to keep it together, or something like that. But yeah, let's see, uh, urban dance squad Uh, they were they, they had, they were from Miami. They were kind of a hip hop, like one of those kind of psychedelic hip hop sounds really chill, laid back. Deeper shade of soul. Yeah, go check out, check that out, that urban dance squad, deeper shade of soul, you'll like it. Uh, urge overkill Girl, you'll be a woman soon.
Mark:That's the only song I liked from them.
Lou:Yeah.
Mark:I agree. I'm not going to pretend Wasn't a fan, but I heard them before that. They did a great version of that song.
Scott:That is a fantastic version. It really is a fantastic version.
Mark:They kind of. They kind of reminded me of who was it the one I heard that song today.
Scott:Crushed.
Lou:Test Dummies.
Scott:Yeah, now yesterday I heard that test, crash, test dummies. There was a girl who Wouldn't change in the changing room with other girls, but when they finally made her she had First box all over her body. You're pretty good I know that it was, from when I don't know Karaoke. I can do him, I can do it, I can I know things, not that I didn't do anything.
Mark:If you can do that, why can't Lou do Michael McDonald anymore? Come on.
Scott:You know, because it's my show.
Mark:That's.
Scott:You can sing all he wants, michael McDonald on the music rally show.
Lou:I can sometimes do a Marci impersonation, but I'm not going to.
Scott:Oh, you're just You're risking a game suspension.
Lou:I know, I know I did it, I did it work recently, I didn't work recently and a guy worked with the guys. That was good. That's a straight red, do I tell you All right.
:Wait wait, Mark, Mark hold on.
Scott:So everybody knows if you don't everybody that they should listen. I'm a Marci is God to me, right? I don't care what anybody says, I love the guy, I love his music, I love his politics, I love everything about Marcy. So it's kind of another level for me. So, mark, I'm going to ask you should, should I tempt it? Should I tempt it and just let him do it and just kind?
Mark:of cause now now my curiosity. Listen, I'm going to ask you a question.
Scott:He might go penalty free.
Mark:Are you ready or not?
Lou:That's not really, not really All right.
:Human. What the fuck was that?
Lou:It doesn't come across here. It doesn't come across. What the fuck Like lock from taxi. I was not locking. Thank you very much. Human.
Mark:What the fuck was that? That's like me saying I could do Robert Plank. Does anybody remember laughter? All right, all right.
:I don't know what the song is on the radio.
Lou:So the song that was playing Wendy and Lisa.
Scott:Let's move on. Wendy and Lisa was formed in 1986. You know what that is, oh yeah. So what does that tell you? Bring out your music detective brains. Wendy and Lisa was formed in 1986.
Mark:And they were on Purple.
Scott:Rain. So what does that tell you? What do you deduce from that?
Mark:That I didn't ever thought that they were together as not part of Princess Band the revolution.
Scott:You got to go a little, a little more, a little more Pacific than that.
Mark:I'll go Atlantic.
Scott:That means the revolution broke up that year. They were in the revolution. You'd never you'd never make it in the academy, kid. You'd never make it through the academy.
Mark:I'm very slow, you know I'm very slow, my brain moves half speed.
Scott:I thought you meant like physically running slow.
Mark:Oh, you don't want to see me run. I just walk fast with my shoulders slumped. You guys see me getting from one subway to another in the city, my son's running and I'm like.
Scott:I can see that.
Mark:I can't run.
Scott:Also formed in 1986. The cow Wallinger led world party. And who was he with before world party?
Mark:The water boys, the water boys, I love the water boys.
Scott:This is the sea was a one that is my, one of my favorite albums of all time I can listen to it and it's one of my desert island albums. He was a big part of that and when he left they didn't really a Mike Scott was. Mike Scott was the water boys, like he was the lead singer and he wrote the songs. But how long. It was just a and that's a good album to that debut album.
Mark:It's just like synchrony city, because in the last two weeks I've done a deep dive rediscovering the water boys.
Scott:This is the sea is a master, yeah.
Mark:Yeah, excellent.
Scott:Yeah, um, let me see Arcadia.
:Was formed in 1986.
Scott:You know who was formed in 1986. No, these are the bands. These bands broke up. These bands broke up All right. So the world party was it? So let's get back to bands that broke up in 86. Let me see. Dave Phillips Just just got back from a fabulous celebration with my daughter for her birthday. Well, happy birthday, daughter. Why, why didn't Lou clap? I was going to say did you notice that no jazz, no jazz, fingers no.
:All right, all right, let's, let's try this again.
Scott:Dave Phillips came to the 45s. Just got back from a beautiful celebration for his daughter's birthday. All right, enough of that.
Mark:It was like honey and some cake.
Lou:It was like this Is there a clown at the bottom?
Scott:Like an ape. His part of the bottoms of his palms were clapping and his fingers were hooking over. You know, you bang the bottom of your palms together and your fingers hook over the back of your hands. That's how Luke laughs. That's a totally.
Lou:He's a dead human.
Mark:Take your stinking hands off me, you damn dirty ape, she buns ease of pacifist.
Lou:It was a gorilla's wall.
Scott:Okay. We all said our lines from the from the play of the ace, let's move on. Hey, you know who broke up? G too bad. The boom town rats broke up in 86. G too bad.
:Oh, so impressed.
Lou:We got so big with with, um, you, um band aid that he just said I don't need. I don't need this band anymore. Yeah, I'm out of here. Yeah, I'm Bob Geldorf, Damn it.
Scott:I'm sir, god damn it.
Lou:I've been be knighted.
Scott:Yes, needs to be beheaded. Yeah, so if the Rawlins band, if the Rawlins band was formed in 86, what does that mean, mark Smith?
Mark:Black light and break up.
Scott:Oh, he just left.
Mark:He continued.
Scott:It says right here black flag broke up in 1986.
Mark:Right, and they reformed.
Scott:I know, I'm right. I know things. They, they kept the witness. He's going to figure that out. I know things. He's stubborn, he's being stubborn. Yeah, I think he's being pompous and self-righteous.
Mark:I think he thinks that I think, that he thinks that I don't know what he thinks that every show needs to lead to achieve a certain level of excellence. I'm struggling to get this show to achieve that.
Scott:You're struggling All right buddy.
:You're struggling. There's an ELP documentary.
Mark:You're struggling.
Scott:There's a three man show. You're number four on the list.
Mark:I was that right now I'm number six, come on.
Scott:I have a question.
Lou:I got a question. Is black flag named after the insecticide? Probably?
Mark:Okay, that that uh hardcore scene. They would pick names. That just meant something, it's a good name. It's a good name. So yeah, but you know, what I liked about black flag is the guitar player, greg Ginn. He was a punk hardcore player but he was influenced by King Kermiton so he actually had talent and he did have some wild stuff. I don't know, it's weird to like him, but I do All right.
Scott:The clash broke up in 86.
Mark:Yeah, some would say, they should have broken up a year earlier, right?
Scott:Right.
Mark:Yeah.
Scott:Culture Club broke up in 1986.
Mark:That long ago.
Scott:Yeah, a band that's name preceded them because they were very talentless. But everybody's heard of the Dead Kennedys but no one's really ever heard them Now.
Mark:They want a name. The name goes further. Yeah, yeah.
Scott:Good point. Elo broke up in 86. Wow, like that's weird isn't it?
Mark:They put out an album, that last album, something of power. No way you really listened to it. They peaked in the late 70s, early 80s. Yeah.
Scott:Late 70s, I'd say they peaked yeah. I don't even know about the early 80s Well, so they did have something in the early 80s. I remember they had a hit somewhere in there, Emerson like in.
Mark:Powell.
Lou:Rock is king. Yes, you just hit it, my, my, my, my, my. Rock and roll is king.
Mark:No no, no, emerson, like in Powell. Oh yeah, they broke up in 86. They formed in 86 and broke up. Yeah, they did. They broke up during the making of the album didn't they.
Mark:Getting cozy Powell in the band with Keith Emerson was gold. The album is great. The heavy hitting drums are great. But I saw them on that tour and I'm a high schooler and I'm in third row in front of Keith Emerson, my, my idol. And I saw Greg Lake two times during the show give the finger to Keith Emerson. I remember I leaned over to my friend. They're splitting up soon. They split up like they. They canceled head, like the rest of the tour. Like they. They just gave it up. They just those two could not get along. It's a shame.
Lou:Pumpers English rock stars.
Mark:Yes, exactly yeah.
Scott:Yeah, like figures. Yeah, now, in the category of you know, why would a band like this not make it Right? Why would the band Fecal Mata have to break up? They should have. They should still be around today. That's a last week. Septic tank broke up, right.
Lou:And then they do a tour with septic tank.
Scott:Septic tank broke up. We're not even going to get into the other name because Lou got a little carried away with the other band I'm not going to repeat that the G's drinkers.
Lou:There's less women on the show and I'm sorry for that this week.
Mark:Oh, that one.
Scott:Lou, what do I? I put I you apologize again on this show. Penalty box you can't apologize on this show. We don't roll like that, yeah. You say what you say you own it, you fuck everybody else, it's on video forever.
Mark:That's 5,000 years from now.
Scott:I'm doing it on every podcast platform in the world right now.
Lou:I will not. I want to apologize, but I think I don't want to make us the rush of podcast either. Let's see yeah.
Scott:How Fecal Mata broke. I don't know what happened there. I don't know they were. They were poised. They were right on the brink.
Mark:I see that must have been that hardcore scene where I said the titles were the names were meant to right, yeah.
Lou:Great name.
Scott:Dave Phillips says yes was great the three times I saw them in the 70s.
Mark:Yes, how did we get to yes and I saw yes this past weekend, by the way but how did we get to yes?
Scott:Like where did he? We're talking about Emerson, oh, but that is why did he? Bring up. Yes, it's a good thing, I think no, I think he's drunk.
Mark:Sunday night I saw yes at Englewood at the Bergen Performing Arts Center and they were excellent.
Scott:They're very good, but I'm just saying I think Dave the king of 45 is a little he's allowed to celebrate it a little too much Good, good friends with the daughter. But, but. But. He's talking about a fucking band we never even mentioned yet, Like they haven't come up on the show at all. It's like, it's like you're talking about, you know good fellas, and he pops in and goes. I saw yes, three times, they were great. Tourette's kind of in the 70s, oh like we're talking about fucking good fellows Dave.
Mark:What's the frog thing?
Scott:you hear Emerson Lincoln Palmer and you think he could have got out of us if he followed up with just saying does not get you out of everything I have a question for Dave Phillips.
Lou:The times you saw them, was it with both Bill Bruehford and Alan White, or just Alan White, or just you know? Did you see them in your 70s.
Mark:It would have been one of the other in the 70s Well when did well?
Lou:Bill Bruehford was there until what year.
Mark:He quit after the Fragile album in 72.
Lou:So Dave could have seen him with both drummers with Alan White, yeah.
Mark:Then there was that one tour where Bruehford and White played, but that was in the 90s. Damn, and Steve Howe and Trevor Rabin, rick Waikman and Tony K it was a great tour.
Lou:Hey, you know, they did an opera when you saw them on Sunday. They're actually two members of yes, dave Howe. Yeah, I think it was mostly that he was not an original member, he wasn't one though, see, you don't want to do this because it's not our show.
Mark:I'm going to talk about the concert on our show. Our horse is a narco Music relish, third cast this Sunday.
Lou:Okay.
Mark:We will be talking about and I will go down the list of the members and when they join the band.
:I like that one. That was good.
Lou:Somebody doesn't like that. It's a particular cartoon, though. What is it?
:It's the three stooches Really Me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me, me.
Scott:Mark, I can only think that that was a good show. I saw them. I saw them last year.
Mark:I saw the same band. Yeah, you did yeah.
Scott:Yeah, yeah, yeah, it was. It was a great show and I'm not a yes like fan, but it was very entertaining and, like I said once again, I'll say it, the the I think the crowd was more interesting than to me, than the band was, I agree. I mean the band is just the band, Like it's not really other than the old guy yelling at the fucking lighting guy and then telling someone in the front row to shut up and you know, be an all on re guitar player did at your show too. Yeah.
Mark:Oh, he was screaming at these. The monitor tech yeah, poor guitar tech what's his name? And Steve Howe? Yeah, yeah, yeah, he's pissed and he would yell and then he'd get up to the microphone. How are you all doing? How's everybody doing tonight?
Scott:You know, he's pointing, he's like he's got to go.
Mark:He's got to just retire, Come on.
:It's got to be, 94.
Lou:We're noticing that less poll is almost bigger than him. I said Lou and his struggle is he's never.
Mark:I was sending Lou and Perry pictures of the show all night, and, it's true, when he holds a less poll. But I was a family affair. I took my son, my daughter and my son in law.
Lou:It was a great time. There you go, of course.
Mark:And I had my short day.
Scott:The firm broke up in 1986, short lived.
Mark:They should have broken up.
Scott:Radio Active was a good song and the other song, hey. Tell me, baby, can you feel it? All right, Tell me baby, can you?
Mark:They did a good cover of you've lost that love and feeling on that album too, did they really? Yeah, it was good.
Scott:That was a cool video. They're out in the middle of a swamp. Yeah, that hot Cajun chick.
Mark:Page has a bottle on Tight tour of Bowam.
Scott:I'm talking about the girl With that dress. She's all sweaty and that dress is tight to her body and it's just kind of just kind of see the form of those. You know what that is, do you want?
Mark:that video reminded me of the cover to into the outdoor and you know what that's.
Scott:That's a good analogy. Yeah, it's a good comparison. Yeah, ah, flock of seagulls broke up. Unfortunately, they ran. Flock of seagulls, yo, flock of seagulls, eat up on the couch. They were catchy? Yeah, no, they were, and they were good for their time. They were good for the time I saw that I saw the firm, the flock of seagulls in the police. When I call it, it's it Um firm all about Paul Rogers. Jimmy Page had a lot to do with that too.
Mark:It's a big part, but he wasn't playing so good. He was sloppy, but to us it was good.
Scott:Yeah, you know what I mean To the average beer drinking testosterone driven teenage boy.
Mark:It was fucking awesome and actually it lads up on it was pain, that's it. All Rogers, he's always a class act.
Scott:Always yeah, yeah, why he's not in the rock hall of him.
Lou:Yeah, really, again one of the greatest rock singers of all time, did you?
Mark:know, he suffered a stroke. He came out and said it at a few years ago. He had a stroke. No one knew about this and he couldn't even talk for like a few months. Wow, and he's got a new album out. He's singing again.
Scott:God bless it. There's a reason there, um, one step beyond that. This broke up in 1960. I'm at a red light one day and that song comes on and my wife sitting in the passenger seat next to me, right, and they say hey, man, that's not your radio. This is the sound of madness One step beyond. And then the sax, and I start doing all this, doing all this, scott dancing. She looked like what the fuck?
Lou:Oh man, that is yeah Well, you know, great video there was one guy dancing in the street. How do you deal with your feet? They, they grew with that. You know what? Was that? A jig? Was that a jig?
Scott:and Irish jig. No, I don't know what they did but I've seen some videos recently of sax plays. Well, that's not it. That's what? What? What horn is that? That's a baritone.
Scott:Yeah, there's a baritone, yeah, they, they big baritones in those in those ska bands and they do that thing with their feet, right, they dance like that. So I've seen some guys a couple of them, different guys, different videos playing that and they're in suits like and they, they do that. And people like, wow, look at that, I'm like you idiots. It's like I know they don't know anything about ska music. What fucking American does know about ska music? Right, but that's that's the thing you know. You have the hype guy up on stage dancing, right, he doesn't do anything but dance like ranking Roger with the English beat, right, yeah, and then uh, uh, once they left the English beat, ranking Roger and um, I forget his name, lead singer started, uh or other band.
Scott:It's anyway modern English. Yeah Uh, men at work broke up in 86.
:Hmm.
Scott:And how a band, like we said, their first two albums, three albums, were like they're all shot top is, you know, and then they break up Like how does that happen? Dividing there's too much time in between out. And then these guys, some of them were getting a little antsy.
Lou:I'm like.
Scott:I'm, just I'm. If you're not going to make any music, I quit, Like I think, Colin got an ego right, I don't know, I can't see that with him. Man, I might be wrong, I'm not going to. It's not a hill I'll die on, but I can't see that guy having an ego.
Mark:He just is a nice guy or not an ego, but these guys that are really good song writers, they hit a point where they say I have to grow and it's not going to happen with the band like staying, See, it's happened yeah.
Scott:Maybe he just, but then the members wanted to tour and wanted to get out there and he's like maybe he was like I'm, I'm still writing, I'm still writing.
Lou:Well, if he's making the money from the song writing, I mean, they have to make a living.
Scott:Yes, Well, there's only one other guy in the band that people would recognize.
Lou:The other guy, not the guy. They're the guy. They're the guy played the flute. You play guitar three, didn't he?
Scott:No, the show guy plays the saxophone with the blonde hair right.
Lou:Yeah. The bug eyes right, like why do you remember that guy Right, he looked, never sang a note he had the cast I that they used that to affect in the videos too.
Scott:Oh, Colin hey, I had the Marty Felminis.
Lou:Yeah, yeah, she's got Marty.
Scott:Felminis. I heard that song the other day, betty Davis. It's still a fucking great song.
Lou:Yeah, I hate it. Really, I hear her voice. She might as well be Janice Joplin, it's great.
Scott:I don't know, man, I still think that's a great. Hey, you know, compare Kim, that dude.
Lou:That was a cute picture. I thought she kind of like cute in that picture. I said that was one of her better pictures. Who did I say it looks like. Janice Ian Jesus.
Scott:There was not a picture in existence where that dude looks good.
Lou:Oh, just saying, I mean, that's how, that's how ugly Janice Joplin was.
Scott:You see a picture of her where she was on her way to being really ugly. She was this ugly. And they say, well, she looked good in that picture. She wasn't really ugly and I, she was just ugly. In that picture she looks good. I have nothing to say.
Mark:Buddy kidding me Moving on.
Scott:Mink DeVille broke up in 86. Fucking kidding, exactly Right. It's another one with a name like you heard the name around in the 70s yeah.
Lou:It's a cool name, right, it is a cool name.
Scott:It's got that 50s yeah.
Lou:It's got that.
Scott:But then you listen to him and you're like no they have any big songs?
Mark:Yes, they did. Well, they had to because you heard of my heart.
Lou:Yeah, it was a minor.
Mark:It was a minor hit, but you know, you know how I knew about Mink DeVille when you bought your Atlantic Records album and you pulled out the inner sleeve and had pictures of all the albums they've released. Yeah, you always see a Mink DeVille album. That's how I knew about it.
Lou:They played the village a lot, but yeah, I hear them on an underground garage a lot. I'm like yeah.
Scott:I love that Lou listens to underground garage I love that, I love it, I love it.
Mark:I'm like you listen to it too much. Lou is handsome, dick man, a toba store. The show. That was the best show.
Lou:I haven't heard. I haven't heard that one a long time. That's the thing. There's a guy on Saturday night, bill Kelly. He used to play some of my music out of WFMU, out of Jersey See people, people listen and people watch it.
Scott:See, this is fucking dedication to music right here. This is why I said, after one, one episode with them, I said fucking me, it's just music gold right here. This is a gold mine. Who listens to underground garage?
Lou:So, Sunday night the show.
Mark:The show ends, and my daughter and her husband are driving home in their car, so it's me and my son in my car. Now, after a Prague show, you don't listen to more of the same band. No you don't? You're right. I'm like I'm not going to put the police on, that's going to be boring. So I put on underground garage because you're hearing something totally backwards.
Scott:Yeah.
Lou:And they do play some newer stuff too, you know they can hope on certain artists that I don't think are all that. Yeah, jesse Mallon, I don't okay. Don't you play him enough In my opinion.
Mark:And you play too much handsome dick manitoba.
Lou:Let's see.
Scott:Phantom rocker and slick broke up in 1986.
Mark:I never heard anything from them, but I'll tell you that could have been a great band. Do you know who they are?
Lou:Yes, it was Slim Jim, phantom Lee, rocker and Earl slick.
Scott:There you go, buddy, look at the mark. You knew that too.
Lou:Yeah, he played on John double fantasy. That's my record. And let's wait here, didn't he do the? He replaced Stevie Ray Vaughan for the Bowie tour. Let's dance, yes.
Mark:Well, he's a Bowie guy.
Scott:You know. So the people that might not know Phantom Phantom rocker, what's his name?
:Lee rocker Right.
Scott:They were from the stray cats. They're from the stray cats.
Mark:So it's really the stray cats with Earl slick.
Scott:Exactly.
Mark:Yeah, who sang? Probably slick, he could sing. He had a good life. Yeah, very bluesy voice yeah.
Scott:So the revolution, as we discovered earlier, broke up because Wendy and Lisa was full, mark was too much of a dope to realize that. I never realized they were a couple, like I never, I never knew, I never knew I never.
Mark:I never put it together, I knew it from the videos back in the day.
Scott:Really Romantic couple. I just thought that's. That was the aura that he wanted his band to put off.
Mark:What's that song, wendy? Yes, are you ready? Qu конечно, yes.
Lou:People did a part. Now wasn't um Wendy Mel-Boine.
Scott:Her father's a big music right Ranger, or something or a yeah he, uh, I think we went over his. He died. Yeah, a few episodes we talked about them.
Lou:Yeah, let's see.
Scott:Then, lizzy finally broke up with Harold Mel Voyn and the blue notes. Oh God.
Lou:That actually is a good one.
Scott:I'll give you that. That's good one, harold Melvoin. Yeah, it's the Jewish group. That's the Jewish version.
Mark:You want some music.
Scott:Yeah, harold Melvoin and the Blue Yarmulke, the love I lost was a sweet love. The love I lost.
Lou:Pretty couple envelopes here at Tenant, aren't we?
Scott:Thin Lizzie finally broke up in 1986.
Mark:Oh man, they should have broken up a few years earlier.
Lou:Was he alive then?
Mark:Yeah, he died not long after that, though. Who Phil Linnaut?
Scott:Yeah, I thought he died before that. No, there was no.
Lou:Thin Lizzie without Phil Linnaut? That would be disgusting.
Scott:Well, it's like Allison Chainsman going on without Lain Staley. It's disgusting.
Mark:Oh, the denim guy, the guy that wears all the cute denim and he goes out there and he's like he's a walking ad for Levi's or whatever.
Scott:Yeah, it's fucking horrible. Yeah, and finally the great well, they weren't, they were great, then they were mocked, and now finally they're getting their appreciation thanks to a really good documentary on Netflix, and Andrew Ridgely is getting known for being the driving force behind WAM.
Lou:Really.
Scott:Yeah, that's a great documentary man I have to watch it.
Scott:You told me it really is good. I'm telling you it's Andrew Ridgely. Everyone joked on this dude. They all joked on him and they cracked it. You know. Oh, he's not. You watch that, that, that documentary. You'll realize that dude is one of the nicest fucking guys in the world Like this, dude is a selfless pop star that you will ever see in the history. This kid was just all about his friendship. That was he was. It's. All he cared about was his friendship with George Michael. You got to watch the documentary.
Mark:You're gonna stay tight. After the band broke up, you got to watch the documentary.
Scott:Okay, and it actually watched the documentary and it takes you to a certain point in their career and you, if you don't walk away from this saying you know what that fucking dude is, aces all the way. That's a friend that you want, that is a friend that you fuck, everybody should, should have. Hey, it's just watch it and you will have a whole new perspective on Andrew Ridgely.
Lou:Is there a couple of documentaries about them there? Is there a particular name and name of that one?
Scott:I'll send it to you, but I think it's called Wham I think it's called Wham. Yeah, so that's it for bands that broke up and bands that were formed. Let's see, bring out some, let's talk about some, some albums, okay, yeah.
Mark:I'm going to bring up one that it was the year that I discovered, zebra 3.5 came out their last album for Atlantic. I was a junior. It was supposed to be a huge album. Wsou, remember that station Lou?
Mark:Oh yeah, they were saying this album is going to beat the debut, which was a huge album, and it bombs. It just totally bombed. But yeah, that was. That was a big release for me that year 3.5 Zebra and if you do like melodic rock, it's hard rock, but you could play it on acoustic and not be hard rock. Every song on that album you could play on acoustic. That's what makes it a good album.
Lou:I saw you. That was the radio station at Seton Hall University.
Mark:Seton Hall. They're still doing it, but they play that cookie monster Alamo. He's like I can't stand that stuff yeah.
Lou:Yeah, I remember in the 80s and 90s that that was if you want to hear some hardcore metal.
:Yeah.
Lou:From a local radio station. That was the one that was.
Mark:They loved 3.5. They just loved it.
Lou:They just, yeah Well, everyone thought Zebra was a local band, but they really were not. They're from Louisiana, right?
Mark:They're from two regions Louise, New Orleans and Long Island. So yeah, New York, they were a New York band and they were a New Orleans band Still playing.
Scott:Let's see 5150 came out in 86.
Lou:Good album? Yes, it did.
Scott:Right.
Mark:In my high school that was fighting. That was the David Lee Roth camp and the Sammy Hagar camp. I was part of the Sammy Hagar camp. I liked the sound of it.
Scott:Yeah, it took me a little bit to grow on me.
Lou:It had to grow on me a little bit, but it never fully grew.
Mark:The single they released sucked. Why can't this be love? That was like the worst thing they could have released to my yeah you know, what they could have released, the better one. Yeah, you hear them on the radio. Here's the new Van Halen single on here. Do, do, do, do, do, do, do, do, do Bum. Wow, wow, you're like. What the hell is it?
Lou:It's a weird. Let's think about it. That's a weird song. It's a short pop song. The time signature is a weird. It's not straight ahead. That guitar solo is just a different time signature.
Mark:And when? Sammy Hagar.
Lou:Yeah, the scat thing he did was just weird.
Mark:And when Sammy Hagar goes, I did it better than him. When he says it's got what it takes, that sounds like a commercial for like it really does.
Lou:That's what. That's what Sondner says. He goes something like a Pepsi commercial. You're holding a can of Pepsi, it's got what it takes.
Scott:Trying to capitalize on that synthesizer sound that they had in 1984.
Lou:He used one of those early Simmons electric drum kits on that 5150, it's not a drum set, he's using, it lists another Tom, tom fills. It's got that classic one dimensional Simmons.
Mark:Oh yeah, good enough, nothing else.
Lou:I do think the David Lee Roth Edelman Smile record was a better record than 5150, though.
Mark:I did it at the time, but in retrospect I think 5150 is a more solid songwriting. I'm dreams, love walks in. Those are great songs, but teach his own.
Scott:Yeah, give us an album.
Lou:Public image limited. The album was called album.
Scott:Yeah, album.
Lou:Yeah, do you know the players that he had on that record? There's monsters that. That was a record where they I think Bill Laswell produced it. He said he fired his band and said bring in these hot shot players and said ginger baker on it. Steve Vai, bernie Worrell played on it the late great Bernie Worrell and Tony Williams. He was a jazz drummer, tony Williams, lifetime. He's one of the drummers. I was not really into jazz but I saw a jazz drummer playing with rock power. Like that was amazing. He died young too, yeah, but yeah, that was. That was a good album by him, mark.
Mark:I'm going to go with Fahrenheit from Toto, featuring Joseph Williams on vocals, who's the son of John Williams of Star Wars fame. Ah, and I had one of their biggest hits. Some people what was the name of that song? You know what I'm talking about.
Scott:No I know you're going to sing. No, no, I can't because Michael.
Mark:McDonald's on it.
Scott:I can't sing it.
Mark:Yeah but, it's one of their biggest. I will.
Lou:You know what I'm talking about, Lou. I only know Toto with the other guy.
Scott:Lou says, I'll sing that.
Mark:No no no, no, no, no, yeah, it's okay.
Scott:It's okay why I'm drawing. I'm getting a committee because I had a I can't think of anything anymore.
Mark:I'm like it's one of them. Yeah, it's a ballad, but anyway that, yeah, that was a good album.
Scott:All right, I'm going to give this one a shot. Okay, this album right.
:Joseph's on a vacation far away, recognize him, I can love her so many things that I want to say. The one love is hard to find. I just want to lose your love tonight. Ow, I just want to lose your love tonight.
Lou:So Lou Lou.
Mark:Lou, when I worked at CPI and we used to master the cassettes for the, the children's choirs of Jewish music, we would say my earwax turned to crystals, so that's just what happened.
Scott:But that was a good album actually, and you know what? If you get the all fields greatest hits, you realize they had more than a few good songs, yeah.
Lou:I know the one what Lex. He likes his girls a little bit older.
Scott:Who's?
Lou:that. That's on the side. I like my girls a little bit older.
Mark:Yeah, that's right, and it's funny they didn't continue like we've. I thought he was going to be around for a long time, great songwriter, but yeah, didn't last.
Scott:And nobody knew for the longest time that there was only two guys in the L field. Every video they had that they had the blind guy on the keyboard. They had the two guys with the L field was the guy with the black hair, with the mullet right who sang, and then the tall blonde dude playing the guitar. They were the L field. The other people were just fillers.
Lou:Yeah, who's the band that had that song? Oh, they kept on driving. Oh, what they call the outback or the. There's another.
Mark:Oh, the outback.
Lou:No.
Scott:I want my baby back, baby, back, baby back baby back, all right, give us an album.
Lou:Okay, live in New York City. John Lennon with the plastic ono elephants memory band. Oh boy it's. They edited a lot of Yoko out, apparently. Yes, they should. But this is pretty live versions of instant karma come together. Imagine cold turkey and power to the people. But yeah, there was some stuff, I think some fans said they thought it was not legitimate because they edited Yoko out.
Scott:Well, that's a good thing I agree.
Lou:I agree, yeah, but some of the video footage is pretty cool Come together.
Scott:Wait? Marie Martin said I just sounded like Yoko ono waiting for the detrain.
:What that's the comment of the night.
Lou:What that's great. Wait a minute, yeah.
Scott:That's, you can't wait what.
Mark:Do you want me to drop my mic for Marie, I'll drop the mic.
Scott:Yeah, do it.
Mark:No.
Scott:Marie, my mic no, I sing no. I sing the Elfield good, now let's move on to the show. Ignore Marie Martin for at least 30 seconds. That's how we put them in the penalty box. So who's up? Who's next? Me, me, OK, ok.
Mark:The song from Toto was I'll be over you. Remember that song. I'll be over you, no. No, huge hit, huge, maybe that was Toto, maybe, bro, because there's Mike and Mike.
Lou:Collins.
Mark:I'm going to go with the now my no. Scott knows, and I had a crush on her when this album came out. Oh nasty boys, oh, janet, the control, yeah.
Lou:Yeah, and she knows.
Scott:Dude. I was listening to her today and I was like damn she was still fucking. She was so good. Yeah, like her voice was good, she was a great performer. Like Janet was not a pain in the ass, you know what I mean. She wasn't that like Diva. She, and it was just, she was just fucking good.
Mark:You may not have liked her music. I did, I did, she was doing it good. She was doing great pop music.
Lou:I'll listen to a couple of things in retrospect. That's the record of hers I know most of the songs from. Was that her first record with Jimmy Jam and Terry Lewis? Was that the first one they did? Yeah?
Mark:And then she did Rhythm Nation and then the one where the nation was really good that. And then the one where the guy's holding her breasts on the cover. Those three albums to me are those are great albums.
Scott:So there was this. There was a when I was in the Philippines, the Ammons Club. It's the biggest Ammons Club in the whole Department of Defense. It was huge, it was like the size of a football field, right. And they had this big stage and so they did it a lip sync contest, right. And this girl gets up there and she starts doing Rhythm Nation. Right, and she's doing good, and I think that's the video where Janet Jackson goes up, stands on the chair and then it just kind of tips, yes, it's off, right. So this girl's up on stage, there's there's like a couple hundred people at least there, right, watching this. It was all advertised on the base because it's base entertainment. It might have been more, right.
Scott:Yeah, and she goes up and she runs up, she steps on the chair and she puts her foot on the top of the back of the chair and it's going to lean forward right In the fucking chair. She didn't have the rub She'd like never, evidently didn't practice this. Oh no, fucking, wipe out from hell. Right, you can hear the thud. She pushes the back of the top of the chair forward and the bottom legs just fly out from under. She goes down like a ton of bricks. Right, but this girl was a fucking trooper. She puts that fucking chair back. The song's still playing. She fucking goes back about 15 feet and she does it again. She gets, she's bound and she put at this time she puts her foot on the top of this thing and she balances on the on the back of the seat and she goes in the fucking legs. Go up from under.
Scott:Oh fucking boom right on top of the chair. She had to break a rib I had to but that girl was a fucking trooper. She got that chance, she threw it behind her and she finished her act with a standing ovation? Yeah, just untrue grit. Yeah, it was a wipe out from the hell. You can hear it over the music yeah, boom, and it was like you know it hurt. See what she? The show must go on. The show must go on.
Lou:You got to respect that.
Scott:Let's see. Oh, you know what album came out in 86? This was a good album, the Fabulous Thunderbirds. Tough enough, yes, good album, told you. I went in to see them. They were backing up Bob Seeger and I went in. I was working security, I could go in anytime. I wanted the Boston Garden and watch the show during the show and I didn't even want to see Bob Seeger. I wasn't. I fell off his bandwagon when he started doing pop shit and I went in to watch the Fabulous Thunderbirds and they were fucking grace. They were grace.
Lou:Bob Dylan, Bob Seeger play we were making Thunderbirds.
Scott:I don't know, I didn't, I didn't. I was sitting there and fucking Peter Wolf was like four seats over and one rowing ahead of me eating a banana.
Mark:Eat the banana, I mean Vaughn was the total antithesis of his brother, stevie Ray, or Stevie Ray was like Jimmy Hendrix flash, and I loved him. Jimmy was so traditional with his playing and I loved his playing.
:Yeah.
Mark:Yeah.
Scott:Yeah, all right, give me another album.
Lou:Elvis Costello, king of America, wow.
Lou:Good one, not it's known for. Don't let me be, don't let me be misunderstood. He covered that. It was that when it came out they said it wasn't all that good retrospect. They say it's one of the best records to listen to. The musicians on that are amazing Maria McKee's on it, roy Orbison oh no, wait, wait, wait. Jerry Sheff, elvis's I think he's a bass player, he played on it and James Burton, the famous guitar player, jim Keltner, ron Tubb, the attractions around it. It's a good record. It's a little eclectic, but it's one of those things it's not. It's an Elvis Costello album, so it's an album album, not a school album.
Lou:Yeah, he's produced a member of Mitchell Froome. He produced Crowded House. Yeah, he was a pretty big producer in the late 80s.
Mark:Mitchell Froome is a jazz guy. He played with Pat Matheny too.
Lou:He's a very talented guy he produced Maria McKee's solo record that year. Roy Orbison's last album, mystery Girl, cheryl Crowder at the Globe Sessions he produced that too, wow.
:All right.
Lou:All right.
Scott:Give me one more, mark, we're going to move on.
Mark:Okay, I would love to. For Jack, I would love to say Graceland, but I'll go with.
Scott:I was ignoring that one, by the way.
Mark:That one's for you, one of the first import albums I bought. I had to go to Things from England and Edgewater and the shitload of money, but I got the Bring On the Night Sting the live album. Yeah, bring On the Night Sting and in the 80s when record companies were pressing vinyl on real shit, thin vinyl and it sounded like crap. That album was on heavy vinyl and I still have it. I still play it. It sounds great, but that jam on when the world's running down that long jam have you ever heard that day it's great, yeah, great band.
Lou:Yeah, I love that album that came out that has the best rock review of all time, in my opinion. To me it's like Pulitzer Prize no Well Prize rock review. It was the album GTR, yes.
Mark:I love that album.
Lou:Mark, the reviews are so savaging too.
Mark:I love that album.
Lou:Steve Haakker from Genesis and Steve Haakker from Genesis, jd Conson, a musician magazine. His review was the three letters SHT. Yeah, that was it.
:Well you had two guys doing pop. I mean what do you get?
Mark:Yeah, yeah.
Lou:Well, one of the reviews said is that they managed to make two of the most distinguished guitars in rock and roll sound like autopilot session ears at a farner record. Oh, you know what it was.
Mark:You had two guitar virtuosos, but they wrote songs and no one wanted to hear pop songs. They wrote good songs, yeah.
Lou:The reviews said they were competing with each other. But the two great guitar players. Steve Haakker is underrated, very underrated guitar player. He's not recognized enough.
Mark:Well, yeah, he's great. It's one of my favorites. Uh, Scott, I'm surprised he didn't bring up third stage from Boston.
Scott:No, I wasn't a really big at that point. I wasn't really a big Boston fan.
Mark:I was burned out. That was a good album. I liked it yeah.
Lou:Peter Go put out the show record, big record.
:Yeah.
Scott:Uh, you know what albums came out. Let me run down a few. Run DMC raising hell, yeah, right, that was a monster. That was the one that really, I think, broke into the white suburbia.
Mark:Yes.
Scott:You know Steve Winwood back in the high life. Few hits off of that album, yeah.
Lou:Come back.
Scott:I just don't have a thing. He gets the credit he deserves, though.
Lou:Yeah.
Scott:You know he's a great Billy Joel. The bridge, Bon Jovi, slippery when wet, yeah Go to blue.
Mark:You and I are supposed to love that. Yeah, I'm sorry. Yeah.
Scott:Genesis invisible touch. Yes, great album.
:That's a good.
Lou:That is a good record it is a good record, I thought it was way too commercial I was being. I was a snob back then. I was becoming all of us.
Scott:I was an old rock snob.
Lou:But then you know you're finding stuff, you know you're tapping your foot, you know I love Genesis.
Mark:When they did that video with Benny Hill. That's when I liked the album. I forget the name of the song.
Scott:Mark, I think, I think this one, this one was probably in your, in your collection Cinderella night songs.
:Yes, I know what you got Till it's gone. I know what I need till it's gone.
Mark:I blew out my vocal cords.
Scott:I'm talking to one all night. I got that by strong. That was a good album.
Mark:That was a good album it was.
Scott:That was a big videos in the Philippines too, and cozy power plate. On that album there's a lot you know, whitney Houston, whitney Houston, but this one I'll end on this one. I'll end on this one. This was probably one of the biggest albums of 1986. Don Johnson heartbeat.
:I heard it yesterday, did you really? I'm like oh my God, I forgot what channel was.
Lou:I heard the chorus and I moved on.
Scott:My dad like it certainly wasn't on underground garage.
Lou:No.
Mark:All right, All right. For Lou I'm going to say remember the golden age of the box sets on vinyl where you would buy the literal box. It was Bruce live, 75 through 85. I remember buying that music merchant, breaking it home and like, yeah, this box. I was like so cool, you know the big booklet and everything that came out just in time for Christmas that year.
Scott:Yes, Do you guys? Do you guys have any movies? I have a fucking list.
Lou:I have a movie, I got some film. There's some film, all right.
Scott:Let's start, so we don't necessarily have to talk about them. Let's just kind of throw out names. Yeah, top Gun, top Gun, mark Platoon Blue.
Lou:Sid and Nancy, ah, crocodile.
Scott:Dundee.
Mark:Yes, primey, the name of the Rose.
Scott:Ah Lou.
Lou:Aliens Back to school. That's what I learned to do the triple. That's a funny.
Mark:Crossroads.
Lou:Blue, the color of money. Ferris Bueller's Day off. I never saw it.
Scott:Oh, oh, my God, yeah, put me good, put me in the. Oh, I agree, I agree.
Lou:I make no apologies for not having seen that movie 30 seconds.
Scott:He's still talking, he's still, he's still ranting.
:I can see him, he's still, he's still talking.
Scott:He's screaming. He's just oh look at, look at, I'm bringing it back on. He throws headphones at the camera, his camera. Look at the angle.
:What are you looking at there? I see.
Scott:Smitty's upside down.
Mark:I see some real funky curtains.
Scott:Oh, those curtains aren't French, he's in a hotel room.
Mark:We say it was not in. Paris. He's in Atlantic City, are you? Those look like a hotel room curtain. That's Vegas or city, I don't know.
Scott:Is that tile? Is that a?
Mark:tile floor. He might be in Peoria.
Scott:He threw his headphones at the camera. There's some. We got camera moving. We have like look at we're getting a tour of his hotel room. Wait a minute, that's a fake backdrop. All this time I thought that was real.
Lou:No, no, no, no, no, no, I'm in, I'm in France.
Scott:What those curtains are made in France. I'm in my bunker man. All right, lou, give us another movie Jesus.
Lou:All right, let's see where am I.
Scott:Oh, you're not in France.
Lou:The fly, the fly with Jeff Goldblum. Ah the fly. That's my first grossed out movie in the 80s. I think I've ever seen.
Mark:Yeah, many people. That's disgusting Mark the money pit, money pit.
Scott:How about Stand by Me?
:Yeah, yeah.
Lou:Lou the hitcher. Oh, good one that introduced me to right.
Scott:What's his name? Mark to something. Howl, howl, steve Thomas, howl, steve Thomas, howl.
Lou:Yeah, he was a great outsider.
Scott:Yes, he was yeah, and he was ripped the shreds in the hitcher. Was it either one of the trucks? Yes, two trucks. Did he get out of that?
Lou:He did he did.
:That's right.
Scott:Yeah, good guy has to win.
Mark:Mark, a movie that I bought the soundtrack to first, before seeing the big easy Okay.
Scott:The movie where Paul Newman shouldn't have won best picture but best actor. But they decided to give it to him because he should have got it 30 years earlier for the fucking, for the hustler. But no, they fucking, they look. That was one of the greatest performances in movie history. Paul Newman and the original hustler, jackie Glees, in Minnesota, fats fucking doc, movie doc. Great Paul Newman, unbelievable. It gets glossed over. They come out with the color of money like oh pot two, and they give him like a sympathy, like an account. That's what I say. That was, that was a sympathy Academy award for the color of money. He was good in it. But Tom Cruise was the movie, right, and the hustler, paul Newman was the movie. Yeah, geez, see, I'm all upset now. Come on, move on, come on.
Lou:Yeah, henry, portrait of a serial killer, michael Rooker. That movie was scary.
:Yeah.
Lou:I saw it in a movie through the New York. I came out looking over my shoulder You're all. You're all built degenerates, my God Lou.
Mark:I mean Mark the mission, robert De Niro, ah, wow.
Scott:Pretty in pink. Ah, I love it With the hot, the hottie at the time. Molly Ringwell isn't the pretty yeah.
Lou:Lou manhunter.
Mark:Ah, the original Hannibal right.
Lou:Original Hannibal played by Brian Cox.
Mark:He was good and who was the guy in it?
Lou:William Peterson.
Mark:Yeah, great he was under. He was an underrated actor, yeah.
Lou:That was now. If you saw that movie, the the Tooth Fairy killer in that movie was terrifying. I thought Ray Fiennes was good in the Red Dragon, but the guy that played the original Tooth Fairy was absolutely terrible.
Scott:What was that movie in?
Lou:Manhunter.
Scott:Oh, that's right yeah.
Lou:Yeah, michael Mann that directed Miami Vice.
Scott:That was his name.
Lou:Yeah, yeah, I think that's a good one, yes.
Mark:Mark, you want dark, I'm going to get darker. The River's Edge Remember that movie.
Lou:Ah, yeah, it's a dark fucking movie. The Wacko Crispin Glover yeah.
Scott:Yeah, I'm going to lighten it up a little. The Jewel of Denial.
:That was a fun. That was a fun movie?
Scott:Yeah, for the first time.
Mark:I don't know if it aged well but the first movie had a better line. Put another brick on the fire, yeah, yeah.
Lou:Lou Meatballs 3, Summer John.
Scott:Oh boy.
Lou:Digging deep on that one. I knew it was a third Meatballs movie. I knew there was two.
Mark:Yeah, there was a sunny police academy Mark. The Three Amigos yeah.
Lou:Yeah, rocky Four. Yeah, was that with Dolph Lundgren? Yeah, I will break you.
Scott:Yeah.
Lou:Lou, here's one I read about. I never want to see it. I want to see it now, called Round Midnight.
:Damn it.
Lou:Yeah, was that on your list.
:Mark, I heard about the movie.
Lou:I thought it was Charles Bronson's movie, dexter Gordon. He's a jazz saxophone player. He actually acted in it. It's based upon him, lester Young and these guys from the 50s. About the 50s jazz scene in Paris my backdrop.
Scott:So you didn't admit that you're not in Paris right now. I'm not in Paris, no, okay.
Mark:Lou, do you know who directed it? Nervous hospital Do you know?
Lou:who directed the movie. I forgot Clint Eastwood.
Mark:Clint Eastwood did direct that he is a big jazz fan and he plays jazz piano. That's right he did. He's a great piano player.
Lou:I'm going to see the movie because Dexter Gordon was nominated for Best Actor for that. It was a great movie. You did see it then.
Mark:Yeah, oh yeah. How do you recommend it? Yeah, yeah, I would definitely. You're a jazz guy, scott. Try it, see if you like it. That's all I'm going to say.
Lou:All right, you like it.
Mark:Well, it did involve how a lot of those guys were doing some serious drugs, so it's a little dark on that end.
Scott:Manhunter Round midnight, round midnight, that's right yeah.
Mark:All right, mark. My last one on my list Mosquito Coast, harrison Ford. That was a weird movie. I loved it. Yeah yeah, ice machine in the jungle that blows up.
Scott:That's why I remember. Let's see the epic. Well, you know I got this one first. I'm going to say this was like two movies. This was two movies and one One half was just like. One half was good and the other half was fucking ridiculously bad. Spies like us.
:Stupid fucking.
Mark:I hated the song, one of Paul McCartney's.
Scott:Yeah, yeah, yeah. Lou blue velvet. Oh yeah, yeah, yeah, with what's her name she was. What was her name? That's not where it's earned the black, no, the girl with the black hair. She was like, isn't she French? I think she's a French actor.
Lou:Oh, isabella Rossellini, yes.
Scott:Yes, italian yeah, how would the duck?
Lou:Like a glorious.
Scott:Hey, listen, you know what, how? You know how would the duck got some, got some good play in the Guardians of the Galaxy movies and all those things.
Lou:Once you get a duck, you never go back.
Mark:It didn't have bestiality. They had a girl kissing a duck.
Lou:That's right.
Scott:That's right.
Lou:Where the expression go, fuck the duck come from. Where.
Mark:I don't know You're going to tell us the story.
Lou:No, I just had nothing behind it.
Scott:All right, let's go to top 10 songs this week in 1986. Number 10 dancing on the ceiling Lionel Richie what?
Mark:a feeling.
Scott:Yep Number nine this week in 1986. Typical male by Tina Turner.
Mark:No, I don't either.
Scott:Number eight this week in 1986, run DMC this way. Number seven this week in 1986, throwing it all away Genesis, good song, good song. Number six this week in 1986, two of hearts, stacy Q, I see.
:I need you.
Scott:That's awesome.
Lou:I need you. I've done that in karaoke many, many years.
Scott:Number five this week in 1986, dreamtime by Daryl Hall. That was a good song. Number four this week in 1986. Don't forget me when I'm gone. Last target, yeah, Number three this week in 1986.
Lou:When I think of you this, Janet.
Scott:I touch myself and I think of you. Number two this week in 1986, friends and lovers, Gloria.
:Lauring and Carl Anderson, one of the wonders.
Scott:And number one this album actually came out in 86. Number one is stuck with you. Here we lose in the news off of four. Yeah, that was a big album.
Lou:What do you guys think of you? Loosen the news.
Scott:I you know it's entertaining. Yeah, never had any issues. He never tried to be anything that he wasn't.
Lou:No, definitely a good band. They were actually a good band behind he was a likable guy yeah. You know, he's a likable guy.
Scott:He was always, you know, happy, made it late in life, later in life, you know.
Mark:And I was a metalhead in high school. But every time Huey Lewis songs came out I'm like those are good.
Scott:And they had good videos. They had happy upbeat videos, and Jacob's Ladder is still, though, my favorite song.
Mark:That is mine too, and hip to be square also.
Lou:You've seen.
Mark:American.
Scott:Psycho I just heard that too much.
Lou:I think You've seen movie American Psycho. Yeah, hip to be squares and more square, yeah.
Scott:Yeah, Uh. Album charts top 10 albums this week in 1986. Number 10 control by miss Janet Jackson Now, but nine this week in 1986 on the album charts invisible touch by Genesis. Yeah, Number eight this week on the album charts in 1986, slippery when wet, Bon Jovi. Yeah, Seven this week and 1986 on the album charts the bridge, Billy Joel.
Mark:Okay.
Scott:Number six this week. Uh see, marie Martin, I'm trying to ignore it because she called me Yoko. That was 30. You said that I can't ignore, marie.
Mark:I gotta give her my Well. You did kill our ears tonight.
Lou:He was loose. He was loose was good and duets.
Scott:Hey, when I when I run this through AI, right, I run this through an AI afterwards and it does the whole it chapped.
Mark:Wait, wait, is Perry working for you. This is that. Come on, I hired somebody else.
Scott:Don't tell, don't tell Perry, he already knows.
Mark:He already knows because AI knows everything.
Lou:Okay.
Scott:Where was I? Uh number six. Let me see Number six this week in 1986, back in the high life, steve Winwin. Uh, number five this week in 1986, true blue Madonna. See, this all matches up. We've had in the past top 10 songs and like two of the albums are on the top 10 shots Right. So these are all matching up.
Mark:You know why, though? Why this was still the era when an album mattered, so you had an album note.
Scott:There's no albums anymore but I've had, we've done these from the seventies and it's in its mismatch. It's kind of weird Um. Number four this week in 1986 on the album charts for by Huey Huey Lewis in the news Uh, number three this week in 1986 on the album charts raising hell run DMC. Uh, number two. This was a monster, this was the movie of the year Actually. Top Gun, the top soundtrack and number one this week.
Scott:I was in the dangers yeah, yep, kenny Loggins had a good uh had a, had a pretty good run at uh uh movie scores yeah, you know, had a pretty good caddy shack top gun.
Lou:He's never been in the dangers.
Scott:I don't know Number one this week in 1986, dancing on the ceiling Lionel.
Mark:Richie, I still say on hello, that is a great guitar solo, really good guitar solo.
Lou:What was his catchphrase? What was it? What was his catchphrase who?
Mark:Lionel Richie my daughter is going to be a reality star.
Lou:Outrageous oh okay.
Scott:There you go.
Mark:I saw a fucking meme.
Scott:I saw a meme of a picture of Lionel Richie's face right and it's on a piece of paper that's stapled to a telephone pole and there's phone numbers hanging underneath and the words on the face say hello, is it me you're looking for? And then you pull the tab if you see me. Fucking great. Some people are really really clever. This day in music, mark, there you go. On this day in 2020, taylor Swift, I don't care. On this day in 2015, stevie Wonder divorced from a fashion designer, kymalard, and was finalized after several years in court. A pair were married in 2001, but split in 2009. Stevie filed for divorce in 2012. And you know why they were divorced.
Mark:I see a joke coming.
Scott:She was seeing other guys.
:I think you're going to say he drove her home.
Mark:I think you're going to say he drove her home from the restaurant she was seeing other guys. I liked. I, I sir.
Scott:On this day in 2011, david Cassidy filed a multimillion dollar lawsuit against Sony, claiming he had not been paid royalties for sales of potter family merchandise which bear his image, including lunch boxes who didn't have one of those? Magazines and board games, cassidy told CNN. It's just a matter of being fair and doing the right thing. Just to be fair, be real, be genuine, don't be greedy. And they don't give you the result of the lawsuit on this day in 2008. Pink Okay On this day in 2007,. Hanson Okay On this day in 2006,. Michael Jackson Jeffrey Bora, who, admittedly, who admitted secretly videotaping Michael Jackson on a private jet was sentenced to six months of home detention and fine $10,000. Imagine if I ever got sentenced to Michael Jackson.
Scott:Yeah, bora, who was the owner of the private jet firm, extra jet, had instructed an employee to buy and install two video recorders on the plane. Okay, very yeah, oh, yeah, okay, uh, imagine the live streams I'd be doing if I was put on six months, six months house arrest.
Lou:Oh my God.
Scott:I'd be out of control. Hey, by the way, I'm thinking you know, the king of Facebook shows coming back soon and I'm thinking I think I might start off big. I saw this thing the other day. I'm going to take a steak and cheese sub right. Oh, you people calling it cheese steak, steak and cheese up. I may order a pizza cheese pizza uncut right, unlike a Jewish guy.
Mark:And.
Scott:I'm gonna roll the pizza over and cut it like a, and it'll be like a an Italian burrito, as long as you eat the thing.
Mark:as long as you don't have mayonnaise on it, it'll be fine, and I just happen to dip it in some just because ranch dressing.
Scott:I got to put mayo on the steak and cheese. I have to stay in 2006. Reggae legend Bob Molly was on it with a heritage plaque. Who cares on this day in 2003? Beyonce, who cares on this day in 2002? Kelly Clarkson, who cares on this day in 2000,. The Beatles who cares on this day in 2000,. The UK TV show top of the pops issued a top 40 shot based on singles that had spent the longest time on the UK charts. Number three was my way by Frank Sinatra. Number two was she loves you by the Beatles, in the song that lasted the longest time on the UK charts. It was a monster. It was a retail extravaganza. It was a boom. Frankie goes to Hollywood Relax.
Mark:The video was banned or was considered.
Scott:Well, there was two. There was two videos. One was from, bought was from. Was it body double? What was the name of that movie?
Mark:I saw the orgy in it.
Scott:Yeah, that was the one from the movie. Was it body? It was that, it was a body double. No, no, no, it was the one where the the guy looks across to the apartment building and he sees this guy murdered the ladies watching it go from room to room. Yeah, what was the name of that?
Mark:It's a good movie too.
Scott:It's a good film. It was really weird. It's the dude, it's the actor that looks like Bill Maher.
Mark:Mickey no.
Scott:Mickey, make you work, make you work. No, it wasn't him. No, what was the movie? Was it a Sam Peckin pod Do it? One of those guys?
Mark:It was Peckin. I was dead by then.
Scott:Come on, I get to find this Hollywood Because it's a great movie, weird, I'm looking it up.
Mark:I think it was the 80s. Early, I saw it, it was the 80s. Let me see Brian Brown.
Lou:Was Brian Brown in it.
Mark:Well, it was like body double. I had a like or two.
Lou:I'm thinking of FX. Is it FX?
:Yeah, no no, no, let me see.
Mark:Xara Lank I'm gonna find this Wasn't it the same guy that was in body double?
Lou:Trevor, you know.
Scott:William Hurt. You know that was produced by Trevor Horn, by the way.
Mark:Well, yeah yeah, yeah, yeah, that album, yeah.
Scott:I released critical perception original mixes videos. So here we go, it would say here. So the first official music video for relax, directed by Bernard Rose and set in an SNM team game nightclub, featuring the band members of Costed blah, blah, blah, drag queen Uh and an emperor played by, was banned from MTV Early 84. The group reformed. Let me see Brian De Palma, body double.
Mark:It was double. I was right.
Scott:Yeah, yeah, brian De Palma's body.
Mark:There was a remake of that movie with the. That was a Alfred Hitchcock.
Scott:Oh, that was, that was the rear window, that was really, and.
Mark:Johnny was in the remake. I think of that.
Scott:Yeah, that was rear window.
Mark:No, this is body double and it's kind of the same, but then it goes on yeah. That was a good, I might actually watch that again. Yeah, I have it on DVD.
Scott:I know it's very 80s the way it's filmed. But Brian De Palma had that really weird way of making movies too. He was great. Yeah, yeah, yeah I think he did I think he did. Yes, yeah, on this day in 1999, roger Daltrey announced that the who were reforming making their first performance in Las Vegas on October 29th.
Scott:The show was also to be broadcast live on the internet. On this day in 1996, breakfast at Tiffany's by American group deep blue. Something was number one in the UK shots and nobody is on the stage in 1992. Even singing, any Kendrick's of the temptations died at age 52 of lung cancer. One year after having one lung. That's yeah, yeah, that's. That's too young.
Lou:That's way too young.
Scott:On this day in 1991, Guns N' Roses started a two week, two week run at number one in the US album shots with use your illusion to who the fuck cares.
Mark:The album was released on September exactly.
Scott:Todd talk, todd Bighead, todd Stockman had that one. On this day in 1989, mötley crew played a warm up show for their forthcoming Dr Field good tour. The whiskey go go under the pseudonym the four skins. The show was also used for the filming of the next video, kickstart my heart. That's a radical song, that's. That is a revved up song. That's a good album, let's see. Remember this on this day in 1987, former Smith's guitarist Johnny Ma began rehearsals with the pretenders in preparation for the band supporting you too, on the North American tour. I remember he got with them. Yeah, he jumped around. He was like a hired gun for a little while. On this day in 1985. Midge Erie was number one in nobody kid Midge you're, you're a or your, your analysis, whatever it's fucking name is Vox.
Lou:He co wrote the band, did some to the notes Christmas yeah, yeah.
Scott:Yeah, yeah, yeah, whatever. All right, let me just fucking read it then. Yeah, it was number one in UK singles charts with, if I was the former ultra Vox and silk singers only sold a number one. The strong features, mark King of level 42 because there's something about you, baby Tonight, that's level 42, not ultra Vox or whatever. On this day in 1984. Queen played the first of nine concerts at the Sun City Super Bowl. Sun City, republic of Botswana. I'm not going to play Sun City I can't on this day in 1980, uk weekly the enemy had joined a vision.
Scott:She's lost control. I just lost control. That she's lost control. That's a great video if you ever see it. The joy division as single of the week song is about a girl who's singing in Curtis worked with at a disability center. One day she didn't come to the center and even later learned she died from an epileptic seizure. He would go on stage and he would get into these like fucking fits. It looked like he was epileptic. They said he would go into this like trance when he was on stage. He was very recluse.
Mark:I've got his biography. Everyone said I have to read it. I bought it and I sit sitting on the shelf.
Scott:Watch the documentary on joy division. They have clips of the move, of concert clips, and it's really interesting, really interesting. That's how I got my brother, colin, turned into joy division on the state in 1975. Stevie Wonder appeared at the Wonder Dream concert in Kingston, jamaica, and nobody cares. On this day in nineteen, ninety, on nineteen seventy four, mike Oldenfields, oldfields tubular bells went to number one for the first time. I had the record disc, I had the picture. Fuck me, fuck me, fuck me.
Mark:Last week it was there's a oh, that's what that was, that was always, will be attached to the exorcist.
Scott:But we're talking the tubular bells, but it will always be attached to the exorcist, Okay. I get it. I get it, it's attached. I didn't say to see you next, baby. And I didn't say that for an alter boy father. I did not For an alter boy father.
Mark:I did not say the word. That shall not be okay.
Scott:On this day in nineteen seventy four, olivia Newton John started the two week run on the number one at number one of the US single starts with I honestly love you. Let's see the singers. First of five US top shot. Top is on the state of nineteen seventy four. The Beach Boys went to number one in the US album shot with endless summer. The group's second US number one Yep. On the state in nineteen seventy three. Elton John released his seventh studio album, his best album, I think. Goodbye, yollabrick Road. I agree. Yeah, under the working titles vodka and tonics and silent movies talking pictures.
Scott:I think we'd gone over this before. Bernie Toppin wrote the lyrics to the album in two and a half weeks, with John composing most of the music in three days and it's his seventh album Yep While staying at the Pink Flamingo Hotel in Kingston, Jamaica. Goodbye Yollabrick Road. Is now sold over 30 million copies worldwide Jamaica.
Mark:And it's his best.
Scott:On this day in nineteen seventy, led Zeppelin three was released on Atlantic Records. Isn't that my? Yeah, that's my pinball machine.
Mark:That's my favorite Led Zeppelin album cover.
Scott:On this day in nineteen sixty seven, the doors played the final night of a five night run at Steve Paul's scene in New York's New York City, which is a shithole. Now I disagree.
Mark:I was there last week, now come on.
Scott:Okay, On this day in nineteen sixty six, having moved I'm not getting into this discussion Having moved to living in London, England, Jimi Hendrix Mitch Mitchell he's still giving me the finger.
Lou:No writing together for the first time as the Jimi Hendrix experience.
Scott:On this day in nineteen sixty five, johnny Cash was arrested crossing the Mexican border in El Paso, texas, after customs officials found hundreds of pills in his guitar case. Hundreds of hundreds of pills.
Lou:Johnny liked his pills. He liked it. Yes, he did, and he was sneaking across into the Mexican border.
Scott:Yeah, yeah, he was crossing the Mexican border. You need my water. Was he a baby? Was he a baby Money thing? That's all Any money put out.
Lou:He had eleven top forty hits. He put out an album in eighty six.
Scott:What is Marie Martin say Dexadrin's spansuels. There you go. I like that Dexadrin's midnight right.
Mark:Lou, that's a good name for a instrumental. We should write.
Lou:Dexadrin. What's this, what's this, what's this we got to get?
Mark:Marie credit. Yeah, if we do, she knows her shit.
Lou:What is it?
Scott:She called me Yoko, but I can't deny she knows her shit she was right.
Mark:She does oh you know what I'm going to.
Scott:I'm getting payback. I'm getting payback right now for the Yoko Ono. Right. Here we go. Are you ready?
Lou:Take my hand.
Scott:I don't, I wonder to see. No, no, no, she called me Yoko Ernie. So I say this Marie Martin knows a lot about music for a girl.
:Oh, oh oh, oh, oh, oh, my God.
Mark:I will not go down without a fight, but she's taking the show out to the end. She's a trooper.
Scott:She's immune for a girl. Yeah, Joan Jets a girl.
Mark:She could kick your ass.
Scott:Joan Jets might tell you, otherwise you should have said lead a Ford.
Mark:I'll wait for her. I saw her oh.
Scott:Marie gave me the two, she gave me two. Two grumpy faces, emojis.
Mark:I agree, I'll do this for you. I'll just do one.
Scott:See, look at that you speaking for Marie right now. Okay, okay.
Mark:Hey, I think, martin, are we all Irish, we can do that, you know it's like it's not.
Scott:This shows you three Irish, three Irish people in a, in an Italian.
Mark:You are going to say something else. It starts with a G I heard it coming.
:She called me. She says you're a mean girl.
Scott:I am not funny.
Mark:Don't push me, girl. No, no, he's not a mean girl, he's a nasty boy.
Scott:I'm a nasty boy. All right, let's get this done. The Beatles in this day. In 1962, the Beatles debut single, love Me Do, was released in the UK, spent 26 weeks on the chart Peak that number 17. Yeah, uh, george Martin said. Uh has said, when Love Me Do was released, it was the day the world changed.
Mark:I could go with that, I did.
Scott:And on this day in 1958, cliff Richard of the shadows played their first gig together when they appeared at Victoria Hall in Hanley, England. Let's see who was born on this day. Born on the same, 1988. We don't care. Born this day in 1985. Don't care, born in this day in 1978. Don't care, born this day in 77. And don't care.
Mark:Born in the 80s, we don't care.
Scott:Born this day in 66. Presidents of the. Don't care Born on this day in 61. Don't care Born this day in 1960. Don't care what is staying 57. Okay.
Mark:I'll give this guy prep. It's just fucking awesome.
Scott:I'll give this guy credit, born this day in 1957. Lee Thomas, the sax and vocals from the English spa band madness.
:That's him doing that, that's him.
Scott:Let's see our house In the middle of the street, our house Born on the same 1955. Leo Barnes from the Irish rock group Hot House flowers, born this day in 1952. Doesn't even say when he is born in this day in 1951. Bob, I'm a douche, geldof, he had too much airtime on this show. You got it in for the while. He says way too much airtime on this show. He's a fellow Irish sir, sir douche Bob Geldof.
Mark:Hey, listen.
Scott:No, I'm not listening. Are you done yet? No, is he Lord douche.
Mark:I got something to say when you done he just walked me up.
Scott:Are you done yet? You sound like Jack.
Mark:I just had flashbacks to Jack. Well, you know, we're guitar players, we think.
Scott:What do you have to say, mr Guitar man, on?
Mark:this day I received the new Steve Wilson album, who is my idol from England, and I didn't order it on CD, I ordered it on Blu-ray because I only listen to surround. So I just want to say, lou, this week on music relish, I'll probably hijack the show and talk about the album.
Scott:All right, I thought you were going to talk about Timbuk 3. Well, no, but Scott, if you know. But but what? No?
Mark:but you change format more than I do, If you if you, if more, if he put out an album and you could only get it from England and you ordered it and you got it today, you would say something.
Scott:I had to order this fucking thing from England.
:I'd be excited.
Mark:Yeah, yeah, so this is my guy. Steve Wilson is my guy. So I'm very happy, so be happy.
Scott:You want to keep talking about it? Shut up, are you sure? Are you sure now, are you sure I'm accommodating Sure Born in this day in 1950. We all, we all appreciate this guy. At least the three of us do. British guitarist Eddie Clark.
Mark:Yes.
Scott:Yes, best Eddie, clark, best Eddie.
:Clark oh, you know what I discovered? I?
Mark:had. But he had that band Fastway, which were like an 80s yeah Heavy metal band. The singer Dave King formed oh fuck, it was an Irish inspired band. I was shocked that he went.
Scott:I thought that was the name of the band you said he formed. Oh fuck, King thought that was the name of the band Hold on, you keep talking. I know I plan on it. Born on this day Keb. Born in this day Lucius Ross, rhythm guitarist, a funk and delik 1968 to 71. He played on their first three albums Born on this day in 1947. Brian.
:Johnson.
Lou:Hmm, 47. Look to kill.
:Ah, let's see.
Scott:Born in this day in 1945. There's some Irish guy oh he, okay, brian Conley singing with a new spot group, sweet Ballroom blitz Fox on the run.
Lou:Love is like oxygen. Those are three pretty decent songs. Yeah, they were. He's not the singer. Yeah, he died young, yeah.
Scott:I died of liver failure in 97. It was a drink.
Mark:Yeah.
Scott:An.
Mark:Irish man dying of liver failure. Imagine that, oh my God, born in this day in 1943.
Scott:He's a Joker, he's a toka, he's a midnight smoker, paris favorite.
Mark:Perry's favorite singer, steve Miller.
Lou:He is a good singer actually.
Mark:He is yeah.
Lou:He's a great guitar player.
Scott:I saw him back up journey. He did, he did, he did.
Lou:Well, yeah, um except for Aberdeen Dabler.
Scott:That's where I was going, but I think we all know that.
Mark:Lou, I'm going to reach out and grab you. Oh boy Born in 1942.
Lou:Richard.
Scott:Street from the Temptations. Uh, let's see. Let's give this lady a little shout out. Born in state 1941. Arlene Smith, singer from the Shantel's Uh, let's see.
Mark:I got a little follow up here. Why Dave King, the heavy metal singer of Fastway, and no, it wasn't dropped. Kick Murphy's, he formed flogging Molly, what a different. Yeah, that's like amazing, they went from there.
Scott:Yeah, and finally, born in this day in 1938, just because he's the last one on the list and he's ending the show, carlo Mastrangelo in honor of Italian heritage month. Carlo Mastrangelo from Dion and the Belmont's. The tallow rock. The biggest, the big hit was run around Sue, keep away. I'm going to run around Sue and say hey.
Lou:I think the wonder was a solo. I think the wonder was his Dion. Ah, okay yeah.
Scott:So there you go, gentlemen, there you have it. That's the show. We got it in in under two and a half hours. See, mark, I, I, I did you.
Lou:I did you a solid tomorrow's five minutes of sleep.
Mark:I like these Thursday shows, cause at least I only have to get to Friday, you know so.
Scott:I, we can move into Thursday. I've moved to any day. Really, I mean, I don't care, we can talk about it if you want.
:Hey whatever works for you guys?
Scott:Did we come up a Wednesday because of loose schedule or something? Really?
Mark:How do you?
Scott:I thought it was something where we had to move it to Wednesday, but no, you started that with Jack.
Lou:Oh, I did. Yeah, Actually, Thursday would be better for me because I my son comes down.
Scott:Todd's going to have to wait an extra day to be entertained, to be entertained, but yeah, okay, well, we'll stop doing it on Thursdays. Dr Vera works still seven anyways. So you know by the time she gets home or dinner, we'll be waiting for her, I'll warmed up on the stove and I'll be setting up in the studio Some sandwich you stole for her. Yeah, I got some sandwich I stole from some veterans conference in West Palm Beach.
Mark:Finger sandwich it's a finger sandwich. Honey, it's a finger sandwich.
Scott:But what I did, though, with that sandwich, that I got it, you know, I, I, I got a little fancy with it. I toasted it for her. Nice, I put it, toasted it.
Lou:Oh, nice, oh she thought it was spectacular, any added condiments I told it it's whatever she wanted to put on it.
Scott:You can't toast things with mayo on it.
Lou:No, he can. The mayo has to be on it at the end.
Scott:Yeah, Well, maybe you can toast something with mustard, maybe, but that would work, that works, yeah.
Lou:Mayo, he can toast Well, mayo is kind of like and I love mayo. Do you like it? On a burger?
Scott:You know what I for. The longest time I did the ketchup and the mayo, but no one I've been doing for like the last two years. I just ketchup, mustard and pickles, very simple.
Lou:Like.
Scott:McDonald's. Yeah, yeah, that's the way I do it now. I just and I don't, but I need the sweet and spicy pickles.
Mark:At least you didn't leave the food in your car like I did once for a week and then you opened the trunk and, oh no, I'm going to be a topper right now.
Scott:So a friend of mine when we were working customs canine down in Miami, right, it was a cutthroat group of people Like it's a dirty job and you know it's very like. You know, you just got to be a different type of person. This dude was going on leave for like two weeks, so me and this other guy and he was a dog handler, me and this other guy we got into his, his uh, you know, a patrol car like a van right, and we had got some, some dog poop and we put it in a plastic bag and we stuck it under the driver's seat and it was the summertime and he came back and he opened that door Right.
Scott:He said it had permeated into the foam in the seats yeah, buddy, yeah, all right, ruthless.
Mark:I got one almost better for you. Okay, you know, when you buy Purdue chicken in the supermarket it's in a shrink wrapped tray, it's like the plastics around it. So I used to buy chicken breast, you know, and this summer, and it must have slid out of the bag because three days after I went shopping I'm like where's that?
Mark:I opened the trunk and I kind of smelled something. But when I saw it I just said, like my son I think my son was like really young, he was going to grab it I said, don't touch it, because the plastic had expanded. Oh it's basically a dead body in the sun.
Scott:Oh man Nice. Well, gentlemen, as I always say, great. Thank you for your time, thank you for your knowledge, but, most of all, thank you for your friendships. I truly, truly appreciate you, guys.
Mark:Thank you for putting up with me on an off night. No, you were great.
Scott:You guys are always great, I even on a bad night. You guys are good and I always appreciate the time and the effort that you do, that you that you put aside for this podcast. That doesn't seem to have an end to site, but that's okay. Marie Martin says good show. See you next time. Marie, thank you very much for watching.
Lou:Thank you for participating, Of course.
Scott:Patty, I love you, we love you. I'll be on Sunday morning, patty, you know what that's all about. So coffee with the king. And you know, we'll see how it goes. What time do you do that show? I'm sorry I do it at a weird time. We do it like 745 in the morning, oh Jesus.
Mark:I think I'm going to sleep about that Sunday. I'm not sure.
Scott:I'm a little early, but there's a whole group of people that say that's perfect.
Mark:Yeah.
Scott:I used to do it like 8, 8, 15. And so I was like, oh, you did it too late and I'm like I really can't balance it. So I came up with that kind of time, you know.
Mark:I'm actually up at that time. Maybe I'll do it at eight o'clock.
Lou:Maybe I'll start doing it at eight o'clock. Is that a live Facebook?
Scott:Yeah, yeah, yeah it's a live stream the live stream.
Mark:It's on YouTube yeah, yeah, but it's a different channel.
Scott:The king of Facebook channel. It's not on this channel. Okay, it's a whole different character. It's a whole different thing. It's the king of the. The scoffing with the king is very it's kind of low key, but it can get out of hand sometimes. You big Bob is making his, his, his big comeback this week.
:Big, big bubble.
Lou:I remember my side kick.
Scott:That's my side kick. Yeah, that she was kicking off when you guys first, like, met me.
Mark:I was commenting on one of those. Yeah, yeah.
Scott:Anyways, if everybody's listening still, or you turned it off, I don't know Make sure to check out the music relish show with Mark Lou and Perry Denovich, the AI. Is that the one with the naked men? Marie, you do watch. She watches all my live streams.
Lou:She's a fan. They're naked.
Scott:She's like oh, look at them, they're naked. Look at the muscles on there. Oh, that kid, look who need all their muscles. Who needs all their muscles? I wouldn't run all that. Oh, look at them muscles. That's Marie.
:That's what she does?
Scott:She's in there, she's rubbing her hands together like a fly. Oh, look at them, them muscles, yeah, and, like I was saying, make sure you check out the music relish show on. They have a YouTube channel and I think you guys are on podcast platforms, right, yeah, yeah. So, uh, and as I always say, you guys in the engine that runs this machine. Without you, it would just be me talking to these two, and that's not a bad thing when it comes to music, and as I always say, and I will be seeing my man, uh, sunday night, uh, to quote my favorite artist, morrissey, doing the show for you, the pleasure of the privilege is mine. There will be no show next week, by the way. Okay, okay, I'll be in Boston, I'm going to see. I'm going to see, uh, nick cave, okay, yeah, yeah, on Tuesday, and I'll be back Thursday night at nine o'clock.
Mark:Have a good time at Morrissey Enjoy. Oh yeah, it's going to be fun, of course, if you listen if he, if he shows up, yeah, the air conditioning better be on.
Scott:Nah he, he's getting over dengue. He had done gay fever or something like that. He canceled two weeks of shows in Mexico.
Lou:Ben gay fever.
Scott:Anyway, all right, everybody, I'm going to download this beast and I will see you. We'll see you in two weeks. Okay, all right, thanks everybody. Bye.