Join us as we crack open the time capsule to 1970, a year that redefined music and television, with Scott McLean , along with Lou Colicchio and Mark Smith adding their "Mixed Relish" to the mix. From the birth of iconic albums to the TV shows that shaped our youth, we're not just reminiscing; we're re-experiencing the moments that have stitched themselves into the fabric of our culture. It's a celebration of debut albums that continue to echo through the ages, the surprising charms of musical mistakes, and the TV series that remind us of simpler times.
We've got your backstage pass to the underappreciated genius of Joan Armatrading and a lineup of debut albums that became the soundtracks of our lives. It's not just about the music; we take a detour down memory lane with Saturday morning cartoons and childhood breakfasts that might make you question our culinary sanity. From "The Mary Tyler Moore Show" to the British series "UFO," we're flipping through the channels of the past, and you're invited for the ride.
So, grab your headphones and prepare to be transported back forty years. As we share laughs, reflect on the impact of celebrity losses, and thank those who've made this journey with us, you'll feel like part of the family. And remember, while this episode may come to a close, our story will continue – so stay tuned for the next chapter in our audio adventure.
Join us as we crack open the time capsule to 1970, a year that redefined music and television, with Scott McLean , along with Lou Colicchio and Mark Smith adding their "Mixed Relish" to the mix. From the birth of iconic albums to the TV shows that shaped our youth, we're not just reminiscing; we're re-experiencing the moments that have stitched themselves into the fabric of our culture. It's a celebration of debut albums that continue to echo through the ages, the surprising charms of musical mistakes, and the TV series that remind us of simpler times.
We've got your backstage pass to the underappreciated genius of Joan Armatrading and a lineup of debut albums that became the soundtracks of our lives. It's not just about the music; we take a detour down memory lane with Saturday morning cartoons and childhood breakfasts that might make you question our culinary sanity. From "The Mary Tyler Moore Show" to the British series "UFO," we're flipping through the channels of the past, and you're invited for the ride.
So, grab your headphones and prepare to be transported back forty years. As we share laughs, reflect on the impact of celebrity losses, and thank those who've made this journey with us, you'll feel like part of the family. And remember, while this episode may come to a close, our story will continue – so stay tuned for the next chapter in our audio adventure.
Well, here we are, episode 131. And on this episode we're going to be talking about the albums of 1907. We didn't really finish up last week. We didn't get into really the great albums that came out that year. We're also kind of going to do something new. I'm going to bring out some TV shows Stop moving this in a little pop culture direction, you know what I mean Along with the wrecking tube Lou Colicchio, Mark Smith from the music relish show find it on YouTube. So it should be a good show, Plus a bunch of other stuff they call it. They call it something relish on their show, Mixed relish or something. I'm just going to call it random play, random albums, I don't know. Enjoy the show.
Speaker 2:The KLFB studio presents milk crates and turntables. A music discussion podcast hosted by Scott McLean. Now let's talk music. Enjoy the show.
Speaker 1:Thank you, amanda, for that wonderful introduction as usual. Welcome to the podcast, welcome back, my friends, to the show that never ends. We're streaming live right now over Facebook, youtube, twitch, twitter, d-live. I still say Twitter. I'm formerly ex, formerly known as Twitter. Let me get this intro off my screen. And yeah, we got a very interesting show tonight. They're always interesting with these two guys that I got. It's always interesting the more comfortable they get, the more interesting they get, that's for sure. Which is good. It's good entertainment. It's good. You know what? No, it's good. I like Jack. I know you people used to like that shit, but he just no. I love Jack. I was going to dog him. Jack will be back someday. Someday we'll be together. That's kind of gay. Anyway, let's start it off. Let's bring on one half of the wrecking too, mr.
Speaker 3:Mark Smith. Good evening. Good evening, Stop man. I was just being relaxed.
Speaker 1:Yeah, yeah. Now let's bring on the other half. Let's go with this sound effect. Let's go with the other half of the wrecking too, mr Mark Smith.
Speaker 2:I don't like that vocal effect. Shut it down. I don't like it. You want me to argue with you tonight. I'm going to argue with you.
Speaker 3:How's this one?
Speaker 2:Yeah, that's good, I like it Is this better. Yeah, that's good. Thank you Welcome back to the show you are a fucking asshole You're damn well right yes.
Speaker 1:I know right, the white light on the body will light Absolutely.
Speaker 2:Fuck nuts hey.
Speaker 3:I love that shit. That was a Mr Roboto sound, wasn't it?
Speaker 1:Oh see, now you just fucked that. You just fucked that up. For me it was Roboto. It did not mean that that was a great album.
Speaker 2:That was a freaking awesome album.
Speaker 1:I loved Mr Roboto you know I hate that song, but no, you know what you know what?
Speaker 3:Just for that? I don't really know. Yeah, man, I don't know.
Speaker 1:You're in a too silly, you're in too. See, now it's just me. I knew these two. They're up to something. I swear they can spite loose times up.
Speaker 3:Loose back. Yeah, yeah, yeah, yeah, yeah, yeah.
Speaker 1:I can walk back. There you go, buddy, he's right now. Hands behind his head here we go again. This is probably a loo. Do you think that's his work? Position too Leamed back in the stand Absolutely.
Speaker 2:You want to see my work position.
Speaker 1:That's what he just said.
Speaker 3:They can't see you. They can't see you sleeping like this.
Speaker 2:No, I don't have it. I'm not working all alone. I'm totally alone in a room all day. I don't see anybody. That's a beautiful thing. Beautiful. That's dangerous, though, too. Spotify galore that's dangerous Good evening Allison.
Speaker 3:Good evening Allison. Look at that. I really look forward to your podcast.
Speaker 1:She loves the show. That's a beautiful thing. Thank you, sis Mark bring in, bring in.
Speaker 2:listen, as in viewers to the show Look, what do you bring? Nothing.
Speaker 1:You're supposed to say my brilliant music, mind, but now humility, humility prevents me.
Speaker 3:Yeah Well, humility just got you in the penalty box again.
Speaker 1:See, he had an opportunity and he could have self promoted, he could have showed a little ego. But no, lou has to just say oh well, I'm just a nice guy. No, stop, you're going to be a great guy.
Speaker 2:You want to see my giant head and you want to see my giant head in here?
Speaker 3:It's going to hit the whole fucking screen. I am a. I am a walking encyclopedia of weird music. That up boy. You got to hype it up, man, it's a podcast. I play five different musical instruments and I sing there you go See, that's what you're supposed to say Got any meat?
Speaker 1:I'm a lot of fun parties.
Speaker 3:People tell me you know a lot of fun parties yeah.
Speaker 1:So yeah, this week we talked about the music. Um, so yeah, this week we thought we'd finish up, uh, 1970. And let me turn this up a little like tonight.
Speaker 2:This is racking me tonight, man, oh Jesus, Um oh wait, really quick Got to say a happy birthday to a Mr Tom Spelone. His birthday was yesterday.
Speaker 1:Hey, that's right, it was yeah.
Speaker 3:Yeah, he retired, didn't he?
Speaker 1:Yep, yeah. Well, I had said to him when are you coming back on the podcast? We're like do a show. You know what I mean? Just kind of because I want to hear you terrorize Mark.
Speaker 3:I said oh, he'll do it.
Speaker 1:Oh, he's ready. He said oh, I'm getting my studio ready. He's that? Oh good, I think that motivated him, He'll have.
Speaker 2:he'll have me in a fetal position. I'll be ugly.
Speaker 1:Yeah, yeah, me and Luke can just sit back and just watch it happen. Watch this box fly. I think Lou's a Lou. I'm just a pretty much upfront, uh, kind of agitator. But I think Lou's like subversive. He'll kind of drop little things to set you to.
Speaker 2:Oh yeah, he's like it was like that time bomb.
Speaker 1:You know what I mean, yeah.
Speaker 2:Yeah, he's always behind you doing that, you don't want me in your head, Mark. It's too big for my head.
Speaker 1:Uh, so let's, um, let's get into albums. Okay, so I have, I have a list of albums. I think we did, uh, talked a little bit about debut albums, right.
Speaker 3:Oh, we mentioned it. We mentioned a few albums, whether it debuts or not, but some noteworthy thing.
Speaker 1:Yeah, yeah. So Mark Mark Mark Flynn, king of Google, uh, the Google King I should call him. He's the Google King, he's a king of nothing, Cause, you know, usually the King title means you're the king of something. He just he's the Google King because he just a Googler. He's a kingdom of one.
Speaker 3:Yeah, kingdom More guy.
Speaker 2:He does nothing but say good Kingdom of one.
Speaker 3:Now, does that get me a get out of penalty box for anything?
Speaker 1:All right, you get a pass.
Speaker 3:I like that. I like that. Yeah, it's barter, it's barter.
Speaker 1:It's almost as good as you. I am not a flea and you're traveling flea circus pistol McLean.
Speaker 3:Apparently I am.
Speaker 1:Well, he called me agitator extraordinaire, says the agitator extraordinaire.
Speaker 2:See, he agitated just by that comment. See how he is.
Speaker 1:Yeah, uh. So let me let me break out some. Um, it's a big kingdom, that's for sure. Uh, let's let me do some. Uh, some debut albums that came out that year. Uh, yeah, debut albums you got. Uh, the Jackson fives debut album wasn't called Jackson five. Well, that's not how old ABC, how old was Michael? And 70.
Speaker 3:Wow, eight or nine.
Speaker 2:Maybe, yeah, I didn't know. They started that early.
Speaker 1:Yeah.
Speaker 2:Yeah, yeah.
Speaker 1:The first album ABC was, uh, the Jackson five album. Yeah, uh, who else do we have? That came in at uh in 1970? There's a, there's a? Let me see the answer. This is how they used to promote this stuff, right? Um, the Andy Williams show album Wow, right, like everything was centered around TV back then. Yeah, yeah, uh, let's see the living room, let's. I don't know about this one. It says back home, chuck Berry album. That's not a debut album.
Speaker 3:What 1970.
Speaker 1:That's gotta be bullshit. Yeah, debut on a new record label, maybe Right, yeah, you know what that could be right.
Speaker 3:That could be still that's. That's a bullshit call.
Speaker 1:Yeah.
Speaker 2:Yeah, one of my favorite bands debut came out this year. Can you guess who? Porcupine tree, no, scattle run.
Speaker 3:I'm messing with him tonight Big time Good, just because we were told we were in scrappers.
Speaker 2:I'm Irish bear, knuckle, brawl baby Going up against the raging bull. Yeah, look at my fists, they're all floppy. I'm sorry.
Speaker 3:What was the album? Uh, emerson, like in Palmer's debut, yeah, With the hit single lucky man which I'm sick to death of.
Speaker 2:That's right Lucky man which I'm sick to death of that that's on their debut. Yeah.
Speaker 3:I didn't know what's the name of the album.
Speaker 2:Emerson, like in Palmer, it's one with a dove on the cover. I'm looking at this I like lucky man. I like their hits we me and Tom Spillone always had a joke whenever they. We've seen them live many times. That's when you go to the bathroom. Yeah, when they do that Cause once you hear Greg go sing it with me. We go bathroom trip. I don't know, we got tired of it, but I did a debut.
Speaker 3:What's that? Cool and the gang. Yeah, cool, cool. And the gang record with the song cool and the gang. I sure have heard it, but I'm not.
Speaker 1:I'm looking at Clint. Eastwood album yeah, yeah, was it jazz Probably says, let me see by the upsetters oh, okay, uh, for other uses see Clint Eastwood, dissonant. Oh, so this is a group that called an album Clint Eastwood album.
Speaker 2:Hmm, I don't know how to make any sense. But in 1970, he put out an album called burning bridges.
Speaker 1:It's not enough to trust this. It's.
Speaker 2:He got to talk to your writers. They're not doing a good job here for you.
Speaker 1:I know I got one. The hell. All right, let's just talk about that. What do you got? Funkadelic, debut album Funkadelic, that's right. That's right Eventually to become parliament Funkadelic. So I wonder when parliament's first Hmm, uh well, didn't.
Speaker 2:I thought you know, after Funkadelic.
Speaker 1:Yeah, uh, let's see. What do we got? I saw a whole bunch of them early. I'm like what? Oh, gingerbakers Air Force, we said that last week.
Speaker 2:A huge debut came out, george Harrison's debut. Yeah, all things once pass.
Speaker 1:Yep, Uh, what do you? What do you got Lou.
Speaker 3:Uh, van Morrison moon dance record came out how?
Speaker 1:about this. Eric Bird declares war. Yes, yeah, yeah.
Speaker 3:With the band war.
Speaker 1:Yeah, that's a cool, that's a cool name.
Speaker 3:Yeah, I didn't know, it was the the players war, and war is in parentheses. What did he declare war on?
Speaker 1:I don't know On music, eric Clapton album. Was that his first solo album?
Speaker 2:Yeah, that would be. And the same year he put out Layla and other sort of love songs too with Eric and the.
Speaker 3:Domino, the Domino, yeah, weren't they? 71.
Speaker 2:No 70. Really.
Speaker 3:Yeah.
Speaker 1:I'll be dipped. Dave Phillips, king of the 45s. Welcome to the show, buddy.
Speaker 3:Hey Dave. Hey Dave, my new friend Dave Phillips. First step you have a friend. Actually, I have two friends named Dave Phillips.
Speaker 1:Okay, all right, it's a great conversation, they're in your head. Telling us all his friends named Dave Phillips.
Speaker 2:They're in your head.
Speaker 1:I'm going to Faces first album came out first step from the home, from from, not mistaken. That's what it looks like. Uh yeah, so Funkadelic.
Speaker 2:Guess who Mark. Uh, just for albums. I don't have a debut album, but Led Zeppelin were already on their third album by 1970. Led Zeppelin 3 came out.
Speaker 3:Yeah.
Speaker 2:Yeah, that's wild. Third album by them.
Speaker 1:How about Hot Tuna? I mean, it's a group you heard about, but I never really, do you ever?
Speaker 3:listen to them.
Speaker 2:Yeah, I haven't.
Speaker 3:They're, it's, they're I. They're kind of good. I mean the very Jefferson uh Starship Offshoot is Yoramaka Konan and Jack Cassidy. They're still playing together. I mean they're still playing. They're in their I think they're in their 80s now, but they're. They're on tour Like the two of them. I think I think it's called Hot Tuna. Still, I don't know any songs are theirs. I've heard them. They're really good guitar players, yeah.
Speaker 2:Yoramaka is a great guitar player.
Speaker 3:It's like a folky grateful dead type of thing Maybe.
Speaker 2:Oh yeah.
Speaker 3:But I, I find it more, I find it more palatable. Oh it's. It's not as rambly, but I've heard.
Speaker 1:I can't.
Speaker 3:I can't name a song. There's a, so 1970.
Speaker 1:We're talking about debut albums and Dave Phillips, dave Phillips, his, his boys, the Jay Giles band, came out with the first album in 1970.
Speaker 3:Yeah, and where are these songs? We know of that.
Speaker 1:Uh, let's see, let's see, we got a shit's taking a while to load.
Speaker 2:Well, magic magic dick and his tools. That's a great song. No, just joking. Hey, I got a sort of debut, in a way the classic lineup of D purple Mark two, released in rock this year.
Speaker 1:That's right.
Speaker 2:The what Mark two, the D purple, with Ian Gillin singing oh magic lover, Cause they before that, you know. So it's kind of like a debut of the classic the, the era that everybody likes.
Speaker 1:Yeah, right, let's see Track listing off of Jay Giles first album. A weight icebreaker cruising for love. Hard driving man serves you right. Serves you right to suffer Homework. First I look at the purse. Hmm, what's your hurry on borrowed time?
Speaker 3:pack fair and square snow cone and nothing of any significance there I played hard driving man at the S for guitar bar. I didn't know, I didn't know the song the guy goes. You know any Jay Giles? I'm like throw it at me. So, it was hard driving man, guess we just showed up Big head.
Speaker 1:Todd the wet sprocket says I'm here at the teeny.
Speaker 2:All right, we got to step up the game. Guys Fuck him.
Speaker 1:Fuck him, we're not fleas in his traveling flea circus. Right, lou Right, he's just big head Todd the wet sprocket. It's all he is. It's all he'll ever be.
Speaker 2:Oh, I got another debut. Yeah, black Sabbath.
Speaker 1:Yep.
Speaker 2:Yeah, with the creepy album. I said that last week, yeah.
Speaker 1:There's gonna be some repeats, but no, still that's John Lennon and the plastic ono band. Yeah.
Speaker 2:Is that the naked album cover?
Speaker 3:That's two. That was two virgins, oh, okay.
Speaker 2:I'm still shattered overseeing that album cover.
Speaker 3:Yeah, that didn't have to be, that didn't have to be done.
Speaker 2:Funkadelics first came out.
Speaker 3:Yeah that last week. Yeah, yeah, james Taylor, sweet baby James.
Speaker 1:Did you know? There was an album that was a big record. There was a group called Blood Chet and Tears what are they Check us walking? Oh, not check, Check Like the like the white guy named Chet Chet.
Speaker 3:That's short for Chester.
Speaker 1:Yeah, yeah, yeah.
Speaker 3:I know a chat. I knew a chat. He's a white guy.
Speaker 1:So you had Bridgel of a troubled water right by. Yeah, I caught that he's a white guy. They were all white guys, chet. And then you have Bridgel of a troubled water Peggy Lee's album, really Same year, yeah.
Speaker 3:She covered it.
Speaker 1:I guess I don't know if she covered it or you know, Dave Phillips says Neil Young after the Cold Rush at Cosmos Factory, CCA. Dave Phillips in 1970 was like 27, I think Right yeah.
Speaker 3:He was a couple grades higher than me in high school, not many, he was like 27.
Speaker 2:Oh Lou's loving this one, they're not making me old.
Speaker 1:Ah, Chicago's first album.
Speaker 2:Oh yeah, Chicago Transit Authority.
Speaker 1:Yeah, yep, let me see. Close to you, the coppent is Backer, and then you have close to you Johnny Mathis. They're running it. He jumped on that one. How did they?
Speaker 3:Why do birds not need?
Speaker 2:backer. I didn't care. He's making a lot of money, sure.
Speaker 1:Yeah, I guess I think you're going to get into the next one.
Speaker 3:I think it's like the Wild West. I think the record company does know the song. Yeah, it's the writer, yeah.
Speaker 1:Hey.
Speaker 2:Phillips, king of the 45s, fuck you I was 14.
Speaker 1:Yeah, 19 is more like it. That's like you know. Someone says I lost 57 pounds, or you only lost 45, but you add on. You know you beef it up. Ah, dean Farren says hello, my name is Johnny Cash. I thought it was Dean Farren. I had to say that.
Speaker 2:Oh, you know what you know what I put yourself in the penalty box? Yeah, hey Lou, you know, burnt weenie sandwich from mothers that an invention came out that year.
Speaker 3:I do, I do.
Speaker 2:Along with weasel.
Speaker 3:That's a great name for an album.
Speaker 2:And the same year was weasels, ripped my flesh, which is another great name, rizz.
Speaker 1:All right, I'm back from self exile for a bad joke, really.
Speaker 3:How about this one, the Doors Morrison Hotel.
Speaker 1:That wasn't a debut album, though, oh I thought we were just doing albums of 70. Well, we're doing both. I would do both. I'm digging up debut albums, whatever you want to bring up.
Speaker 2:All right. So a debut album, gentle Giants debut, came out and I, just in my fifties, have started liking them. I didn't like them for years. That's an odd prog man it is. The singers would turn me off. They felt like he's begging.
Speaker 1:I was, I was really 14. I was.
Speaker 2:Okay, oh, jesus Christ, superstar came out that year.
Speaker 1:Oh yeah, here we go again, here we go again.
Speaker 3:I got one atomic rooster.
Speaker 1:Atomic rooster.
Speaker 2:A band that Carl Palmer was in before the LP for your pay had to be right before.
Speaker 1:Yeah yeah, he was only on one of their albums I think Let me see you also had again. So what was up with 70 and double albums? He had Down Home by Seals and Croft, Then Down Home of the Nashville String.
Speaker 2:Band.
Speaker 3:Wasn't the late 60s, early 70s people getting back to the country, vibe getting back to the land? The stock and the band and all that.
Speaker 1:You know what I always say. I always say we're in the 60s and 70s, the mid to late 60s, into the early 70s, on steroids, right, because back then they called it and this was an album Ecology. You have to care for the ecology. Ecology. Well, today it went from global warming to climate change, because they can't justify the word warming.
Speaker 2:You really want me to argue with you, don't you?
Speaker 1:I'm just saying it's at the same cycle. It's the same cycle. It was the whole thing about the ecology and all this man this year, this, oh, the world's going to end. Hey, remember Acid Rain in the 80s? Oh, the world was fucking over it was done.
Speaker 3:Remember power. I didn't grow tits.
Speaker 1:Exactly.
Speaker 3:I should have oh boy.
Speaker 2:I'm going to get the giggles again.
Speaker 3:Marvin Gaye wrote a song called Ecology.
Speaker 1:He did that's right.
Speaker 3:Yeah, that's right.
Speaker 1:Great song.
Speaker 2:Hey, one of the greatest live albums ever came out this year. Live it Leads.
Speaker 3:Yeah.
Speaker 1:Live, it Leads, yeah.
Speaker 2:And the expanded version, which I don't know if you guys have heard, but it's in the last couple of years they pretty much put the whole concert out. Wow, what a, what a con. They did a whole 70 minutes and then they did the whole Tommy album.
Speaker 3:Wow.
Speaker 2:Cool yeah.
Speaker 1:You can hear it on that show.
Speaker 2:It sounds deafening just to hear the album.
Speaker 1:Yeah, yeah, let's see, what else do we?
Speaker 3:got, I got a debut. Yeah, robin Gibb, robin's Rain. He quit the Bee Gees in 1970 for a bit, robin's Rain, they call it. Robin's.
Speaker 2:Rain.
Speaker 3:Yeah, I remember he used to sing with his handovers here.
Speaker 1:Yeah, yeah, that's right, he did, didn't he?
Speaker 3:Was he drowning Barry's false setto out, or was it Morris who was drowning him? He must have a pitch thing, I don't know.
Speaker 2:Yeah, some people just do weird things when they sing too.
Speaker 1:Yeah, lou, do you have any particular when you sing? No, no.
Speaker 3:I just tried not to lose my beat. He does those funny things. He got the beat. I couldn't see more.
Speaker 1:A Golden Ehrings album came out in 1970.
Speaker 3:Their debut. Yeah, oh wow. When did the Rino Love come out? Smith's 70s right, yeah, he was 677.
Speaker 2:I thought it was earlier than that. I thought it was earlier 75,.
Speaker 3:Yeah, it probably wasn't on the debut, though. No no, I don't think so what else we got? Red Rock's debut album. Remember the song DOA.
Speaker 1:Yeah, yeah.
Speaker 3:It's a creepy song. Yeah, a creepy long song. That was on their second record, but their debut.
Speaker 1:Red Rock. Hey, you know who came out. You know what album came out in 1970? Hello, I'm Johnny Cash. That came out in 1970.
Speaker 2:Fuck Dean Fair. I'm Mr Ed.
Speaker 1:Oh, come on, dean Fair is not just a no, I'm not going to leave you alone. He harassed us. It's his Christ, superstar.
Speaker 2:He harassed us last week with porn movies he made me laugh harder than I've laughed, harder and hairier than I've laughed in my whole life.
Speaker 1:Don't give him. No, he's going to start now. See how he's setting them off. We're going to start getting all these porn movies. I'm not reading them all, dean. Huh, he's going to start flooding the comments section. Don't do it.
Speaker 2:My sister's watching. She's very innocent, Don't don't yes.
Speaker 1:Make good decisions, Dean.
Speaker 2:Make good decisions my little sister.
Speaker 1:I wish I wish that saying was around when I was growing up. I would love to have my mother say Scott, make good decisions. Before I left the house.
Speaker 2:My parents told me that I didn't listen.
Speaker 3:My father said govern yourself accordingly.
Speaker 1:So home the proclam. My mom, literally, my mom literally, used to say I'm not making this up Seriously. She said be right, as I'm walking with her. If you get arrested, call your father, I swear to.
Speaker 3:God.
Speaker 1:That was what she would say as I'm walking out the door. If you get arrested, call your father, and I did.
Speaker 2:My mother's lie.
Speaker 1:Humble Pie came out in 1970.
Speaker 3:Oh, okay, was that what Peter Frampton? Yeah, he was telling them.
Speaker 1:Yeah, yeah, he had in 70?. Yeah, yeah.
Speaker 3:Alice Cooper's second album Easy Action.
Speaker 2:That was a very weird album. That was very Frank Zappish.
Speaker 1:So Dean says Alice Cooper ruled the 70s. I don't know about ruled. I mean so the pencil part of the country you were.
Speaker 2:in some parts of the country he ruled Well he came out with four albums in one year.
Speaker 1:I believe three or four out in one year, I know that. And then he did it again and then they broke up. So I mean, then he came out with Welcome to my Nightmare and what like 77.
Speaker 2:Yeah, yeah.
Speaker 1:Yeah, and something like that. That was it. He never really he had songs that had staying power, but he wasn't consistent throughout the 70s.
Speaker 2:When he went solo with Nightmare, it's when he was uneven, you know, but he was doing what he wanted to do, you know he had the name, he had the reputation, he had the show.
Speaker 3:Did he go to over the top, schlocky?
Speaker 1:Well, so you go from, say, billion dollar babies to only women bleed, only women bleed, only women bleed, only women bleed. Okay, great, nice song, Nice radio song. But come on, alice, the fuck really Like. The goal is to muscle of love and then fucking. Only women bleed. Tell me who the winner is.
Speaker 2:Let's make it very 45.
Speaker 1:He lament 74. So right.
Speaker 3:What album was you and me on? Because you wouldn't know that was Alice Cooper, unless someone told you.
Speaker 1:Right.
Speaker 3:That was like a mid 70s pop ballad.
Speaker 1:Yeah, he started doing I guess that's where the money was and he started trying to buy into it. Well, he made his money, he got on the top 40. Yeah, you know so.
Speaker 2:I don't know, it was from his album Lace and Whiskey. I don't even know about that album. Yeah, yeah, yeah.
Speaker 1:What year was it? Lace and Whiskey See? So that's like, where did that come out?
Speaker 2:77. Yeah, I didn't know about that. See, I don't know a lot about Alice Cooper.
Speaker 3:I don't know much beyond muscle of love or that come right up to billion dollar babies.
Speaker 1:That's a good album.
Speaker 3:That's the peak for me as far as muscle of love was the last album with the Alice Cooper group before he won solo.
Speaker 1:I'll give you. I'll give Dean this. I mean I'm an Alice Cooper fan, Don't get me wrong. His latest stuff yeah, just kind of he started trying to get all the eighties and getting them.
Speaker 3:Didn't he get metal, kind of metal.
Speaker 1:Yeah, he was trying to stay relevant in that.
Speaker 2:But he saw Ozzy go metal and survive and be a big, so he tried to do it. But you got to have songs and the songs weren't as good in the eighties, yeah.
Speaker 1:Yeah and um, but I got to say I, I, I could put you. You might be able to put um Alice Cooper's greatest hits up against a lot of other greatest hits albums, because his greatest hits album is fucking good, yeah, yeah.
Speaker 3:Yeah, it's just great.
Speaker 1:Literally from start to finish. It's fucking good.
Speaker 3:I heard I'm 18 yesterday.
Speaker 1:I mean, come on, like right to talk about staying power.
Speaker 3:And I don't feel we're being 62 and singing I'm 18 in the car. You ever see the video for that?
Speaker 1:With their live in a studio, like and they got the fucking psychedelic shit going in the background and it's like it's very raw, but it's, it's. Check it out. Check out the live version, like from when it first came out. It's, it's pretty good. But I would put Alice Cooper's greatest hits up against a lot of greatest hits albums and it holds its own.
Speaker 2:I think double album.
Speaker 1:It's a double album right so oh, and the cover now? The cover itself is fucking ultra classic. Ultra classic the gangsters leaning up against the cards and drawing.
Speaker 3:Yeah, yeah.
Speaker 1:And then, like there's one, I think, when you open the gatefold there's all these other. It's like another drawing you got like Edwin G Robinson in there, like it's kind of like a Sergeant Pepper thing, just a great, great album cover man.
Speaker 3:Is that what Marcus talking about? Satin and Dr Pepper?
Speaker 1:I don't know what the hell he probably Googled that. I'm sure he Googled that because Mark Flynn, fucking Google King, doesn't know shit about Alice Cooper. That fucking promise.
Speaker 2:It's a joke Lace and whiskey, satin and Dr Pepper.
Speaker 1:I was gonna say if he found something obscure like that, he's Googling right now.
Speaker 2:It could be a bootleg. We all know it could be a bootleg.
Speaker 1:Don't trust him, mark, don't trust Mark Smith, don't trust Mark Flynn.
Speaker 2:He's a. He's a. He's a friend of yours. I have to trust all your friends.
Speaker 1:Well, that's a mistake.
Speaker 2:Oh, okay.
Speaker 1:That's a mistake.
Speaker 3:How innocent. Yeah, fuck you, lou. That's what's refreshing about Mark, though. When he's so innocent, this is wild eyed naivete, you know.
Speaker 2:It's a little fabulous.
Speaker 1:You have some real wild eyed naivete there, Mark.
Speaker 3:It's almost same. It's kind of a bitch it's so obvious, duck you.
Speaker 2:No, what's that break rate? Overdub, forget you, mother, forgetter.
Speaker 1:We already said, led Zeppelin 3 came out that year. Pitball machine, right? Yeah, let me see.
Speaker 2:You know it came out a a a year ago, a little jazz, but Bitches Brew, which was a huge album. Miles went from jazz to that. Yeah, Everybody else, I get it or you don't get it. I get it, I love it.
Speaker 1:The man who sold the world. Yeah, I give him the Vanna. They did a great cover of that. They did do it. They do do a good job with that.
Speaker 3:I think I have a debut album here.
Speaker 1:What do you got?
Speaker 3:Nitty-gritty dirt man.
Speaker 1:Oh, yeah, oh.
Speaker 3:It had Mr Bojangles yeah.
Speaker 1:People know who they are.
Speaker 3:Yeah Right, they did a version of House of Poo Corner. What the hell is that? You never. You never heard the Logins and Messina version? No, really.
Speaker 2:Yeah, I'm young. I'm young, they say, you know, you were.
Speaker 3:You were alive. House of Poo.
Speaker 1:Corner.
Speaker 3:Yeah, it's off uh sitting in.
Speaker 1:What's that? What's that house?
Speaker 2:in San Francisco. Don't pick on San Francisco, fuck San Francisco. I beat you on. Hey, uh, not a debut. It looks like a debut, but Elton John by. Elton John came out in 70.
Speaker 1:Was that the Elton John?
Speaker 3:band.
Speaker 2:Uh, it's the album with your song.
Speaker 3:I just said Elton John. No, I think it doesn't say the band yeah, okay.
Speaker 2:But he had an album out in 69, I think before that, which was never. It wasn't officially released till years later. So you could say this is like his, his uh debut in America, crustby.
Speaker 3:Stills National Young Deja Vu came out Great album Vujade. That's when you had a feeling this never happened before.
Speaker 2:Yeah, oh my God, that's our humor. It's nerdy.
Speaker 1:That should get out of the penalty box free. Joke that was my, that was it, no more.
Speaker 2:Hey, you know what, you know what came out.
Speaker 3:I bet Deja Vu. I was feeling, this shit has happened before.
Speaker 2:Now I want to put them away. Um come to my garden by Minnie Ripperton came out.
Speaker 1:Wow, oh, I thought that was a porn movie that Dean Farron put up on there.
Speaker 3:Come to my hairy garden. That was house of poo corner. It's all about the hair.
Speaker 2:Oh, that's uh, it killed me. I, I and I'm embarrassed. I was laughing like that on the show man.
Speaker 3:That was the.
Speaker 1:Osmonds. The Osmonds album came out in 1970. Do you love them? So Jackson five and the Osmonds both came out the same time. Wow, oh, so it seems. So it seems you would think we would know these things, but my, my fucking mic computer is slow for some reason.
Speaker 2:So I'm a little irritated right now. Here's something uh cold fact by Rodriguez came out that year.
Speaker 1:Yeah.
Speaker 2:Uh, the last week yeah.
Speaker 1:Oh okay.
Speaker 3:Sorry, the Temptations second dollar check. That's a they're 12 album.
Speaker 2:I know that album Boom.
Speaker 1:Yeah, not to be confused with if you stay.
Speaker 2:A pain in the thigh on the side of the road.
Speaker 1:That's that 16 miles to the love.
Speaker 3:Shaq Two different and Roe rusted.
Speaker 1:Huh Uh, come on, let's get some more. Okay, get the work, get the work.
Speaker 3:The self title album Leon Russell. Leon Russell would uh, you know the song song for you. Yes, I'll be singing this song for you. That's on that one.
Speaker 1:Okay, I think you're on that silk purse came out and silk purse.
Speaker 3:That doesn't sound like a porn movie, doesn't? Know, not like coming to my God or house of poo, house of poo corner for the Germans.
Speaker 2:That's uh T, t. I'm going to move this one on T for the tiller men by Kat Stevens came in.
Speaker 1:Yes, what's on that, though?
Speaker 2:Uh, I believe I know my sister Stacy had it. I always saw the album.
Speaker 3:There's the title to our key, for the total it's about. It's about 30 seconds long, I think that's all.
Speaker 1:Well, t Rex, t Rex 70.
Speaker 3:It's about right, ringo star sentimental journey, yeah.
Speaker 1:Oh.
Speaker 3:McCartney's first record, mccartney.
Speaker 2:Ah uh. Self portrait by Bob Dylan which was panned when it came out and, yeah, a frying pan. Uh, Jimi Hendrix banded gypsies which I like, but not I don't.
Speaker 3:I'm I'm in. I'm in building a three dog night. It ain't easy with the song. Mama told me not to come Great job yeah, okay. Another porn movie. It's true, that's now.
Speaker 1:See, that's an incest porn right there. Oh, it could be.
Speaker 3:I'm just saying, it could be step mom here we go again.
Speaker 2:Just say I'm told me not to come. Uh, let us talk.
Speaker 1:About Morrison hotel.
Speaker 2:It's one of my. It's probably the second favorite album of theirs. It's got some odd stories on it, so I like it.
Speaker 1:Well, why Dean wants to talk about it, max. So I guess, oh, I thought you wanted to talk. No, he, dean Francis. Let us talk about Morrison hotel.
Speaker 2:For me as far as production it sounds like. It's always reminded me of an album that could have been recorded in the last 20 years. I had great production and it just flowed. It was one of their albums that, like their debut, is my favorite, but that album just flows really good. I'm a spot Short and sweet.
Speaker 1:It's not anything you know what's the track listing on it.
Speaker 3:Roadhouse Blues.
Speaker 2:Yep.
Speaker 3:I just got a few songs. Peace Frog is on it.
Speaker 1:I love that song Land ho, I love that song.
Speaker 3:Peace Frog.
Speaker 1:Yeah, it's so different, man yeah.
Speaker 2:Yeah, Waiting for the sun is on that right Waiting for the sun. Is it waiting for the sun? And album yeah, but there's a song on there waiting for the sun.
Speaker 3:So that's a Morrison hotel.
Speaker 2:Hold on.
Speaker 3:I'll be dipped If.
Speaker 2:I'm wrong, I'm dipped in shit, so I saw a video, the other day, you know what's on there?
Speaker 1:The doors after Jim Morrison died and Raymond's Eric tried to sing.
Speaker 2:They put two albums out without him.
Speaker 1:And I watched this video and you just see how much Raymond's Eric is trying to sing like Jim Morrison. Oh, it's horrible, it's horrible.
Speaker 2:It's so obvious and they can't like they're almost.
Speaker 1:So the difference I got out of it is, post Jim Morrison, what they were trying to. They couldn't recreate that because they sounded too tight. Yeah, it just sounded too tight, too polished, too studio-ish, whereas even in the studio with Jim Morrison, there was just a loose feeling to the music. Yeah, you know.
Speaker 2:He loosened them up, that's right.
Speaker 1:And they you know, it's Eric trying to deepen his voice and, yeah, I was like, oh man.
Speaker 2:On top of that, the music just wasn't that good. I tried to listen to them.
Speaker 1:They tried to salvage something they got to get them Did they actually release his albums.
Speaker 3:Yeah, two albums. Yeah, I want to look them up, I'll tell you we did a segment Lou on music.
Speaker 2:I got to write Music Relish about bands that shouldn't.
Speaker 3:Random Relish, by the way, yeah.
Speaker 2:So I was a singer and I said I think the Doors is the best example of shit.
Speaker 1:Yeah, we did. You know what we did an episode back like fucking episode five me and Jack of bands that lost their lead singers. I might want to redo that one again, yeah.
Speaker 2:That's a really good to know.
Speaker 1:Now, you know, it's still, it's like, okay, it's kind of a repeat. But now I have you guys, your input, your you know, kind of twist on it. I don't, it's not, it's no way it's going to be a Well, the more the quality is going to be a lot better.
Speaker 2:Oh, come on.
Speaker 1:No, the quality, the sound quality and the whole thing. I mean, yeah, that's what you meant.
Speaker 1:The conversation is there with me and Jack and it's the same. But the you know big on the sound quality. I hate those earlier episodes. It's so cringy. It's like when you hear them back in the day, when I listened to Howard Stern and they would do his like beyond vacation, they would do the best of oh yeah, here in old show and it's kind of like very tinny. Yes, like his voice was higher and it just sounded very radio-ish.
Speaker 1:Yeah, you know and I'm sure he listens to that and goes oh Son of a yeah.
Speaker 3:I skimmed the old music relish ones going. Even this is going back when we were doing doing the cameras, you know. But even the earlier ones were just a little rough. We had those microphones with the built in reverb, you know.
Speaker 1:Yeah.
Speaker 2:I think that's it for a lot of podcasts, though how they begin.
Speaker 1:Like I always say, when you see somebody like on one of these podcasts, facebook was like what am I going to do? I want to start a. And it was like this. I said get a good mic and sound professional right off the bat. Don't build up to a nice mic, buy a good mic or get a good, you know, audio processor and just do it right and it doesn't break the bank to do that.
Speaker 2:It was relatively, and I have this great mic from Tom Spelone who gave it to me. Thank you, Tom.
Speaker 1:See props out so you can pick up, so let's get a couple more albums. I want to talk about you you guys mentioned it today and I love, I love this artist, but we'll talk about it as soon as when we when we tie this up here. You guys mentioned it today. Someone posted something that I was like yeah, I want to talk about her again. It's a her. Uh, wayland, wayland. There's only one way. A little music right, wayland Jennings. Yeah, that came on.
Speaker 2:Wayland flowers Jesus.
Speaker 3:And Madonna, wayland flowers and Madonna Does that came you out of the penalty box, the best thing you've got Got you on the Madonna reference.
Speaker 1:It does look like a puppet.
Speaker 3:Yeah, uh, what I had a park rich, new Jersey the birds album which one I'm titled.
Speaker 1:It's untitled.
Speaker 2:You know that one, lou, I don't know that one.
Speaker 3:It's untitled, I don't know. I don't know what songs are on it. Maybe not.
Speaker 1:I'll tell you this. I'll tell you the track listing. Okay, track listing is love of the bayou, holy fourth street, nashville West. So you want to be a rock and roll star, mr Tambourine man, mr Spaceman, this is live, eight miles high, live.
Speaker 3:Is the whole album is a whole album live. It's a compilation.
Speaker 1:This one is side two is live, side three studio. So side one was live, yeah, side two was live inside three. Inside two was eight miles high. It's 16 minute version. I've I've heard it it's it's pretty bad. Yeah, 16 minute live version of any song can't be good. Just listen to any fucking grateful dead album Shut up.
Speaker 2:Shut up.
Speaker 3:That's all it takes them to tune up.
Speaker 1:Side three was a studio. It's chestnut mare, truck stop girl, all the things yesterday's train hungry planet. Then side four, studio, just a season. Take a whiff on me you all look like in. Welcome back home. Welcome, welcome back home.
Speaker 2:Yeah, but you said it like that Well go, but I didn't but, but I did.
Speaker 3:It's a compilation.
Speaker 1:You said it, I did it. Hey, hey, but I did.
Speaker 2:American beauty came out this year by the grateful dead.
Speaker 1:Good movie too.
Speaker 3:Yeah.
Speaker 1:Oh look, flowers in the back.
Speaker 2:But the Clint Eastwood movie album you read your reference was by a reggae band called the upsetters.
Speaker 1:Ah, okay.
Speaker 3:Yeah, all right. How about King Crimson in the wake of Poseidon?
Speaker 2:Yes, greg, the last recordings with Greg, like he just he phoned it in. Basically he was already in the LP and he agreed to do the vocals.
Speaker 3:How about a Grand Fuck railroad closer to home with? I'm your captain.
Speaker 2:Wow.
Speaker 3:Yeah, the I's of March, Remember the big song.
Speaker 2:I's of March is.
Speaker 1:I can't think of it.
Speaker 3:Vehicle, yeah, vehicle, baby. Do you know who wrote that?
Speaker 1:I love you. Sounds like Tom Jones singing yeah.
Speaker 3:It's. It was written by Jim Peter, who would be going to be in Survivor. Wow, that early yeah. I hear Jim Peter yeah.
Speaker 2:Holy shit. And he did a lot of 80s power. Think of that.
Speaker 1:Survivor came out like what the mid 80s yeah, early mid 80s.
Speaker 2:Yeah Right, he died in the last 100 years you were at Eye of the Tiger, rocky yeah. Yeah, let me see.
Speaker 1:After the Gold Rush came out Yep, all things was passed. You already said that.
Speaker 3:Yeah, traffic. John Wally Cornelis die.
Speaker 1:Let it be. That's the Beatles, right, yeah, but it's funny, they have Let it Be, and there's a picture of Elvis Costello.
Speaker 3:Like an Elvis.
Speaker 1:Costello album cover. But it's like Let it Be, was received mixed reviews. How the fuck do they have an Elvis Costello? Because the bots are screwing it up, evidently, right, yeah, yeah no-transcript.
Speaker 3:Yeah, let me see this one is Funhouse from the Stooges.
Speaker 1:Ah yeah, band of Gypsies, we did that.
Speaker 3:Sweet Baby James. We did that. The debut album of Tangerine Dream Electronic Meditation Ah, German Electronic Music.
Speaker 2:Fat Albert Rotunda by Herbie Hancock came out. It was the music for the Fat Albert TV special. Yeah, shit.
Speaker 1:American Beauty.
Speaker 3:Cactus. Who was in Cactus? Oh jeez, I know one, I know one, it was a viniaposite. No, carmine, aposite, carmine, carmine, apiti, apiti, whatever.
Speaker 2:Come on, Luke, get it right. I think I said it right. I got your name right this time.
Speaker 3:Yeah, on our show he goes, luke Coliccio. Yeah, yeah, I always fuck it up.
Speaker 2:Sorry, I really, if you just screw up my name sometime just say it wrong how can I say it wrong Smite.
Speaker 3:Mark.
Speaker 1:Smite Smith. So let's move on. I want to talk about this artist who, I've said a lot of times, just doesn't get the respect that she deserves, and that's Jonah. I'm a trading and this lady has fucking done it all. She's been around for like 50 years, right From the late 60s. Just an absolute true artist, very secretive, and somebody. Somebody had a quote about her. Let me see so. Someone says she's a little long-winded, but that's mostly because she puts so much thought into her relationships, which, in turn, is because she puts so much feeling into them. This is one of those rare pop stars who invariably serious, who's invariably serious but never pompous, which is why she isn't a bigger star. That about sums it up. She just could have been bigger than she was, at least in America. She didn't sell out.
Speaker 2:They probably wouldn't have heard of the Gensples, yeah.
Speaker 1:Yeah, she's very private, you know, but she let me see. She says she's played. She plays the sixth string, the 12 string electric guitars. She's played on ovation acoustic instruments. What's ovation acoustic instruments?
Speaker 3:Is acoustic guitar. Had a rounded back.
Speaker 1:Yeah, yeah.
Speaker 3:Which were weird to play.
Speaker 1:She said I'm a bit of a hitter. You see, I bash and I like to have everything going at once. Bass harmony melly. This is why I love ovations. They're very powerful sounding guitars and when I hit the strings they ring with a nice clear, percussive but not overly bright sound that highlights the rhythms I like to play. She's played the Fender Strat. She's played them all.
Speaker 3:The friend of mine. On his Facebook page yesterday he posted listen to Joan Armitrating's third record on the turntable. That's what you put. Yeah, that's what you said yesterday. Yeah, I pasted that yeah yeah, but so like you know people, who really love music that's her fan base.
Speaker 1:So she says this is how kind of we'll say decorated she is. She's been nominated. I'm congested right now. I don't know where that came from. She's nominated three times for Grammy Award, twice for a Brit Award as best female vocalist. She received the Ivor Novello Award for outstanding contemporary song collection in 1996. That's heavy. She's received honorary degrees from Liverpool John Morris University, university of Birmingham, university of Northampton, aston University, the Royal Scottish Academy of Music and Drama, the Open University at the University of West Indies. In 2022, she received an honorary doctorate from the University of St Andrews.
Speaker 1:A appointed member of the Order of the British Empire In 2001,. Birthday honors and commander of the Order of the British Empire in 2020, birthday honors and the service to music, charity and equal rights In October 2011,. Presented with the BASCA Gold Badge Award in recognition for her contribution to music In May 2012,. Before her concert in Alk's Talkster, something part of an acoustic festival. She's presented with a Lifetime Achievement Award. She was presented with a Lifetime Achievement Award in 2016,. Bbc Radio 2 Folk Awards. She played soul. I think. She won a Grammy in Fasol, a nominated for a soul album. She played jazz. She got nominated for a Grammy in Jazz. Jazz, I mean, what does this lady have to do? Okay, she checks all the boxes. Right, she's female, she's black, she's a lesbian right, she checks all the boxes that they look for. Now, this lady is not in the fucking Rocker Hall of Fame, but fucking Green Day is Because she doesn't make money.
Speaker 2:She doesn't make money. She hasn't made that money. That's what it is.
Speaker 1:You know what Her in, what's her name that just died this past year from Canada, grudleifewood.
Speaker 3:Yeah, Grudleifewood.
Speaker 1:You know what? They didn't choose to come to America and kiss their ass, the record companies ass, and do all they think so. I was introduced to her in 1980 when her album Me, myself and I came out yeah. Right Fucking great album.
Speaker 2:Me, Myself and I.
Speaker 3:I don't see it here on Dispatterford Me, Myself and I. That was the top 40 hit.
Speaker 1:Yeah.
Speaker 3:In America.
Speaker 1:Then she came out with another album after that. Walk Under Ladders yeah, walking Under Ladders yep. And she was kind of like in it right In the beginning of the 80s. She was there and she was selling out. Then she just kind of was like you know what? I think it was kind of a dah.
Speaker 3:It was a conscious decision.
Speaker 1:I don't need this shit because she had all the makings Right, but today how she does it, was she cute enough back then?
Speaker 3:The go-go's were cute, was she cute?
Speaker 1:No, she wasn't. She was very plain looking black girl. She had the after, so was.
Speaker 3:Tracy Chapman yeah.
Speaker 1:She had the natural and she just had it. I saw her in concert at the Orphium Theater in Boston. She was fucking great. Right Greats her voice, even today. Go on to YouTube and check out her performance on Jules Hollands show. Okay, what's the name of that show? Jules Hollands. What is it Live with Jules Hollands or something like that?
Speaker 2:I can't remember the guy from Squeeze. Yeah, that was a great show. That's an awesome show.
Speaker 1:Yeah, go check out some of her live videos. She's fucking great. She gets zero recognition from the Rock and Roll Hall of Fame, zero, not even nominated.
Speaker 2:Again, she stuck to her root. She stuck to what she wanted to do. You know, when she was kind of getting big, at that point Probably a lot of people circling around her were going to make you a star. Their motives were to make money.
Speaker 3:She resisted it. They wanted her to write another Me Myself Fire, probably 10 of them.
Speaker 1:Or there's this. Again, it's very private. I don't think she wasn't out yet. Yeah, right, she was gay. She probably wanted to keep that, try to keep her private life. She really did say that. She went out of her way. She doesn't want her private life, never wanted her private life, and she said people would ask her and she wouldn't really. She just had to keep it a mystery because that makes it even better. Right, like looking Marcy, marcy, the fucking brilliant job.
Speaker 3:Michael Stipe did the same thing.
Speaker 1:Yeah, and whatever you know, and Marcy, to this day, you won't get anything out of them. You just won't. Michael Stipe came out and just said, yeah, I'm gay, right, but you won't get anything out of her. You won't get anything out of these artists that just kind of it's not a thing to them. Like this has nothing to do with my music.
Speaker 3:Right, I'm not going to start.
Speaker 1:Use it as a soap box.
Speaker 3:You know, stipe said he was an equal opportunity lech.
Speaker 1:Yeah, so there you go. You know great, listen the guy's brilliant. No joke, right, he probably joke. He probably laughed at it too Sure.
Speaker 2:I have a good quote here from Joan People who, like my music, have a legitimate interest in me. But I need to retain some privacy, not to be telling people what's going on or what I feel when you go home. The reason it's beautiful is because it's personal to you and the people you want to include in it.
Speaker 1:Yeah, that's a great statement. And she's solid man. She's solid. No, she's. I think she's Jamaican, I think she's half.
Speaker 2:St Kits, she's half from. Yeah, yeah, I was just there, you were just there.
Speaker 1:And she came from a musical family, I believe. Let me see, when she was three year olds, the parents moved to Birmingham and she had to go live with her grandmother in Antigua. Then she joined the distinct. Now the father was a cop and her mother was a housewife. Father had played in a band, okay, and his youth later forbidding his children from touching his guitar. Don't touch that, don't touch that. But she was just gifted. She started at 14. She started on the piano and writing shit.
Speaker 2:So she, so they moved to Birmingham, but then she went to live elsewhere.
Speaker 1:So the parents and her two brothers went to live in Birmingham and she got sent to live with her grandmother in Antigua All right Cause if she had stayed in Birmingham doing the timeline, she might have joined Black Sabbath.
Speaker 2:Now she would be like I don't have a gig.
Speaker 1:Is there a joke in there? No Black Sabbath. No, wow, black woman Sabbath. Maybe that would have been the name.
Speaker 2:Birmingham. She could have joined you as priest too.
Speaker 3:Someone's being a little tone deaf, so deaf.
Speaker 2:Oh, you told me you're going to hit me tonight, so deaf.
Speaker 1:I'm just pronouncing my.
Speaker 3:My name Scott.
Speaker 2:All right, mr Calico, I'm going to say 50 times Calico, calico, calico, I am Calico.
Speaker 1:Are we all in agreement that she should probably be in the Rocker Hall of Fame?
Speaker 3:Absolutely, I think, in a special category because nobody really knows her except for music fans. But I mean, at this point I think it means more to have an Ivor Novello award than Rocker Hall of Fame.
Speaker 1:And I'm sure she knows that she's a very intelligent woman.
Speaker 3:Look at those other things you rattled off. I mean that's a lot of, that's a lot of accolades right there.
Speaker 1:Yeah, she's, she's very intelligent woman. She's not, you know, she's nobody's fool, you know, and she's been in the business a long time.
Speaker 2:So so I'm I'm seeing here you picked my interest because I only know a couple songs from the very Love and Affection is a fucking great.
Speaker 1:That was her first hit in the United States. Love and Affection fucking great song, man.
Speaker 2:I was going to ask you if I go into a deep dive and start listening to her. Should I? Start out with me, myself and I.
Speaker 1:No, go before that, go for Love and Affection all the way from America. I think that might all the way from America might be on me myself. I Actually yeah Me myself. I it's just a good album it's. It's different, it was different, so I think that might have been another problem too. Her, her sound was totally different than what was going on at the time also.
Speaker 2:And she changed. She didn't stick with one sound right.
Speaker 1:I don't well, no, she did and I think maybe the times changed and she's like well, I'm not going to try to like, you know the whole like heart when they jumped into the 80s and got all glammed up.
Speaker 3:And they started using outside songwriters.
Speaker 1:Yeah.
Speaker 3:The same people that the hit machine songwriters that were using. But you know me myself, I fit in very well with the early 80s. Was that 1980 or 81? Yeah, that guitar thing in the beginning of the whole it was almost, it was almost new wave.
Speaker 1:They probably. They probably called it new wave. Yeah, yeah, it's, it's 74. She was on the John Peel show, bbc 74. 74. Yeah.
Speaker 3:However, she was young. I mean, she was old, I don't know she's been around.
Speaker 1:Like I said, our first album came out in 72. Yeah, On October 31st 1972, she appeared BBC Radio One John Peel show. Yeah, you know, she sang four songs.
Speaker 3:Did she have? One of your revision song contests oh, I can't wait.
Speaker 1:Can't wait to see if she pops up. Would you care if she did? I won't know, because I go right by it.
Speaker 2:She performed her first concert at the age of 16. Yeah, yeah.
Speaker 1:Wow, but fucking. Green Day is in the Rockwell Hall of Fame. The go-go's are in the Rockwell Hall of Fame. Carly Simon, carly Simon, rockwell Hall of Fame, but not Joan Amitri. No, no, no, you know what? Maybe good for her.
Speaker 3:Yeah, you know, the songwriter's Hall of Fame are different things, like, I think, america in the songwriters Hall of Fame, yeah, not in the rock in the rock Hall of Fame, yeah. But even still, I mean what? The 2024 SREM is being inducted into the songwriters Hall of Fame. Okay, tracy Chapman was snubbed, I Know to.
Speaker 1:Deserve this Tracy. No to be there.
Speaker 3:No, no, I don't think so. I don't know, it's not in.
Speaker 1:You know, yeah, I mean, yeah, absolutely, I mean a reason for this.
Speaker 3:I'm popularity and it's politics, politics money, I'm telling you money.
Speaker 2:Or if you pissed off Jimmy, I have any. If he said something wrong, he's your snubbed. Or is he? Is he in?
Speaker 3:the committee.
Speaker 2:Yeah, he's a big guy, he's a Tony soprano with that I.
Speaker 3:Think he just got a. Um. He got some sexual misconduct allegations levied against him recently. I think Jimmy, jimmy, ivan, it came from Stan Lynch.
Speaker 2:This gots back. I thought he got bored with us.
Speaker 1:He's like I just left my clear, all my sinuses.
Speaker 3:I hear me crazy. Get a netty pot. Get a netty pot man.
Speaker 1:Yeah.
Speaker 3:I had a friend. Okay, I had a friend. He flossed his sinuses. Oh, I'm just a pain. I'm like I don't know with what he did it and how, how he did it. I don't know how he did that. There's a watch and do it, there's no. He took I believe he did it.
Speaker 2:He's an interesting fella, they pulled it up one side and went down the other way on the other.
Speaker 1:Yeah, so we talk we want to do some some. Well, I know it was random, I don't know. I didn't know what you relish thing was called and also, and I say we'll call it random play, and I hey, wait a minute. They're gonna notice that they're gonna. Fucking with them. And I, I didn't. I just popped up. I'm like, oh yeah, it's random relish that they do. I don't want any copyright problems from from the AI himself, so we're gonna call this what is it when? Shuffle, let's do.
Speaker 2:No great shuffle the milk yeah before, because I have TV series.
Speaker 1:You want to do TV series? Yeah, 1970 then yeah, let's, let's pull up some TV. So I have a list of TV series that came out in 1970, right? So all my children? That shit ran from 70 to 2011, wow opera. Yeah soaps.
Speaker 3:Mom, have soaps that she liked. Who did your mom have the soaps that she liked? Your mom, get it done.
Speaker 1:There was a mom thing in the 60s. I don't remember if she was watching soap operas, I don't know. I don't remember her watching them, so I don't, I Don't know. So the Mary Tyler more show came out 1970. Hmm, when did it end? That's what I'll ask you guys. When did it end? 78?
Speaker 3:yeah, I was gonna say 78 no 77.
Speaker 1:Yeah, the Partridge family came out in 1970 like that show, right? Yeah, how many seasons did it?
Speaker 3:have three. We're getting 70. I would say three yeah four oh, ended in 74.
Speaker 1:Wow, now, this one, this one had one season, but I fucking remember it, oh, so well. It was on like UHF channel in Boston, channel 56, and it was a. It was a British show, it's called UFO you oh, and it was like the mission of the Supreme headquarters alien defense organization shadow.
Speaker 1:Which is a fence earth from extraterrestrial threats. It was a great fight. It was like the X files before the X files. Right, it was British. So I mean we're always ripping off British TV? Oh, we used to. Now it's their way out of hand over there. The odd couple came out in 1970 my favorite my favorite too, yeah, how many seasons five. Yeah, oh nice.
Speaker 3:I love that and you know that happens. The last episode no, felix and Gloria get remarried get remarried yeah. Yeah.
Speaker 2:Yeah, that was great, you know what I love about that show that that apartment, that apartment, was great. It was a great apartment to get to be.
Speaker 3:Two guys could live in that and not see each other, yeah.
Speaker 1:Yeah old New York, yeah all right, I'm gonna read the description of this. So this that's how I'll. Let's see if I can. If this works, I'm gonna read the description and you tell me what the name of the show was. Right, let's see how that works, cool.
Speaker 2:He rolled.
Speaker 3:You've seen these shows are heard of a baby, martin, out of the hook, come on.
Speaker 1:No, I knew Mexico deputy Marshall gets assigned to Manhattan's 27th precinct, mcleod, yeah.
Speaker 2:We watch that every Saturday on get.
Speaker 1:TV, my wife yeah. Let's see this had one season. I can't believe this only had one, but it has such. A Remarkable young English nanny takes over the household of a widowed Professor and his three children and Phoebe ficking any was her middle name and so many silly things keep happening. That was a theme song nanny the professor. Look.
Speaker 3:And so many silly things keep happening.
Speaker 1:Say it again, say the beginning from the beginning.
Speaker 3:It's like Phoebe ficking any or something like that. Nanny is a silly name and so many silly things keep happening.
Speaker 1:Ah, let's see, I don't this. This has to be. This is probably an English show, because it went from 70 to 82 and I never heard of it. So the goodies? You ever hear of a show called the goodies now? Now vague, that's vague. Okay, I have one. A Saturday morning cartoon, all right, had two seasons, which is Amazing, because it's still. This is. This is the effect that cartoons like this had on us, like it just lasted forever. It was only two seasons. An up-and-coming pop music group in its entourage get involved with strange mysteries while touring the world. Josie and the pussy cats.
Speaker 1:Josie and the pussy cats.
Speaker 3:Yeah, I saw that in reruns, long tales and years to match the girl with the skunk haircut.
Speaker 1:The skunk here. I like her. She's the mean one.
Speaker 3:Yeah, it's sassy work.
Speaker 1:Here we go, another Saturday morning show. Sassy had two seasons. Four musical insect like British fairies. Let's stop right there. You show today. That's definitely a BBC. Bbc show today. Control with this shit. Doctor woman and now doctor who's a black guy born out of one of the other doctor who's dick. Yeah yeah, dr who's a gay black man now.
Speaker 2:so Guys, shake it up, come on no no, you don't shake up, don't do.
Speaker 1:That was their mistake, that's right. No one watches it in.
Speaker 2:Wade. Oh, james Bond's a woman, scott, it's it Well you can't.
Speaker 1:It can't be, because James Bond is the guy's name. Okay, it's his Jamie Bond. Jamie Bond doesn't matter, it's just it's his name. She might be a double-oh seven and nobody's gonna. Your head will explode if that happens.
Speaker 2:Well, they already did it.
Speaker 1:They already did. It's why I won't see the last last time was the grass.
Speaker 3:No, I like the last one.
Speaker 1:It's so fucking silly, you know. They show James Bond like riding Before and after. They show him riding like a motorcycle no helmet, fucking to, you know, but you just got to fight. Then they show James Bond today. He's on the back of a fucking Vespa with the black girl driving him.
Speaker 2:Fuck are you serious, young and he's getting old.
Speaker 3:Jane Bond Jane. Yeah, whatever that was perfect. That was fun. Jane Bond.
Speaker 1:Yeah, but oh, she'll never be James Bond.
Speaker 3:Oh, they can do it double-oh say.
Speaker 1:They made this black lady double-oh seven and you know, do masculine eyes James Bond, and she was smarter than him because she's the bestest ever.
Speaker 2:That was money penny, she was money penny. No, she wasn't. Yeah, in the in a movie.
Speaker 1:She's my fucking one, because she was never black.
Speaker 2:No, she fucked up the mission, so she ended up making her and putting her in the office.
Speaker 3:Money penny. Keep your eye on the beast.
Speaker 2:Yeah, jane, oh Jane.
Speaker 1:Let's see. So four musical insect like British fairies. Here we go, yeah, happily, in their enchanted forest. Oh yeah, I'll avoid the schemes and the jealous of Benita bizarre.
Speaker 3:Two snaps. What was the bugaloo's?
Speaker 2:There you go.
Speaker 3:I never saw the bugaloo's. I never knew. I never knew a black.
Speaker 1:I can have an English accent right, I was a kid, or not.
Speaker 3:No, but I'd never heard it before. So, watching, I've seen all. Like you know, I watched them out. Well, we're not gonna mention, because I was a 70s, other American actors and stuff. I didn't know, I didn't know they could live in England, I didn't know they had other black Right.
Speaker 1:I was a child and I thought only Jewish people had braces. So I mean, I did.
Speaker 2:They're the only ones that could afford them, and I was. I thought only Irish people could beat me up, because that's all. Who beat me up? Or Irish people? There you go.
Speaker 1:All right, let's see. One season came out, 1970. It's kind of obscure. Uh well, it gives the name, kind of the name. This detective works the crime beat in his hometown of santa louisa, california, working with and against people with whom he grew up as dan august. Dan august, do you remember?
Speaker 3:that.
Speaker 1:Lou, that was Bert Reynolds Dan august yeah it was.
Speaker 2:It was Bert Reynolds. Yeah, I didn't know. He had a tv show, uh let's see, yeah, I that's vague.
Speaker 3:I vaguely remember that. All right, this was a.
Speaker 1:This was a um, how can I put it? It was Like an offshoot of an original show. It says an aging entertainer and his wife take care of their six-year-old grandson. I'll say danny thomas, I've been danny thomas, I'm at the danny thomas show right. Wasn't it? Uh, wasn't he in make room for daddy? That's what that was. Yeah, this is make room for granddaddy. Wow, it's why it only lasted one season. Remember, remember that girl.
Speaker 3:Yeah, my little thomas, she's cute. Yeah, she still looks pretty good. I saw her like I was a saint jude. Uh, danny, her father, danny thomas, was a big Patron of saint jude's children.
Speaker 1:Yes, yes, she does, she does the commercial.
Speaker 3:She does the commercials no.
Speaker 2:I know, I see it, she's got michael jackson, no, so it's all like 75 years old.
Speaker 3:It's not not bad, though. Come on, yeah, yeah.
Speaker 1:All right, this show came on in 1970. It's still running today. Coverage of professional football featuring teams from the national football league, airing on monday nights during the NFL's regular season.
Speaker 3:See what's the name of that show.
Speaker 2:Tuesday night soccer Ha ha ha. I want to know what the theme why the world is worse. Did they have a theme song in the first year? Oh, they always do. They have to, yeah.
Speaker 1:They have to yeah.
Speaker 2:But the first year you know this one.
Speaker 1:I'm just going to say the flip flip. It was called flip. From 70 to 74 Uh. Hosted by flip wilson. The show featured skits, music, frequent appearances by gerildine jones and they have to put in parentheses, or yeah, in parentheses. Really flip wilson and drag.
Speaker 3:No really, but you know, think about it what he was doing. There was a whole character.
Speaker 1:Uh, let me see. Okay, okay, here's one I. It has the name in it, but I'll, I'll avoid it. Okay, a cartoon came out 1970, right, and one season again, but this cartoon never, I thought, got enough credit, never got enough reruns. This cartoon, it's fucking great cartoon. Sabrina's involved with a band of monsters, a rock band with Dracula and the wolf man of frankenstein, who scare people for their own amusement.
Speaker 3:So, teenage, where's rosen? No, the groovy ghoulies, yeah, that's right, the ghoulies and weirdo wolfy.
Speaker 2:Yeah, and we're no wolfy.
Speaker 3:Yeah, I mean frank, a dangerous drac, and weirdo wolfy. Uh, one season. That's why our brains are like tapioca pudding.
Speaker 1:But we love it though, of course, because kids today don't get that entertainment.
Speaker 3:Did you now, did you wake up before your parents and have like two breakfasts on saturdays? Because we get up and make cereal like Franka, berry and blueberry. I did that and then like, and then the parents will wake up, and then we'd have, like you know, we didn't eat.
Speaker 1:You're fucking. Your parents made you breakfast.
Speaker 3:Well, yeah, and then they broke up, mark Scott in 1970, after the groovy ghoulies.
Speaker 2:Yeah, scott, I got one of two breakfast. I either had the, the bread with the hole in it where you she fried the egg in the middle I forgot what you called that pop by eye or something like that or I got scrambled eggs with ketchup oh nice yeah you know what I got?
Speaker 1:My brother handed me my brother mark that rest is so Handed me a fucking Uh, a meatball, but it's fucking raw like he grabbed raw hamburger. We would go in and watch fucking Cartoons eating raw amber. I used to eat raw like fucking animals.
Speaker 2:I used to.
Speaker 1:it tasted good the only time we got a breakfast was when my grandmother stayed over Really, and then she'd lose her a fucking mind when we put ketchup on shit.
Speaker 2:Hey dude, you lost it. Dude, you had beef tartare for breakfast. You're pretty high class.
Speaker 1:Fucking low-class beef because we bought it with fucking food stamps.
Speaker 2:Hey, listen, did you put ketchup on your pasta? No, we did.
Speaker 1:No, I've put ketchup my and my brother calling used to like. If I probably still does Catch up on his mashed potatoes, oh yeah, that's good, okay, uh, let's see. This had three seasons. This cartoon, it was, uh, the adventures of a basketball comedy team.
Speaker 2:Harlem code. Code Yep.
Speaker 3:They had a cartoon.
Speaker 1:Oh, wow, yeah, yeah, you never watched it. Huh, I don't remember. All right, right here had one season, Maybe I would say the greatest, the fucking greatest, and if you go back and watch it today it's fucking funnier than it was back then. The greatest fucking Saturday morning show ever. I know everyone's like oh, we want the, uh, the, the, the, what do they call them? The fucking, uh, banana splits, and we want to do, we do.
Speaker 1:No, I was the greatest fucking Saturday morning show ever and I think my my friend, my friend phil kelly, would agree with me. A member of Pop band evolution revolution, blank is called upon by the agency to prevent evil and their ongoing fight against Trump. A member of the pop band evolution revolution Is called upon by the agency to prevent evil, ape and their ongoing fight against chump.
Speaker 3:You don't know, lou, great babe, great babe. Nope, it's no Lance. A lot link Chimp, that's a lot link what you're gonna do you never see, never see. It's the fucking funniest it's a lip-syncing chip Fucking funniest lance a lot link secret chimps.
Speaker 1:It's fucking Classic. These dudes were fucking highest kites that did this. They had to be, I had to be. Oh my god.
Speaker 3:I would like to see that one again in his again an overcoat, the overcoat.
Speaker 1:The Humphrey bogot like fucking look right. But his fucking girlfriend's name is moda harry Lance, where we go in lance.
Speaker 3:That's a big hit a long way.
Speaker 1:Humphrey bogot.
Speaker 3:Lance a link, talk like Humphrey bogot oh my god, now, now when, when they did lifting, did they abuse them like they did mr Ed to get him to make his mouth?
Speaker 1:I don't think so. They probably just put shit in their mouth, monkeys.
Speaker 3:They can make them show their teeth. And yeah, they do all about themselves anyway.
Speaker 1:Yeah, mr Ed. So this, this is this one probably was in. It's a British series, I'll just tell you, adapted from a trio of horror story anthologies which were edited blah, blah, blah. Television installments used the cream of birkscrop. Whatever Tales of the unease, I've never heard of it.
Speaker 2:Hmm, it's a pretty show, but hey, guess what I just found. Dude, what's that?
Speaker 1:Only one agent is up to the task of stopping them and only the veritable quandary has the classified case files of Lancelot link Jim, fucking great, you gotta watch it. I'm surprised.
Speaker 2:I'm surprised Quentin Tarantino hasn't picked up on that. I don't know.
Speaker 1:So there was this show that had one season. Uh, and, like I said, we're back in that same generation, right? What's going on now? Yeah, newlyweds Paul and Corey Bratter struggled to survive the first year of matrimony In New York City. Now, with a description like that, how would they think that it's gonna last more than one season? You?
Speaker 3:limit yourself right there. It was barefoot in the park, that they did a tv series, that's right, but they race swapped Robert Redford and Wow, yeah, there's a black couple. Interesting, the interesting doing that back then.
Speaker 1:Yeah, yeah, this said six year run. Uh, a non-hosted horror movie show with firstly Kyle Grayson and later Marty McNally as the voice of the creature. It's probably in an unchannel, nine Chicago, but then, uh it, it's kind of every UHF place in America started picking these up Creature features.
Speaker 2:Oh, yeah, yeah, creature features then every, every, every fucking city.
Speaker 1:We had creature feature, creature double feature. Hmm, yeah.
Speaker 2:You know ours had that. Lou remember the hand coming out of the swamp chill. Oh that was. That's good.
Speaker 3:The shit out of me and it had six fingers on it. It was. It was a polydactyl, had six fingers. I didn't tim caraway show 1970.
Speaker 1:I didn't know he has on show. Yeah, yeah. Now I'm starting to get down into the fucking the drags of it. This shit starts dropping down. This far I'm on like 64 and I'm like, oh shit, archie's fun house. Archie's fun house right from the uh.
Speaker 3:From the comic book.
Speaker 1:Okay, it's described as archie's fun house is packed with crazy blackout gags. Oh, blackout gags what?
Speaker 3:the fuck is that he roofied Veronica.
Speaker 2:Stuff in the drinks man.
Speaker 1:Outrageous puns, wacky jokes and three jukebox songs per episode, oh Jesus.
Speaker 2:Uh, let me see that's really trying to keep archie going.
Speaker 1:That's what there was a cartoon dr Do little of two seasons and it just gets like really Really deep down here.
Speaker 3:But is is there one, one big one that we missed, very groundbreaking? No, the producer, just the hour of power.
Speaker 1:You remember the hour of power.
Speaker 2:Was that the religious show? Yep, don't go there. I had to grow up. I was forced to watch that. Please don't go it's still on today.
Speaker 1:You can still check on youtube. The heavenly brothers had a show Right? Wow, how am I right? Uh, this one is so and so works for mr Blunder bus at the odd job employment agency. Each week mr Blunder bus sends blank out on a new job and each week blank finds a new way to screw it up. It was a cartoon ran for two seasons. Will the real Jerry Lewis please sit down?
Speaker 2:Really Two seasons long.
Speaker 3:Come on, Mr Blunderbuss. Ah, let's see, don't send me out on the street again, mr Blunderbuss.
Speaker 2:Can you imagine hanging out with Chevy Chase and Jerry Lee Lewis? It must be torture like the real Chevy Chase and Jerry Lee Lewis.
Speaker 3:I wouldn't hang out with Chevy Chase.
Speaker 2:Or Jerry Lee.
Speaker 1:They were both nasty, but I'd get a kick out of Jerry Lee Lewis's nasty oh.
Speaker 2:Jerry Lewis, jerry Lewis, they were both not too nice.
Speaker 1:Yeah, the Don Knot Show played for one season.
Speaker 3:Oh yeah.
Speaker 1:This is the Ray Steven Show. It says 70 and it just doesn't seem to have an end on it.
Speaker 2:Everything is beautiful.
Speaker 3:Ahab, the A-Rab Prince of the.
Speaker 2:Burning Sands.
Speaker 3:Call it the streak, the streak.
Speaker 1:No, look, Ethel. The streak is called Happy Days, from 70 to 76. This summer replacement comedy variety show not to be confused with the long running sitcom. Then what the fuck did you call it Happy Days?
Speaker 3:Yeah, at the same time period.
Speaker 1:How'd they get away with that? Wow, jesus, that was American Hodgepodge Lodge. Hodgepodge Lodge yeah, miss Jean would teach children to touch, to be nice and swingy. Imagine that Nice. About nature through hands on. Yes.
Speaker 3:Such as cooking and crafts done in a small cabin. Cooking and crabs Still in a small cabin. No internet.
Speaker 1:Built on the MPT site.
Speaker 2:What the fuck is that?
Speaker 1:We weren't going to say what that stands for. I heard that was code name for Epstein's Island.
Speaker 3:Bunch, bunch, bunch. No, it was not an after school show. Where's that a Saturday morning thing?
Speaker 1:That was a Saturday morning thing, I think.
Speaker 3:Remember the magic garden?
Speaker 1:No, no no, I think that was an every morning thing, like after the romper room or something Like before the romper. Yeah, Well, that's it. I got dying this place. Oh beat, the clock came on, beat the 75.
Speaker 3:What about all the family?
Speaker 1:No, that wasn't 70.
Speaker 3:That wasn't 70?
Speaker 1:No, I would have had it by now.
Speaker 3:Are we sure?
Speaker 1:I'm sorry, 71? It had to be 71, probably Because that would have been probably up the top if they said the odd couple.
Speaker 2:Yeah, because, like Mesh came out in 72. Yeah, I'll tell you right now. Well, do we?
Speaker 3:go in the middle.
Speaker 1:Lou, do you have any random relish?
Speaker 3:We were talking about some things that were mistakes, that were in the recording process of songs that were kept in the song yeah, or things that you didn't know were mistakes, and so the reason I started thinking about it was because on the Mavis and Pop is I saw her again there's a part where they're bringing it back down to the chorus and they're doing I saw it. There's a line when Denny Doherty goes. I saw her. I saw her again. It sounds like, if you listen, it sounds like it's part of the recording because the way it was what it was, it's a mistake.
Speaker 3:It was a punch in that engineer Bones Howe who went on to produce the fifth dimension. He went to punch in that chorus line and it was just the one guy singing, but they were just supposed to be silenced and they were supposed to go back into the. I saw her again. It was just that there's supposed to be silence with a ride symbol. It was like I don't know what they call the musical term. It's suspension and you know, if you had this song up, you'd know the part. It's silenced, there's music and then they go into the chorus. What sounds like someone comes in early. And it wasn't. I thought it was in recording process. I thought he's just saying we jumped the gun on it, but he didn't. It was a punch in mistake by the engineer, so he tried to go back and redo it. He got them queued in but you could still hear it, and so at that point I think they were either going to do a retake, but they're rushing to trying to get a single.
Speaker 2:They had studio time. Well, the thing was.
Speaker 3:Lou Adler, the producer, the legendary producer. He heard it and he goes. I like it, keep it in Keep it in. So the girl from Eponema has one of those Does it really has a glitch.
Speaker 1:So at one point you hear Astrid, she'll bet, don't go See. She starts going up in Iraq and her husband at one point he kind of prompts her. He's like you can very, very rarely you can hear a little bit he does.
Speaker 3:He goes like oh, yeah, yeah, yeah, he gave her the note you gave her the note.
Speaker 1:Yeah, but it's kind of mixed in there. It's mixed in there. They were like, yeah, no one's really going to notice it.
Speaker 2:There's two mistakes. On Led Zeppelin 3, if you listen closely, before the final verse of immigrant song, robert Planko's. So now you bet he comes in too early. They left that in. Just listen close. And then on Adam, the Tiles John Bonham had like he could play the rhythm but he was being told in the song when he hear dun, dun, dun, dun, dun, dun, stop, he hears someone go like that, which I find that stuff cool.
Speaker 1:All right. So let me see I'm looking at. Why can't we be friends, right? Why can't we be? So you don't have to wait too long to hear keyboardist Lonnie Jordan's flub in one of the most joyous R&B hits in the 70s. It happens, right in his introductory solo on the eighth chord in Jordan's pattern, he accidentally hits a note that's one half step higher than the note he intends to hit. The result is what musicians call a grace note, a tiny quick note that immediately resolves into another longer note.
Speaker 3:But it's out of tune. It's out of tune, yeah, and it's quite obviously a mistake.
Speaker 1:You know, yeah, let me see, wish you were here.
Speaker 3:Have you ever heard that? Have you noticed it?
Speaker 1:I probably have with my friends.
Speaker 3:No, I wish you were here. I'm I'm queuing it out. It's. It's a mistake. It's at 44 seconds of the song.
Speaker 1:Right, I don't know how you guys are getting away with that stuff. I heard you. I was watching your part you showed the other night.
Speaker 2:You don't get this show man.
Speaker 3:Yeah, what if it's like three seconds?
Speaker 1:No, you can. The podcast isn't going to do it. I always get dinged by fucking YouTube, like they haven't shut me down. They say it's not a strike, but it's like they'll. They'll edit it out.
Speaker 3:Even if it's a cough.
Speaker 1:No, like, if you're playing the song like you guys played like 30 second clips the other day. Yeah, yeah, the burp back rack.
Speaker 2:Yeah, 15 seconds seems to be the limit. If you limit it to 15 seconds, you're safe.
Speaker 1:I always get fucking hit.
Speaker 3:I don't know All right, let's just try it.
Speaker 2:I make it. Make it under yeah. Oh, that's the sound effect though.
Speaker 3:No, it's not.
Speaker 2:No.
Speaker 3:But you talked over it. Oh, sorry, that's all right, I never know, I never noticed it.
Speaker 1:Yeah, the performance is actually by Ben David Gilmour. I'm in some question of breathing and coughing on tape, including sniffles and coughing yeah, it says. While one scoodle thought claims that those noises were either done on purpose or just more radio chatter, another insist that Gilmour couldn't control the side effects of his smoking. Yeah, and that he quit cold turkey upon hearing the playback. Yeah, check it out.
Speaker 2:I always assumed it was a radio.
Speaker 1:I never noticed. I don't know why I was like there's a radio program.
Speaker 2:It's really obvious.
Speaker 3:It's real funny. Oh, it's horrible. They can hear him sniffling after that.
Speaker 1:Let me see so police rocks in.
Speaker 2:Yeah, the very beginning, yeah, yeah, this post punk class is bothered me forever.
Speaker 1:My gears always grind over the shift in pitch, in tempo of Andy Somers guitar chords as the song starts and researching the cut. The best excuse is that flange seems to be loose. Recording tape seems to be wrapped around the pop tape, wrapping around the take up reel too slowly.
Speaker 2:Now, that happened to me a few times with original masters and if it snaps too quick you could break the master, and it happened to me a few times.
Speaker 1:Ah, let me see. The truth is much more mundane. In trying to sit down for the studio, take Sting accidentally introduced his ass to some piano keys.
Speaker 3:And that's what you hear yeah.
Speaker 1:Yeah, you hear that. Yeah, Now, just what I needed the cars. What's that got? Yeah, in terms of return on misinvestment, the drum error in the cars debut single might be the most valuable mistake on the list. It happens in the third and final verse. Up to that point, drum and David Robson and played a standard rock beat with the snare kicking in on the second and fourth beats of each bar, like it's supposed to in virtually every mid tempo rocks on, but on the line because you're, because you're standing oh so near, I kind of lose my mind. Robson gets mixed up and hits a snare on the first and third beats. Yes, instead of going kick, snare, kick, snare, he goes snare, kick, snare, kick.
Speaker 1:I wouldn't notice that I would say disrupts the meter in the listener's head, wow, and gives a whole new layer of meaning, of meaning to the song, up to the point where singer Riko Kasek's been very structured in the face of a relationship. That's that. It's isn't all that great, but nonetheless gives life some sad shadow order. Whatever the fuck that.
Speaker 3:What the hell does that mean I?
Speaker 1:don't know the right Wax. Poetic about a song.
Speaker 3:Really, you know it's weird as a drummer. It doesn't sound like a mistake, it's sounding like he's just trying to shift, shift up the beat a little bit. You know, because he's playing straight ahead throughout. And if he had played, like I said, the snare on the two and the fourth throughout the whole song, it wouldn't wouldn't hurt it obviously, but the fact it was. When you stand in oh so near, it turns a beat around. But to me it gives that third verse a little more emphasis.
Speaker 1:So it says the mistake works so well that a couple of bars later Robinson does it again.
Speaker 3:Yeah, yeah, this time intentionally. But then how he goes back into the, I almost lose my mind. Yeah, he goes. That gets him back into the regular two and the four.
Speaker 1:Yeah, Eminence front by the who. Yeah, there's supposed to be a little stutter there a little lyrical flubs and professionally released music, or everywhere and nowhere at once. Flip flop words pass us by in the blink of an air. When timed right, this timed, vocal cues can sound natural, even purposeful. But nothing should have allowed original LP version of this cut to reach mass duplication. The opening of the first chorus finds Pete Townsend on a rare vocal, on a rare lead vocal, quickly falling yeah, a syllable behind Roger Daltrey.
Speaker 2:Right, it's an Eminence front. Yeah, I love that, though. I think that's great.
Speaker 1:I thought it always sounds like it was meant to be Right.
Speaker 3:So I like the guitar solo on camp. I Me Love where one version was recorded in France and one was recorded at Abbey Road and when they couldn't get the two to link up, so there's a delay. So it sounds like it's like it's, so it's two guitars really. Just they could not get it into sync.
Speaker 2:Doing that back in 62, that's pretty. Or 63. That's pretty wild that they, you know, double track the guitar from two different countries. Wow.
Speaker 3:Yeah, so we'll guitar solo.
Speaker 1:It says. You can almost hear Townsend rolling his eyes. It says a lot. None of it good that this flawed anthem to be for coked out 1980s culture is still well I can. I can attest to that. It's still somehow this album saving grace.
Speaker 2:Now a little background. That album was recorded at Andy John's home studio not a big studio, so maybe, being at his home studio, things were a little looser too you know, and it's Kenny Jones, finest drumming ever. Yeah.
Speaker 3:Yeah.
Speaker 2:Yeah, I hate it.
Speaker 1:The unforgettable fire.
Speaker 2:the song I know what you're going to say about this.
Speaker 1:Yeah, so you get Larry Mullin Jr counting off his sticks before realizing he wasn't supposed. Thought it might as a barely audible, oh shit.
Speaker 2:I was a headphone listener at that time, unforgettable fire. I had my vinyl. I heard that.
Speaker 1:I love it. And again that, yeah, that the drumsticks in that they're kind of off, really didn't kind of fit. Yeah, yeah, oh, love shack, did you know that there's the mistake? And love shack, yeah, it's 16 miles and you'll find it. Oh, let's see. Uh, wait, what's the hell? What the hell's wrong with this? Well, music is littered with songs where lyrical jumps, where vocalist jumps into their lyrics too soon or too late. Nirvana's Pauly and James Blunch You're beautiful. Immediately Leap, you're beautiful.
Speaker 2:Right, I was Rod Stewart when I first heard it.
Speaker 1:Well, in 2011 interview Kate Pearson let it slip that bandmate Cindy Wilson, mr Q, in the song's instrumental track, her legendary uh Cotta wall tin roof rusted wasn't supposed to be a solo acapella, or at least was a beat or two off. The band decided to leave it in. Uh, it's a point of emphasis. It helped turn the song from male party monster to an alt pops signature tracks.
Speaker 2:Sure, that's a great moment.
Speaker 1:Yeah, well, it definitely is the key moment of the song, Right? Yep? Uh, let's see creep radiohead. Uh, not many publicly available musical mistakes come to mind that were made with some form of malicious intent. But radiohead guitarist Johnny Greenwood presaged the band's reputation as a go big or go home kind of outfit. Greenwood wasn't a huge fan of the song's original quiet nature, so he went out of his way to fuck it up. He would yank tuneless dead notes out of his guitar. Tom York propelled his own bitterness, uh, to the chorus. But I'm a creep, I'm a widow. Yeah, that got, yeah.
Speaker 3:Yeah.
Speaker 1:Yeah, and as a practice on the songs progressed, the band decided to accept the noise as part of the song in the studio wonks. Uh, and the studio wonks they played it for smartly chose to preserve it for posterity. The rest, as they say, is a career.
Speaker 2:Is that's their most unoriginal album too. After that they became a totally original band. Yeah.
Speaker 3:They came close to um a near plagiarism with the year that I read by the Hollies. Yes, there's a little bit. It's almost like the other.
Speaker 1:I agree, it's really close, yeah, oh, yeah, that I breathe, yeah, yeah.
Speaker 3:Um, so there's one, I should. There's two on Louis Louis, where I think it's at 54 seconds. Apparently the drummer made a mistake and yells fuck.
Speaker 2:But it was Louis. Louis. It's hard to say that's hard to tell. No, it's all anything.
Speaker 3:No, you can't tell. And there's a part with I mean, some of those drum fills are goofball. They're really good but they're really, they're really weird. But there's one where the singer didn't come in with it where you're supposed to, so the drummer did this crazy ass fill and that covered up for the drummer. A true garage band. Oh yeah, yeah, that song was port parent port over by the FBI. They're looking for upset.
Speaker 1:Yeah.
Speaker 3:They couldn't.
Speaker 1:They couldn't find anything because they couldn't make any of that. No, no.
Speaker 2:Hey hey look at the line I felt my bowling in there. Hey Lou, how many times, like, how many people have done this to you when you and your son walk into a room Louie, louie, how many people do that?
Speaker 3:to you, of course, yeah, of course, I say Louie, louie, louie, louie, louie, louie, louie, louie, louie, louie, louie, louie, louie, louie, louie.
Speaker 1:Here's the All right. We have any more relish If anyone wants to hear mistakes.
Speaker 2:Just listen to any of the first three Van Halen albums on headphones. You hear tons of them. That's what makes them great. David Lee Roth cracking up during the songs I love it, I love it.
Speaker 3:Yeah, yeah. So in day in the life of Sergeant Pepper, apparently at the very end and I listened to it for it tonight and couldn't hear it when they do that after they hit the big chord, the big silence as they ride the song out. Apparently Ringo squeaked his foot on a pedal and you can hear it. I couldn't hear it.
Speaker 2:Yeah, I think that's something only the dog can hear, you know yeah, yeah.
Speaker 3:And on the song Asia, on the drum solo apparently. Steve Gad apparently hits the sticks together at some point.
Speaker 2:But Donald Fagan allowed that on the record if he even did it.
Speaker 3:And I was a one take, that was a one take.
Speaker 1:Wow, yeah, great, let's see. Okay, let's do the top 10 this week in 1970. This week, a little different than last week, number 10 midnight cowboy that made it into that was 12 the week before.
Speaker 2:Who did that?
Speaker 1:Ferebde and teacher. Yeah, I number nine. This week in 1970, down on the corner, fortunate son, I created clear water revive. No, that was a dual song.
Speaker 2:No, it's not.
Speaker 1:It's to the most is down on the corner, fortunate son. That's been the B side fortune yeah. Number eight this week Jam up jelly tight by Tommy Rowe.
Speaker 3:Number seven this week.
Speaker 1:That sounds horrible up from 11, from 11 to 7. Don't cry daddy rubbing neck and Elvis Presley man. This week in 1970, a number six fell from number three the previous week leaving on a jet plane. We've broken it to the Peter.
Speaker 3:Peter Paul.
Speaker 1:It was a cool.
Speaker 3:P, it was called paedophile.
Speaker 1:Paul and Mary Pato. Paul and Mary.
Speaker 2:It rolls off the tongue.
Speaker 3:Jesus go away.
Speaker 1:Little girl, hold it strong at number five this week like it was last week whole lot of love, living, loving made. She's just a woman led Zeppelin. Yeah, number four this week fall from number two the week before. Someday we'll be together. Diana Ross, number three this week up. Number one up up one from four. I want you back to Jackson five, nice number two this week, up from number six shocking blue Venus, nice and Number one holding strong From the week before. Raindrops keep falling on my head. Bj Thomas, bird backer All I can see is Paul Newman riding a bicycle.
Speaker 2:Yes, so let's do a 20 to 11.
Speaker 1:Number 20 this week In 1970 come together. And something the beast, 1970. Come together. And something the Beatles. Number 19 this week in 1970. Evil woman, don't play your games with me by crow. Number 18 this week in 1970. Eli's coming three dog night. Number 17 this week in 1970 na na, hey, hey, kiss me Goodbye from steam steam. Number 16 this week in 1970. I'll never fall in love again. Dion Warwick.
Speaker 3:Bert Becker act.
Speaker 1:Yeah, number 15 this week, up from down from 13 Holly holy nail diamond. That's heiny hole in it yeah here we go again To quote mark number 14 this week. Number 14 this week without love, tom Jones. Number 13 this week in 1970, early in the morning, vanity fair. Number 12 this week in 1970, jingle jangle by the Archies. And number 11 this week in 1970, la la la inside fell out of the top 10. A la la la, if you, if I had you, bobby Sherman, aha jingle jangle Haha.
Speaker 3:Yeah.
Speaker 2:No, I don't.
Speaker 1:As we're ahead of schedule tonight, we might have an early one tonight. Oh, I can argue with that.
Speaker 2:This is like a bad dead gig.
Speaker 1:If we do the two hour and a half show like, by the time I download it I get to bed at like 1145.
Speaker 2:And you wake up at five. No, okay, I'm retired remember we're getting we're getting two inches of snow tomorrow, so I'm like really freaking out.
Speaker 1:Yeah, we're supposed to get ice tonight, which is not good, that's worse, that's probably what the horse is, from nine tomorrow to like fucking five in the evening like the video to Scott.
Speaker 3:That was cool.
Speaker 1:Thanks, that's for rent. We submitted that. They said to get the grant money thousands for this. You just put it on the social media and tag them in it and then put it on their Instagram and so, yeah, we kind of cut. That horse was in a mood today, buddy. Yeah, he started chewing on my pants. He's never done that Right, he goes down, he starts pulling at my, my show. I'm like you should see, I'm gonna try to get the outtakes, because it took like five times to do it. One time he just kind of walked in front of me, just kind of pushed.
Speaker 3:Right out of the way it just walked right in front of the camera.
Speaker 1:Another time he started going for a tree like leaf and it's pretty funny. It's all time to the outtakes when he loses weight against you.
Speaker 3:You can feel the power of the Dude. It's good.
Speaker 1:You don't realize how strong a fucking when they just walk, when they take up space. It's called taking up space, which is when a horse like the three of us could be standing there and one of the horses that we, that we, that's part of our herd, miss America, she will just walk right in between you like she's gonna take up space and you, you, if you stand that you're getting bumped like yeah, oh. Yeah, do not realize how strong they really are. Yeah, until you get bumped by one. It's like Now.
Speaker 2:Now I want to ask you something, because I've never interacted with a horse, but my good friend Walter told me, if you, I'm gonna go back to Mexico.
Speaker 3:All right, let's go on with that.
Speaker 2:Lou said he was gonna get me.
Speaker 3:He's wearing a pair of really big rubber hip boots too.
Speaker 2:So anyway, so like you can, if for you to lead a horse or doing it's, it's, trust the horse doesn't like you no horses don't judge.
Speaker 1:They don't not like you. They have to trust you. They have trust.
Speaker 2:It's all trust. They have to feel safe with you exactly.
Speaker 1:So a horse can can feel your heart beat like four feet away, like they know if you work. That's why we ground a lot, a lot of time we bring groups in and we ground before we go in. It's kind of like a meditation Listen to the wind, listen to what's around, you feel your feet just kind of lower everything, lower your energy.
Speaker 2:Because if you have, if you're nervous and you have like a fast heart.
Speaker 1:They're gonna respond, yeah, differently. They're gonna respond differently. That's a protection right Like yeah, you know yeah 65 million years of genetics has given them that Design that they're. They're prey animals, so they have a different, you know, predators and prey right dogs are predators horses of prey.
Speaker 1:One side of the brain, the other side of the brain, yeah, yeah, they think totally different. But a horse wants to feel safe with you when you're with them. They want to see you a leader, you know. And then you know like you get the horses that you go to pull it, like you just stand there, what's just there. Yeah, now they have a choice. People don't you know, the first people they don't want to pull like they think in the horse's neck is stretching and like the, the one of my, she's kind of like my mentors, she's. She's like, don't feel, the horse has a choice.
Speaker 1:The horse has a, he can go with you or he can really just pull away from you.
Speaker 2:Yeah, and my damn thing you can do about it.
Speaker 1:Yeah, he's gonna rip that rope out of your hands if he wants. Yeah, but so what you do is to get the horse to go. Everybody turns around and looks at it like they're looking at the horn. The horses look, just look where you're going. That's what the horse really looks for. That. Oh straight ahead so say there's a fence post, I'm gonna go to that fence post and you just pull, take a step and the horse will eventually go with you.
Speaker 2:He wants to know that you know where you're going. Yeah, they want to know that you're safe. It's trust. Yeah, yeah, it's interesting.
Speaker 1:It's if you haven't get a chance. It's great stuff.
Speaker 2:Oh, I'm dying to yeah.
Speaker 1:Yeah, it's great stuff, all right. Uh, this day of music this day in 2023, american singer-songwriter and guitarist David Crosby died the 81. Uh, that's the shit. That was only two years ago, that's last year. That was last year.
Speaker 3:I wrote it was co who COVID related. The family didn't want to release details. But Well, he wasn't very healthy, he wasn't very.
Speaker 1:No, but he was on. The made it past the kidney transplant.
Speaker 2:He, um, he did that big interview with Howard like less than a year before he died. He was almost, like you know, very close to when he died and he laid a lot out in that interview and I listened to it and went, wow, he really wasn't asshole, but he made great music.
Speaker 1:Yeah, I mean he never really made peace with those other guys either.
Speaker 3:He couldn't, I, he couldn't, I don't. I think he was just too much Of a dick. I mean, I just wanted to.
Speaker 1:I saw a thing, and then he just wasn't. They Whatever but by the time they wanted to, he just couldn't yeah, I think you know what they all get to that point like Hauling oats. Like you get to the point like you know what dude I'm. Just I've known you for fucking 60 years. I don't need to do this with you. You know, like daryl hall says uh, he's, he's my business partner. No, notes is my business partner, he's not my partner.
Speaker 2:I think the best way that was represented to me was when I asked uh, what the David, gilmore, roger water split and and someone said, would you ever get back together? And Gilmore said, well, if you have a wife and you divorce her, maybe you can be friends, but you ever gonna sleep in the same bed again.
Speaker 1:Oh, you know what's a while Couple that kept getting married and they who the fuck was that they get married like three times? I forget who it was. Oh, no, it was uh we're the kaboors there's no. Elizabeth Taylor and Richard Harrison Richard.
Speaker 3:Richard.
Speaker 1:Burton.
Speaker 3:Richard Burton like they got married like three times.
Speaker 1:Yeah, on this day in 2016, eagles guitars again. Glenn Fry died at the age of 67 that was totally surprised. That was probably complications from rheumatoid Right as colitis in pneumonia. It was the Medicaid.
Speaker 3:The medication gave him. Yes, the money's in his wife. There's, I think they settled out of court. Wrongful death suit.
Speaker 2:Really yeah, he shouldn't have died, he should not, he should have died.
Speaker 3:You know, he went in for abdominal surgery, which was the colitis thing, and they had to put him in a medical we medically induced coma. He just never came out of it.
Speaker 1:Hey, this one's for you, lou. American session drummer, dallas Taylor. Yeah, he died of complications pneumonia in 2015 and kidney disease at age 66.
Speaker 3:Yeah, he lived around here, I think for?
Speaker 1:okay, let me see. On this day in 2011, the largest collection of Beatles memorabilia Went on display in a new museum in Buenos Aires, argentina. Some Spanish guy, 53 year old, accountant, turned his mammoth beetle collection into a museum with more than 8,500 objects, setting the world like fucking gotta love. Good for you, rudolph O Vazquez. Now say your name Argentinian, rudolph O Vazquez what did he have? There was some of the items include a box of condoms bearing the names of John Landon. Get out of here a brick from the virgin condoms the brick from the calving club Behind me.
Speaker 1:On the green monster. Let me see, see where is it. So on the green monster, right? Oh, you see this little cluster right here.
Speaker 2:Yeah, yeah.
Speaker 1:Yeah, there's a brick from Fenway Park. Ah and he still see the green on it.
Speaker 2:I'll tell you story about it. He told me story, yeah.
Speaker 1:Yeah, it's pretty and it's legit too. Let me see. Let me see a brick from the calving club, a chunk of the stage From the star club in Hamburg and certified copies of band members birth certificates. Wow, his favorite items were 64 boxes of chewing gum in the form of Beatles records.
Speaker 3:Well, who made that? It was. Who made that stuff, I don't know.
Speaker 1:But how do you fucking afford all that shit?
Speaker 2:You just buy through the years you know low by low.
Speaker 3:They've up your money, so I'm gonna go on look those bricks and those other things piece of the stage from the star club. They have to be seriously authenticated.
Speaker 1:Yeah, I'm sure they were. Yeah, yeah, if they put them in a museum. So I'm a collector, as you know, like I collect, you know, superhero statues, vintage cameras, santa. Claus, vintage Video cameras. Right, all those vintage cameras. The the best part for a collector is looking for the next piece.
Speaker 1:It's the hunt, it's the thrill of finding like I found a fucking life-size Hulk I mean fucking, really. And then you plan on, you want to get it, like there's a whole, like a whole thing that your brain goes through this Iron man. I wanted this fucking Iron man. I wanted an Iron man and Spider-Man for years, yeah, but this Iron man came up with the the glove, right, and I was like that I got to get that, I just have to, and so you, you pay it, you pay for it, yeah, yeah.
Speaker 1:The fact that I got that Iron man for 40 and the Spider-Man for 4500 bucks. Like I can tell that I am here right now for a minimum 10.
Speaker 1:Yeah, easy easy, but okay, let me see. On this day in 2007, islington Green School in North London was fighting plans to turn it into an academy. The school, which found Fame when some of its pupils sang on Pink Floyd's, hit another brick on the wall. Part 2 wrote a new version of the song to sing Outside Islington Town Hall as part of their protest. They hoped lyrics such as we don't need no business control and hay Bankers, leave our kids alone. I love that.
Speaker 3:I love that, chris.
Speaker 1:Persuade authorities to reject the proposal. They never give you like final on this. They never say like what happened? Yeah, yeah, I guess they want you to Google it.
Speaker 2:It's kind of like the Gordon Ramsay show. Did you really save the restaurant? You never know.
Speaker 1:Let me see. On this day, 2006, animals and Michael Jackson's private zoo would declare to be in good health after officials paid a surprise visit to the Singers Neverland match Okay, good, good. Um I need to take care of them, and I don't think Michael Jackson would let his animals.
Speaker 3:He might know where.
Speaker 1:No, but yes animals are a whole nother thing with people. Yep, people and animals is strange in itself.
Speaker 2:Well, that's that. There's that old thing, like they say if you pull 100 people, if you saw a dog hanging from a ledge or a human, which would you say, well, because we're desensitized, right with desensitized to seeing people die. Yeah.
Speaker 1:Yeah, movies, schools, news, the whole thing. We're really desensitized to it. So a human dies. What's worse, you know a child died, so okay, yeah. But if somebody sees a dog get kicked, yeah right, yeah. So you see this person died, but you see a dog get kicked, you're more upset that the dog got kicked. Or the cat got kicked. Then you are that the human got murdered, do you? Remember that someone's listening to go.
Speaker 2:No, no, that's a fact and in the first John Wick, that Everyone like they said that most people say when his dog got killed. Even though you had a hundred people die a minute in that movie, they couldn't take that his dog got killed you know right.
Speaker 3:Remember the movie in the line was in the line of fire where Cleenies would. Andy Garcia, john Malkovich plays this psycho assassin and he makes his plastic gun to use For metal. And so he sees some guys shoot a duck for no reason Why'd you shoot the duck, asshole? And he test the gun out on the guy.
Speaker 1:Yeah, yeah, hard and hard and killer assassins.
Speaker 3:He's so many killing innocent animals alone.
Speaker 1:Yeah, on this day in 2001, oasis guitarist Noel Gallagher was granted a quickie divorce from Meg Matthews at the High Court in London. The couple had split last September, eight months after Meg a given birth to their daughter, anais the creative genius behind Oasis a Quickie divorce he got a quick is not like a Mexican divorce.
Speaker 2:Yeah, a Haitian divorce. What do you want for?
Speaker 1:life, a Las Vegas wedding, a Mexican divorce.
Speaker 2:Donald Fagan would say Haitian.
Speaker 1:Yeah, let me see. Spencer Goodman. Oh, here we go. On this day in 2000, spencer Goodman was executed by lethal injection in Huntsville, texas. Goodman was convicted of geek Kidnapping and murdering the wife of ZZ top manager, bill Hamm in 1991. Oh, oh, I'm was present for the execution. Oh, wow, let me see. On this day in 1997, a songwriter and producer, keith Diamond, died of a heart attack. He wrote Caribbean Queen or Caribbean Queen and suddenly for Billy Ocean. Also wrote hits for Donna summer, james Ingram, mick Jagger, sheena Easton and Michael Bolton. Was he Niels brother with a lot of money? I'll tell you what if he's getting? He got writing credits on all those songs was he Niels brother?
Speaker 3:Let's see Toriamos we don't care on this day in 1993 Elton John Risa.
Speaker 1:1993, elton John re-signed his dictatorship of Waterford football club. Yeah, on this day in 1990, english singer Mel Appleby died of pneumonia at age 23 Following treatment from meta-medastastic. Yeah, that's depressing. Yeah, on this day in 1989. It's just 38 years old Stevie Wonder became the youngest living person to be inducted into the Rockin Wall of Fame. He was only 38 and 89, hmm.
Speaker 2:No, right. That's why he's still playing like I go holy shit, Is he a hundred?
Speaker 1:No, he's not you know he was little Stevie Wonder. He was like fucking eight, when he was out there singing what's the, what's his famous the?
Speaker 3:line.
Speaker 1:Yeah, number two for your fingertips pot. It was something yeah he wouldn't get off the stage, like he just kept singing. I think there's video of that too.
Speaker 2:He was the Ingve Malmsteen of harmonica players hey.
Speaker 1:I'll tell you what if you get. I always say he is the most gifted Artist. And then Prince's a 1a it's.
Speaker 3:Stevie Wonder was first.
Speaker 1:Yeah, one and one a. Stevie Wonder did it, as we said, you know, blind, he just overcame a lot To be able to produce his own music. Play all the instruments he played, just brilliant, brilliant, oh yeah, yeah, you know.
Speaker 2:And Prince, again one and one a, really and and backing it up, not just playing, but with the music, you know, yeah.
Speaker 1:Let's see. On this day in 1981, wendy O Williams of the Plasmatics was arrested on stage in Milwaukee. It was charged with offense of simulating sex with a sledgehammer Good old. She was the real Wendy O Williams. I don't care what this is. I like the black lady. I always liked her. For some reason I liked her but she was Wendy Williams.
Speaker 2:She's Wendy Williams.
Speaker 1:Yeah, wendy Williams, it's so. You know Wendy O Williams or Wendy Williams, who gets a rod, that should something. Do you ever see her story like what's going on with her? Wendy Williams, yeah, yeah, yeah, her boyfriend or husband or something and she went crazy and she had a fucking stroke on, stayed like in on during a show. Poor girl, let me see on the stage. 1975, barry Manilas got his first number one US single hit with Mandy.
Speaker 3:We're entitled.
Speaker 1:Brandy, when it was recorded in 72 72 yeah, that's the you're looking glass put out there, brandy on this day in 1974, former members of free Paul Rogers and Simon Kirk, along with Mick Ralph's from Martha O'Bill King Crimson.
Speaker 1:Fawn back company one, two, three, four, yeah, this day in 1967, the Jimi Hendrix experience recorded an appearance on a UK TV show, top of the pops, performing live version of hey Joe. This day in 65, the Rolling Stones recorded the last time and play with fire. I like that song. Yeah, yeah, I like that better than Ruby Tuesday.
Speaker 2:I don't play with fire as much better song than Ruby Tuesday. Ruby Tuesday was a great restaurant.
Speaker 1:Oh, I forgot to do a. I had them to you make the call.
Speaker 3:Okay, you make the call.
Speaker 1:Ruby Tuesday a play with fire, fire. Mark play with fire All right, I did this one earlier. Let me, you know what? Let me, I think I have a few.
Speaker 3:Give me one second for this love these, fucking love these.
Speaker 1:It could be anything too. So let me see what I pull up. Okay, you make the call Crosby stills Nash, sweet Judy blue eyes, or Crosby stills Nash and young woodstock Lou sweet, no, woodstock.
Speaker 2:Mark, sweet Judy, blue eyes. It's Prague I.
Speaker 1:Gotta go with sweet Judy blue eyes too. Maybe it's because I heard woodstock too much. Let's see you make the call. Stephen stills, love the one you with. Or Neil young, hot of gold, hard of gold Mark.
Speaker 2:Lyrically I would say Stephen stills, but I'm gonna go with. Heart. Of gold is a great song.
Speaker 3:I Hate the Steven still, so I never liked that team.
Speaker 2:Really, I never read a coolage. I'm backing folks.
Speaker 3:It's tough to be what if you're with a horse?
Speaker 1:You love the one you with exactly. Let me see what else do I have here? Okay, how about this one? How about this one cartoon villains Snidely whiplash or Savva? There is everywhere from Dudley, do right, savva fair, lou Savva fair, or a snidely whiplash.
Speaker 3:I don't know, I think snidely whiplash.
Speaker 1:He doesn't get enough credit for being a bad guy, does he? Doesn't get credit because Simon boss sinister, or, you know, riff Raff from underdog. Underdog might have the best villains.
Speaker 3:You might have the best villains. Simon Barston, I listen, simon you can get me my tickle ray.
Speaker 1:He shoots the gun with the feather you see it. He's, they see it coming at them. Yeah, that's tickling them. And cad was the best fucking side man ever. Cad. Cad was the greatest side man ever in a cartoon. I did this one today. I Was surprised you make the call Greg almond midnight rider or the Rolling Stones midnight rambler.
Speaker 2:Do you know what I gotta say? I love midnight rambler, but midnight rider has always been a special song to me.
Speaker 1:You know why? I think because you hear it on the radio more than midnight rambler and.
Speaker 2:But midnight rambler is a great song, but yeah, I gotta go with Greg almond.
Speaker 1:I gotta go with the live version of midnight rambler. I'm gonna get your yaya's out. I gotta go. Yeah, it's the live version, like it's just the best version of that.
Speaker 2:So see why you're something funny. I have a good friend, kevin Paul.
Speaker 1:I love midnight rider too. I do love great lyrics. Great, you can take a lot of lines out of that. I got a good friend.
Speaker 2:I got a good friend, kevin Paulie, and one day we we used to, we used to drink and I put on get you, yeah, yeah, I was out and in the middle when he's just doing the harmonica you ever get. Remember when you got the skip in the record where we keep playing it over and over again?
Speaker 2:Yeah so we're getting into it. We were probably on our 10th or 11th beer and then we realized that the same lick had been playing for like 20 minutes. Yeah, oh yeah. Then then and I remember Kevin going I, I think there's a skip.
Speaker 1:Dude, I got a story about that this Drug-induced night with the record. I'll tell you. I don't want to tell on the air. It's oh yeah now debauchery that led up to this was really Fucking crazy. But oh, perry Denovich, the AI says midnight confessions by grass, grass roots. Great song, great song. See, perry, you have to come to the table, though, with a. You make the call. So what is that? What is the? The verse on that one like midnight confessions, grass roots verse who? We need someone to make a Different, like you know, make. You can't just throw a song out there that has midnight. But I love you, perry, I do Perry's still. Perry is still the nucleus to this whole thing. I Am forever in debt. He will always be my friend. You can treat those guys whoever you want, perry, I'm with you, buddy.
Speaker 2:You know he is. He's the weathered white of James Bond. He got us all together.
Speaker 1:He did, and then, and then Tom kind of brought the glue, he kind of glued it together.
Speaker 2:Tom Tom. Is it a gooey glue? That's what he is Okay with a stagging head.
Speaker 1:Born on this day. Let me see, in 1971, my man, jonathan Davis, leads singer from corn oh, yeah.
Speaker 2:Uh when was he born? What was it?
Speaker 1:71?.
Speaker 2:He's even younger than me, wow.
Speaker 1:Yeah, he's about 50 something.
Speaker 2:I'm 54.
Speaker 1:So, yeah, 52 and I always do the last person and let nobody else have any significance. Well, no, tom Bailey. Tom Bailey was born in 1958. He was the lead singer the Thompson twins right I really liked in the 80s. And the last one on the list and born on this day in 1956, american guitarist Jack Sherman Was best known for the second guitarist to have joined the Red Hot Chili Peppers in between Hillel Slovax. Departure and return.
Speaker 2:Man, they went through so many guitars.
Speaker 1:Yeah, yeah, that's the show, gentlemen. We got it two hours and three minutes.
Speaker 3:Huh, we did it.
Speaker 1:This is this is like a record for the last fucking six months. Yeah, yeah, I don't think we did anything less than 220 to 25.
Speaker 2:Yeah and and and Scott. Yeah we didn't even talk about Emerson like a power, but that's next week next week we could, we could pick it up next week.
Speaker 1:We throw in some. I can't. I can't steal the, the random relish that's. That's my own stick.
Speaker 3:I'm listening the stick, he's listening.
Speaker 1:I know he is, I can't, I can't, but I don't wait. I used to do this. What did I call it? I call it mixtape. I said it was always when I did those shows of All different stuff, so I call it. So I'm bringing back the mixtape inverted milk crates.
Speaker 2:I like that one, like inverted nipples, you know.
Speaker 1:Let's get out of here Little weird nipples and fucking.
Speaker 2:What well we're gonna go weird. It's always Lou yeah.
Speaker 1:Well, everybody thanks for watching. Thanks for listening this good show, gentlemen, good show. A job Paced. A little slow at the beginning I was noticing I don't think I was, I'll take the hit on that, I wasn't a hundred percent.
Speaker 2:We didn't want to talk over you, so we would kind of let you talk.
Speaker 1:So yeah, Don't think I'm that nice, don't all right.
Speaker 2:So next week I'm gonna talk over you. If you slow down, okay, you?
Speaker 1:know, you know we got how's this right before we get off penalty box.
Speaker 3:Ah, yeah, go.
Speaker 1:He's gonna get it right before. It's like the games over the fucking, you know, and they fucking, they get a penalty.
Speaker 2:He was unnecessary penalties.
Speaker 1:Unnecessary penalty. You know it's gonna add to his stat into the year. Imagine if I did there. It is.
Speaker 2:Imagine if.
Speaker 1:I did that. Like at the end of the year, I tally up penalty minutes. That's fun between you two, I Think. So we just say so, what we'll do is if one of you guys can keep a running tally in your notebook or whatever. I don't know if we could do it, but like, just add, like fifth, it's a 15 second penalty, right? Okay, so starting. We'll start next week.
Speaker 3:What about tonight?
Speaker 1:Okay, yeah, so marker put in what twice, yeah, and Lou what did you? You got twice.
Speaker 2:Oh, you're sorry, no, for you put him away a few times. By the way, by the way, I guess a bad boy tonight. You ever knows. Records keep your memories. The smell this album has the smell of tobacco. I was smoking when I was playing this.
Speaker 1:Wow.
Speaker 2:Oh boy, it's nice. It's the smell of shaggy 70s carpet and cigarettes.
Speaker 1:God beautiful, the stout buddy. That's nostalgia, yeah.
Speaker 2:Yeah.
Speaker 1:Well, anyways, everybody, thanks for watching, thanks for listening. If you like it, share it. If you didn't like it, well, thanks for listening for a short two hours and six minutes. Yeah.
Speaker 2:I didn't even work up a sweat out. Three wines yeah.
Speaker 1:Yeah, gentlemen, as I always say, and I always mean thank you for your time, thank you for your knowledge, but, most of all, thank you for your friendship. Oh, we've been a big plus to the show and myself and I do appreciate you guys a lot and a lot, as my wife would say, and everybody again thanks for watching. We'll to do. You are the engine that runs this machine without you, and be me talking to these guys. Blah, blah, blah.
Speaker 2:There you go. I was waiting, I thought you forgot it.
Speaker 1:No, no, and as I always say, I'm doing this show for you, to quote my favorite, honest Marcy the pleasure, the privilege is mine and we will be back Next Thursday. Yes, god willing, and if Lou doesn't have a fucking Fucking whatever. Remember the wrestler, the unpredictable Johnny Rods. He was like a jobber like he would always be like the mid-card guy he's always putting somebody over. He's from Brooklyn, New York the unpredictable Johnny Rods.
Speaker 3:That's what he went by like a legendary job.
Speaker 1:All right, that's Lou the unpredictable.
Speaker 2:Luke, a gig may come up race to the house by will he make it, will Make all right, everybody, we'll see you next week.
Speaker 1:Okay, see you.